Review: ‘The Hunger Games: Mockingjay – Part 1’

hunger games mockingjay

As expected, the worst book of a trilogy is, in fact, the worst movie. At least the Part 1 aspect.

Picking up right after the shattering events of Catching Fire, part 1 of the final two installments takes Katniss to her destroyed home in District 12, a not-so-subtle reminder that everything she loved has changed forever. And she’s never getting it back.

Her new set of problems are rightfully different from the ongoing threat of a battle royale with her peers. She’s now thrust into the center of a political revolution, where she’s the strategically ineffective mouthpiece for a war she doesn’t want to be a part of. While not as exciting as her previous obstacles, at least Mockingjay tries to do something new with the character. It’s just unfortunate that watching these politics play out onscreen aren’t much more scintillating than the book its based on.

The filmmakers worked hard to manufacture a climax, but it falls flat as the audience is left wondering why the film was cut in two in the first place. But in the world where sequels double profits, there was no doubt Lionsgate would capitalize. Perhaps marathons with both installments will solve this off-putting interruption.

Even without an actual Hunger Games this time around, Mockingjay: Part 1 has a fair share of action, albeit scattered in varying attempts to capture Katniss’s bravery and compassion on television for the revolutionary masses. This satire of how public relations can skew a war is brilliantly written, though forced to be a little too much of the focus of a movie that needs more going on with its characters, who stare blankly at walls with flashlights for extended scenes.

The parallels between Katniss the character and Jennifer Lawrence the movie star are obvious enough to appreciated, as several logos are shared between both properties (and a great marketing campaign utilizes their symmetry to great effect). Just as Katniss is being exploited to sell a war, Lawrence’s youth and charisma is being exploited by Hollywood to sell a franchise, and it works.

But overall, Mockingjay: Part 1 is a slow adaptation that suffers from being based on what amounts to a rough draft of a book. It still transcends its source material as these movies have consistently done, as they take us out of Katniss’s head and into the lives of other, sometimes richer, characters. Let’s just hope that the final installment is a wrap up worthy of the franchise.

Grade: C+

First Pitch Perfect 2 Trailer: The Pitch Is Back

As a movie, this will probably be terrible. But as a comedy and guilty pleasure, it will probably be brilliant.

Also, props to YouTube star Flula for earning his part in this.

A Closer Look Into The Changes Behind Pixar’s ‘Good Dinosaur’

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Rebecca Keegan | LA Times

“The heart of the story remains the same,” Sohn said, in an interview last week. “It’s always been about this young dinosaur growing up. But the world itself has changed a lot. Nature has become a character.”

…the film still posits that an asteroid never hit the Earth and the dinosaurs never went extinct; a teenage Apatosaurus named Arlo takes a wild, young human boy named Spot as a pet.

This is a wonderful piece by the LA Times that details the transition this film has gone through, both in terms of leadership and creative vision.

Bob Peterson exited The Good Dinosaur as its director, due to conflicts with the story. He’s been quietly replaced by Peter Sohn, an inexperienced director who got the job thanks to a gutsy presentation of a new take on the movie (which he did with storyboards last summer).

Peterson’s moved on to helping write Inside Out and Finding Dory, so we’ll still see some of his finesse in coming years. And from what we’re slowly learning about The Good Dinosaur in terms of story and visual treatment, I’m happily excited as we get closer to next November.

Though I have to admit the whole “brute takes on a human pet” thing sounds a little too Monsters Inc.

The Stills (and First Trailer) For The New ‘Peanuts’ Movie Are Glorious

new peanuts movie

Cartoon Brew | Five New High-Res Stills from Blue Sky’s ‘Peanuts’ Movie:

Blue Sky Studios has released five new high-res stills from The Peanuts Movie via an article in USA Today. And thanks to the wonders of computer animation, they’ve finally added all the glorious details—fully-rendered hair, fur, cloth, lighting, shadows, even reflective eye highlights—that Peanuts creator Charles Schulz was too lazy to draw himself.

Blue Sky is no stranger to gorgeous animated moviemaking (Ice AgeRioEpic, and so on), but this is technically their first attempt at making an adaptation.

And from what I can tell, they’re off to a splendid start with their take on Peanuts, which is set for release next November (2015).

Go on…The Stills (and First Trailer) For The New ‘Peanuts’ Movie Are Glorious

Pixar Quotes Make Excellent Posters

Risa Rodil is an up-and-coming illustrator who just happens to love Pixar films. Hence her “Pixar Lettering Series,” which just debuted on her website.

Using some of the most memorable quotes from Pixar’s finest films, including one that just got polled most memorable quote of all time, Risa designed some stunning posters that highlight the fun and artistic ingenuity of the movies they’re based on.

The posters are below, but you can see the whole list and more on Risa’s site (and please do yourself a favor and check her work out!)

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Fantastic Four Reboot Will Reimagine Doctor Doom as an Internet Troll

dr doom fantastic four reboot

 Sean O’Neal | AV Club

Josh Trank’s Fantastic Four has already promised a more “gritty, grounded” approach to fantasticness, a tone Fox’s comic-book movie hopes to achieve by staying away from the sort of outlandish stories one might find in comic books. In keeping with that, certain adjustments must be made to the characters themselves, giving them new origin stories, making them younger and hotter—and therefore more believable as scientists—and, in the case of villain Doctor Doom, updating them to a more contemporary version of evil.

For example, the old Doctor Doom was the gypsy son of a witch and medicine man who wielded sorcery and science as the ruler of the fictional nation of Latveria. He was a man of unparalleled arrogance who used his skills only to threaten the world. So obviously, in the modern parallel, he’s an asshole on the Internet.

You can’t make this stuff up. Unless you’re Fox, that is.

Movie of the Week: ‘Pinocchio’ Was More Groundbreaking Than It Was Successful

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Genevieve Koski | How Pinocchio set the standard for feature animation

Most of the elements and techniques Disney used in Pinocchio weren’t completely new—Disney regularly used its short films as proving grounds for things like the multiplane camera—but they were untested at Pinocchio’s level. And that represents perhaps the film’s greatest achievement: unprecedented artistic ambition. From the macro level—making major alterations on the story and character levels—to the micro—spending a full year animating water droplets—the production of Pinocchio represents a calculated risk that established Disney Feature Animation as an artistic force as well as a commercial one. Snow White set the records, but Pinocchio set the standard. 

That last line is referring to the fact that Pinocchio was a major financial flop for Disney, earning only about half of what it cost to make.

But as the article states, Pinocchio was incredibly important for the world of animation. It took risks no one even knew existed yet, and we’re still gaining from those benefits today (especially if you’re an animator). It makes me wonder which “flops” from our generation will go on to be revered and inspired classics.

Also, you may have noticed that this is the “Movie of the Week” on The Dissolve. Basically, they pick a movie every week for readers to watch and discuss, which is what you read above. I’m happy to share from their excellent site, and I encourage you to check it out.