Review: ‘Justice League vs. Teen Titans’ Is An Exciting Step Forward For Titan Fans

justice league teen titans review

In 2014, WB Animation kicked off a more cohesive series of DVD/On-Demand DC Comics movies, starting with Justice League: War and Son of Batman. Most of the follow up movies since have been quite solid, sporting new takes on the characters that derive from a mix of New 52 and more classic comic book stories.

The Batman features have probably been the best out of all of them, which is why it’s so interesting to watch Justice League vs. Teen Titans, which almost acts as a referendum on how much more compelling these younger, less established characters are compared to the “major leagues” as Cyborg puts it.

It’s not exactly a problem with the movie, but the title itself is actually quite misleading. This is a Teen Titans movie where the Justice League is more of an afterthought and in the background. True, there is some brief action between the two factions, but it’s of little consequence and certainly not the focus of the plot.

The story is really about two characters, starting with Damian Wayne (the new Robin and son of Batman) joining the Teen Titans in order to curb his rebellious ways. As he meets his new teammates, the story shifts to the viewpoint of Raven, the daughter of Trigon (Satan, basically, according to Raven herself). From there, it becomes her movie, with Robin’s story thankfully becoming a side plot.

justice league teen titans review

What makes Teen Titans bold here is how freely it celebrates all corners of the lore that inspired it. This will certainly be a nostalgic adventure for fans of the early 2000s Teen Titans cartoon, but it also works for fans of the New Teen Titans comics, Young Justice, and Teen Titans Go (unfortunately, as clearly shown by the inclusion of an overlong dance sequence and a costume montage reminiscent of Sailor Moon).

This eclectic mix of characters, themes, and visual elements helps make Teen Titans feel almost new again, thanks to its willingness to embrace the edgier tones and storytelling consistent with the Justice League and Batman movies from recent years. The Titans curse, talk about sex, and frankly, act like teenagers. It’s somewhat surprising, at first, but it makes perfect sense when the Justice League does show up to remind everyone that in this universe, characters actually bleed.

The story itself is a big improvement over the more clumsy Throne of Atlantis last year, which tried to juggle Aquaman’s origins with a world-saving plot. Teen Titans goes for the same origin story with Raven, but it’s more effective here because the somewhat less exciting aspect of her origin is out of the way. The movie starts with characters who have a history together, giving viewers a chance to meet them for the first time alongside Damian.

Speaking of the son of Batman, he’s a little less insufferable this time around, though if you already find him annoying, this movie won’t change your mind much. But there is a satisfying story arc here that finally grows his character in a meaningful way, which we haven’t seen done well since Batman vs. Robin. And most importantly, I’m more excited than ever to see what comes next for his character.

justice league teen titans review

The classic characters are all here — Starfire is older and serves as the leader (as well as Dick Grayson’s implied sweetheart), Beast Boy fits the same role as the cartoon, Raven is an interesting foil to Damian’s self-loathing, Blue Beetle carries straight over from Young Justice as the Cyborg surrogate, and even Cyborg himself gets a chance to split time between the Titans and the league.

You can perhaps extract more meaning, then, from the title Justice League vs. Teen Titans, in that it’s less about the actual battle between the two factions and more about Damian’s struggle to find identity with either group. Should he follow his mentor or find teamwork with people his age? It’s not  the movie’s main theme, but it’s a useful way to unpack what is mostly a harmless story that feels updated for both old and new fans of these characters.

Grade: B+ 

Extra Credits:

  • There’s a mid-credits scene that you don’t want to miss, especially if you’re a fan of the early 2000s cartoon.
  • The “Hall of Justice” makes an early appearance, cementing WB Animation commitment to sneaking in as many “Superfriends” references as they can.
  • The weird romance continues between Superman and Wonder Woman, and while I’m not against the idea in theory, the movies are being far too shy letting this story go anywhere.
  • But there is one thing the movie does cleverly, involving Wonder Woman’s criticism of a movie showing the female lead as a damsel. I won’t give away what happens, but there are two subversions of this comment that is shared between Wonder Woman and Raven.
  • WB Animation announced plans for a Teen Titans movie way back in 2006 called Judas Contract, but the movie was cancelled due to waning interest in the characters. This is a stepping stone to that story finally coming to light, especially with that mid-credits scene making an appearance.

Snarcasm: The Director of Batman v Superman is Way Smarter Than Us

Zack Snyder idiots

Snark + Sarcasm = what you’re about to read.

Ever since the complete and utter disaster that is Sucker Punch, I’ve kept a watchful eye on Zack Snyder as a filmmaker. I found Watchmen to be a fantastic adaption of the comic, despite some minor flaws. 300 blew me away with how Snyder was able to stylize action scenes without resorting to cheap editing tricks. And who doesn’t love Dawn of the Dead?

