Review: ‘Interstellar’

interstellar worth watching

Is Interstellar worth watching?

Yes, but manage your expectations.

I watched the film in its best format — 70mm IMAX on one of the biggest screens in the country. I couldn’t have been any closer to the content.

It’s a spectacle of a movie. It uses a lot of flair and constrained visual effects to justify its ridiculously long runtime. And it’s best feature is the emotional story that evolves between Cooper (Matthew McConaughey) and his daughter Murphy (played by Jessica Chastain as an adult).

But the fantastic performances and literally epic world-building is undercut by the science of it all. The ultimate story. It doesn’t wrap up as nicely as it ought to, as the final act tries to be a deserved payoff, but for me it felt confusing and underwhelming.

But it’s still a blast of a movie, and among Nolan’s most ambitious. It’s just not his best.

The trick with Nolan is that he’s often misunderstood as more of a thinking filmmaker than he really is. The director excels most at spectacle that is raised by high concepts, so it’s easy to expect a little too much out of his offerings. 2001, this isn’t.

In other words, he’s very serious, but you shouldn’t take him too seriously. Here, he scatters his near-future world with interesting locations, a race against time, and deep familial relationships, but the only matter truly at the center here is the latter. Otherwise, it’s a lot of exposition carried on by mostly relaxed scientists placed in a hopeless situation. Interstellar gets much of this drama right, but it comes sparsely within the meat of the movie’s middle.

By the end, the power and mystery of love get a little too much attention, as the film trades its interesting themes of man versus nature for a strange admission that both are one in the same. For most moviegoers, this message won’t resonate. But perhaps they’ll be too enthralled by the gorgeous vistas and raw human emotions that are also in play.

Interstellar speaks a lot of sacrifice, both unseen and through our main character, Cooper. Strangely, a lot of the sacrifice he undergoes is written out of the story in favor of a convenient resolution. That said, Nolan shouldn’t be faulted for putting so much effort into injecting spirituality into a film void of hardly anything else.

If the tide continues to turn in favor of Christopher Nolan being one of our most overrated filmmakers, then Interstellar will likely be one of the jewels of that argument. Strangely, it’s probably Nolan’s boldest work.

Grade: B-

The Best Story Rumor for ‘Star Wars 7: The Force Awakens’

force awakens star wars

Kofi Outlaw | Screenrant:

There’s been so much secrecy surrounding J.J. Abrams’ Star Wars Episode VII that we didn’t even known what the customary subtitle to the film would be. We finally know that the full title of the film will be Star Wars: Episode VII – The Force Awakens, and that knowledge allows us to begin to speculate about what that subtitle may imply.

For months on end there has been a steady stream of rumors about Episode VII’s storyline – and there a curious amount of those rumors which could be seen as fitting in perfect synch with what the title “Force Awakens” could be hinting at.

The article goes on to detail a pretty convincing plot synopsis for the upcoming movie.

Honestly, I’m not the biggest fan of the new subtitle. It lacks the epic rush you get from hearing a subtitle like Empire Strikes Back or Revenge of the Sith.

But if you read this take on what the movie could be about, you might (like I did) rethink how well the title fits into this risky, but ambitious, entry. Time will tell, of course, if J.J. will go ahead and title the next movie as Wrath of Han.

Why is Pixar Making ‘Toy Story 4?’

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When I heard the news yesterday, I almost felt robbed. Excited, but robbed.

The Toy Story trilogy is something I treasure as being one of the few “perfect” (whatever that means) things I grew up with. It’s something that started great, got better and then ended perfectly.

So the news that there would be another entry immediately terrified me. The thought of something sullying the unsullied Toy Story movies is just unbearable.

But that’s my gut reaction, and gut reactions have a tendency to be ruled by emotion, rather than logic. And logically, there a few important things to consider about this news. The “facts.”

This isn’t B Team working on this. Toy Story 4 is reportedly being put together by John Lasseter, Lee Unkrich, Pete Docter and Andrew Stanton. If you need a refresher, that’s Pixar’s round table of masterminds. They’re the talent behind pretty much everything good that’s been going on with Pixar for 20 years now.

One thing’s for sure. This project is in good hands.

John Lasseter:

“We love these characters so much; they are like family to us. We don’t want to do anything with them unless it lives up to or surpasses what’s gone before. Toy Story 3 ended Woody and Buzz’s story with Andy so perfectly that for a long time, we never even talked about doing another Toy Story movie. But when Andrew, Pete, Lee, and I came up with this new idea, I just could not stop thinking about it. It was so exciting to me, I knew we had to make this movie — and I wanted to direct it myself.”