But something strange happens when you hand a guy the keys to one of the most important film franchises of all time after he doesn’t do a stellar job the first time with Man of Steel. And we’re starting to see some of that piping bowl of crazy that occurs when people expect a human being to be…well, Superman.

Now, I’m not here to review Batman v Superman, as I haven’t seen it yet and don’t have an opinion. But analyzing some of the conversation and buzz surrounding this film, you’d think that the Marvel Civil War was already happening, but between fans and critics, with Jon Negroni swooping in Snarcasm style whispering,

snarcasm

First, let’s take a look at Snyder’s first…decision. Sadie Gennis reported this story on TV Guide:

Zack Snyder Explains Why Grant Gustin Isn’t The Flash in Batman v Superman

That’s…an interesting topic to bring up during the marketing of your prequel to what you hope to be an Avengers-level success. But fine, let’s discuss this because it’s been bothering huge Grant Gustin fans like me since episode one.

Snyder: I just don’t think it was a good fit. I’m very strict with this universe and I just don’t see a version where [Gustin’s The Flash would work]… that [tone is] not our world.

Really? The main character of an extremely successful TV show doesn’t “fit” in a universe where you’re repeatedly striking out with feature films? Gee, maybe Gustin isn’t a good fit for Snyder?

To be fair, the main consensus from critics and fans alike (so far) is that Ben Affleck makes a great Batman, so that casting decision is at least solid. Same goes for Gal Gadot as Wonder Woman. But what strikes me as insane is how one of the comic relief characters of this DC team has to fit a darker, more serious tone.

zack snyder
“Look! He smirked! NOT SERIOUS ENOUGH.”

I think most people who’ve actually watched The Flash would agree that Gustin has plenty of talent, CW resume notwithstanding. He’s certainly capable enough to contend with the writing of David Goyer, who managed to warp Ma and Pa Kent into nihilistic psychopaths.

Snyder: Even if Grant Gustin is my favorite guy in the world and he’s very good, we made a commitment to the multi-verse [idea], so it’s just not a thing that’s possible.

It’s this kind of tone-deaf logic that continuously turns me off to Snyder has a director. He has no sense of momentum or build up, because if he did, he’d understand that the payoff of connecting a well-established and successful TV series with a movie that extends the scope of these characters would more than surpass the milestones set by The Avengers.

It’s not possible? Neither is making a Justice League movie feel earned when we know absolutely nothing about these individual characters going in. And if Batman v Superman is as mediocre as the critics claim, then maybe Gustin is better off.

Sadly, that’s not all, folks. In an interview with the Wall Street Journal, Snyder commented on the bizarre collateral damage of Man of Steel:

Snyder was mystified when someone told him that they couldn’t think of a movie in recent memory that’s had as much collateral damage as “Man of Steel.” “I went, really? And I said, well, what about [‘Star Wars: The Force Awakens’]?” the director says. “In ‘Star Wars’ they destroy five planets with billions of people on them. That’s gotta be one of the highest death toll movies in history, the new ‘Star Wars’ movie, if you just do the math.”

There’s more to this than I think a lot of people are grasping. Because at first glance, it may seem that Snyder is completely off his rocker, considering the damage done in Force Awakens was inflicted by the villain, so the analogy makes no sense.

People aren’t put off by collateral damage because there’s a lot of it. They were annoyed that it was mostly caused by Superman, and he spent more time punching Zod through presumably filled skyscrapers without stopping to consider his actions or show any restraint. He doesn’t even attempt to move the fight away from the populated area.

zack snyder
“Eh, I’m sure no one was in there.”

But something else is even more irritating, and that’s the context of his answer. Snyder is simply playing a math game, assuming the person making the comment was merely saying that the damage done in Man of Steel is comical because of its size, and Snyder’s first reaction is to correct him, not try to understand the criticism.

This gets to the heart of Snyder’s bizarre personality as a filmmaker who seems to have zero self-awareness. He makes the same mistakes in every movie because his apparent arrogance keeps convincing him that everyone else is wrong, and he’s right. It’s this kind of confidence that probably keeps him employed, but how long can this hold up?

In this same interview, Snyder admits that he crafted this superhero universe as an intended continuation of themes he explored in Watchmen. And here’s what he thinks about the obvious criticism that comes with this weird mixing of two polar-opposite franchises:

“I was surprised with the fervency of the defense of the concept of Superman,” Snyder says of his detractors. “I feel like they were taking it personally that I was trying to grow up their character.”

snarcasm
“33 years old to be exact. Not like Jesus, though.”