Good enough for me.

Review ‘Big Hero 6’

big hero 6 mini review

 

Big Hero 6 is more ambitious than it is a work of art. The characters are brilliant, but not all of them. The visuals are jaw-dropping, sometimes. In fact, the movie is sort of symbolic of Disney and Marvel’s own mashup as two major companies. They go together to create something beautiful, but sometimes you wonder if it’s better than much of anything else.

At any rate, this movie is worth your time if you at least have an undying love for animation, and where the discipline is headed for the next few years. Fans of FrozenWreck-it Ralph, and even Pixar movies will find something to love here, as it manages to pull off an emotional core with its story, without feeling forced (this was one of Frozen’s blatant flaws).

Even Marvel fans will get a kick out of this movie’s energy and humor, and it’s just absurd enough of an adaptation to keep fans of the comic from feeling left out. Though it’s hard to justify a Disney movie that so brazenly mixes its themes with a comic book made from such a disparate tone. You’re probably better off never knowing anything about the source material if you want to get the most out of Big Hero 6.

More superhero film than Disney film, that ends up being what holds the better parts of Big Hero 6 back, as its tale of heroes uniting to stop a vanilla threat is nothing we haven’t already seen too much of. The film’s best material surrounds the patriarchal relationship between the created and the creator, only the created serves as the father figure in this sense.

Baymax is a giant robot with a lot of charm at his disposal, and he is the heart of a movie that should have refocused on how his character develops alongside Hiro Hamada, the young inventor connected to him. Instead, the film frequently sidesteps their story in order to deliver some of the more expected superhero cliches and a rushed assembly of superhero teammates.

For a first try into the foray of Marvel animated adaptations, Big Hero 6 is still a triumph. Gorgeous visuals and stunning animation elevate the fictional location of San Fransokyo (a mash up of San Francisco and Tokyo) to heights on par with more established comic book cities. And it serves as an excellent backdrop to the adventures of a boy and his robot. It’s just too bad the final product is too much, too soon.

Grade: B

 

Celebrating 10 Years of ‘The Incredibles’ (With Myth-Busting)

Today marks the 10th anniversary of one of Pixar’s most treasured films, The Incredibles. A sequel is in the works, but it’s not due for another few years. In the meantime, let’s take a look at some myths about the movie that deserve to be busted.

Specifically, one of my favorite websites (as you know) is Cracked.com, and they’ve celebrated the anniversary by poking some light-hearted fun at the movie and Pixar. Let’s take a look!

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Mark Hill and JM McNab | ‘The Incredibles’ is Disney’s ‘Watchmen:’

The Incredibles shares more than just a premise with the graphic novel Watchmen, which later became a movie itself, albeit one that replaces the source material’s Reagan-era malaise with emo hissy fits. As pointed out by Baltimore Sun writer Michael Sragow, both stories concern a world where superheroes exist but have been forced to retire after the American government outlaws their work for political reasons (apparently Canada and Mexico don’t have any crime worth fighting).

Both movies feature a pathetic hero who feels emasculated in retirement — Nite Owl in Watchmen, Mr. Incredible in The Incredibles. They’re getting old, they’re getting fat, and they’re disillusioned by their mundane lives.

Both superheroes are drawn out of retirement to investigate the disappearances of other retired superheroes. They eventually discover that the murderers are exceptionally intelligent supervillains with no actual powers. There’s Ozymandias in Watchmen and Syndrome in The Incredibles — both once wanted to be superheroes, and even as villains they believe they’re serving the greater good. Also, they both have dumb hair.

There are a lot of issues with that last point, the main one being that Ozymandias wasn’t an outsider to the superheroes like Syndrome was. And his motivations have nothing to do with being accepted as a superhero, as opposed to Syndrome. Their goals, endgame and character arcs are wildly distinct.

The hair thing is pretty accurate, though.

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Going further, the reasons for why superheroes were outlawed are vastly different between to the two stories. In Incredibles, supers were banned because of their collateral damage and perceived negative influence on the world. Humans just wanted them gone.

In Watchmen, superheroes weren’t really necessary anymore because Mr. Manhattan was a demigod who could solve everyone’s problems (and wars) at will. So the differences between these stories come down to need vs. want.

Lastly, Mr. Incredible is not “drawn out of retirement to investigate the disappearances of other retired superheroes.” That’s just completely false. He’s lured out of retirement to relive the glory days and work for what he believes to be a top-secret government agency. He just wants to be a super again. He doesn’t even realize superheroes are being hunted and killed en masse until a while after Syndrome betrays him on Nomanisan.

I suppose Syndrome believes he’s serving the “greater good,” but it’s certainly not in the same vein as the more serious Ozymandias. Syndrome is really only concerned with satisfying his own ego and eliminating the very concept of being “special” or super. Ozymandias carries his plan forth because he honestly believes it’s the best solution for mankind.

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Mike Guernsey | The Incredibles — The Return of Heroes Means the Return of Villains:

The ban on heroism prevented heroes from heroing without the fear of legal action, but the supervillains were already operating outside the law — the ban opened the door to a whole new world of crime. You’d half-expect the newly unstoppable villains to take over the planet, but flash-forward 15 years and there’s no evidence of mass slavery, destroyed cities, a villain king — nothing. The supervillains are apparently as extinct as the heroes. When Mr. Incredible sneaks out to do some occasional crime fighting by night, he’s taking on regular old petty criminals.

The article also points out that not long after the Incredibles return to the public eye at the end of the movie, the Underminer arises (literally out of nowhere) as a new, malicious supervillain. Mike, the author, makes the assumption that he’s the first supervillain in a long time, thus claiming the Incredibles to be the cause of some sort of supervillain outbreak.

This isn’t really grounded in any tangible proof, though. Supervillains may not be running around on the screen during the movie (besides Syndrome), but that doesn’t mean they don’t exist. And even if it did, that’s correlation, not causation.

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Also, that makes me wonder the motivations of these supposed villains. Why would it make sense for you to only be a supervillain if there are superheroes around? Is the assumption that they’re bored and only willing to commit crimes if there’s someone as strong as them ready to foil their plans? When you think about it, the whole thing falls a bit flat.

I think it’s more reasonable to assume that the super villains were still around, but never a pervasive threat. In fact, there probably weren’t that many of them at all to begin with. Mike even points out that the villains (like Bomb Voyage) don’t have any “super powers,” which means the authorities were probably enough to deal with them.

They just did what they pleased and avoided capture, which became that much easier once the superheroes were banned. We also don’t know if superheroes still fought villains as vigilantes (similar to Mr. Incredible and Frozone) over the years despite the ban.

So there you have it. 10 years later and we’re still talking about The Incredibles. Now that’s how you know Pixar is good at making movies.

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Christopher Nolan: Real Movies Don’t Have a Post-Credits Scene

Christopher Nolan credits

Tom Shone| The Guardian: 

[In regards to Man of Steel] When the studio asked if Snyder would add a comedy coda ending, in the style of Marvel, Nolan’s reply was “A real movie wouldn’t do that.”

I guess we can count this as confirmation that Interstellar doesn’t have an “after-the-credits” scene, though that was to be expected. I’ve never left a Nolan film feeling anxious for a post-credits scene, to be honest.

Nolan is getting a lot of heat for this remark, which is to be expected. Many media outlets are filled to the brim with Marvel fans who are quick to defend the MCU’s reliance on comedy coda endings, after all.

Strangely, I don’t find Nolan’s comment all that insulting to the scores of great and “real” movies that do utilize post-credit wrap-ups. Obviously, Marvel movies come to mind, but so do Disney films as well. I didn’t even catch the secret clip at the end of Brave until my second viewing.

The man’s a great director, and brilliant minds are bound to be a little elitist. In his framework for making good movies, post-credit stingers aren’t necessary, hence a real movie doesn’t need one. I don’t think that’s true all the time, but it probably is for Nolan films.

Chris Pratt Correctly Predicted His ‘Jurassic World’ Leading Role…In 2009

Coincidentally, I’ve just finished binge-watching the first 6 seasons of Parks and Recreation, so finding this clip was too perfect timing-wise. In this “behind the scenes footage,” you’ll see Pratt joking about getting a text from Spielberg about his upcoming role in Jurassic 4 (which will actually be called Jurassic World).

Found this pretty entertaining as a huge Andy Dwyer fan. And it’s painfully obvious that this man controls the future.

Seriously, after starring roles in The Lego MovieGuardians of the Galaxy (which ended up being the biggest superhero movie of the year, by the way) and the upcoming Jurassic Park franchise, there’s literally no stopping this guy. And that’s a good thing.

If you still haven’t seen an episode of Parks and Recreation, do yourself a favor and check out the whole series on Netflix. Stomach through the admittedly bland first season and you’ll be pleasantly surprised by the payoff.