Look, Superman has changed plenty of times over the years, and very few people are against taking some creative liberties with the character. But when you warp the identity and motivations of the most popular superhero of all time in order to balance it nicely with the purposefully grim superhero movie you made seven years ago, then don’t get offended when the obvious backlash comes.

In other words, take your own advice.

People aren’t taking it personally that you’re “growing up their character.” They’re taking it personally that you don’t even seem to care about what they think.

That said, I still hope I enjoy Batman v Superman. I may not like Snyder at all right now, but I’d much rather have a great time watching two of my favorite characters on the big screen than shake my head in disappointment. Unfortunately, nothing about any of his decisions so far have lead me to get my hopes up.


Hey! If you’ve come across a silly article that deserves the Snarcasm treatment, send it my way via Twitter or the comments below!

I’m Jon and thanks for reading this. You can subscribe to my posts by clicking “Follow” in the right sidebar. Or just say hey on Twitter! @JonNegroni

 

Now Conspiring: Hail, Caesar; Eddie the Eagle

hail caesar

This week on the podcast, we review Hugh Jackman’s latest film, Eddie the Eagle along with the Coen Brothers’ latest, Hail, Caesar!

We also cover all of this week’s biggest entertainment news, discuss directing/writing styles we can’t stand, and answer all your feedback from last week’s show.

QUESTION OF THE WEEK: Which directing/writing styles do you dislike the most? And how many of you have ever heard of Magic Tree House?

Go on…Now Conspiring: Hail, Caesar; Eddie the Eagle

The First Wonder Woman Movie Will Be Set in the 1920s.

Gal Gadot will play the Amazonian.
Gal Gadot will play the Amazonian.

Rich Johnston | Bleeding Cool

I have been informed by those who have seen the greenlit treatment that the film will spends the first half on Paradise Island with warring Amazon factions vying for control.

An arrival of a man on the island changes that status quo, as he asks the Amazons for help. Not necessarily Steve Trevor either…

Because when Wonder Woman joins him on his return to the world of Man, we all discover that it is the 1920s. And the film will then show Diana exploring that world – a world where women have only just got the vote – from her… unique perspective.

He also mentions that the sequel (if it happens) would take place in the 30s and 40s, during World War II, and a third film could possibly take place during the modern day with the Justice League.

It’s not a bad premise. Slightly different from the Wonder Woman TV show, but still unique and adaptive for a new audience. Let’s just hope it really is the Wonder Woman movie fans have earned.

This Graphic Shows You Every Comic Book Movie Coming Out In The Next 6 Years.

Long story short? There are a lot of comic book movie adaptations coming out in the next six years…

Graphic is below, and I’m wondering right now: how many is too many? Do you think we’ll be sick of these films by 2020? Or craving for more…

Comic book movie graphic

The info graphic comes to us courtesy of comicsalliance.com. And as you can see, they’ve pretty much covered every base you can cover, down to the Lego Batman movie.

I’m also entertained by the fact that dates for “Unknown Movie (Marvel)” have been announced before the actual concept. Only in Hollywood.

This of course means they have several untitled projects (maybe a Hulk movie?) that they could slip into those release dates, and the powers that be are simply waiting on the call from preproduction. Won’t be long before they actually make the announcement.

Anyway, is the comic book movie market getting over saturated? It’s pretty easy to think so after looking at a list like this, and I’m tempted to roll my eyes. But the key thing to remember is that thanks to Marvel and D.C., “superhero” movies have been broadened to include more genres than just the men in tights gimmick.

These studios have proven that you can make movies that encompass genres that are faithful to their stories. Thor is a fantasy movie above all else. Captain America is a political thriller. And Iron Man is action comedy. With all of these movies telling different types of stories on different scales, I’m worrying less and less about over saturation. For now.

Thanks for Reading! You can subscribe to this blog by email via the prompt on the sidebar. Otherwise, be sure to stay connected with me on Twitter (@JonNegroni). I’ll follow you back if you say something witty and awesome.

We Should Give “Hancock” His Own Superhero Team

www.gdefon.com
http://www.gdefon.com

As much as we love The Avengers and the idea of The Justice League hitting the big screen, Columbia Pictures should roll out an original stream of movies with Will Smith leading the way.

Go on…We Should Give “Hancock” His Own Superhero Team

Everything We Want in a Justice League Movie

www.badhaven.com
http://www.badhaven.com

I’m tired of speculating. It’s time I tell Warner Bros. exactly how I want the Justice League movie franchise to go down.

Go on…Everything We Want in a Justice League Movie