How ‘Doctor Strange’ Compares To The Rest Of The MCU

Doctor Strange arrives in theaters this week, but how does it measure up to the rest of the Marvel Cinematic Universe?

You can also read a transcription of this video here.

Hope you guys enjoyed my first video for Jon In Theory, a new channel I’ve been working on (hence my radio silence these past two weeks) in order to give you a wider depth of content (and because many of you have been clamoring for me to do videos since 2012). If you still prefer to read on this site, I’ll be providing transcriptions along with each video, as well.

Jon In Theory is a weekly video blog dedicated to thinking deeply when it comes to entertainment culture. I plan on addressing a lot of topics that range from fan theories to persuasive arguments about film and television. These include ideas I’ve written about in the past, like the Pixar Theory and Inception theories. But I also want to try new things as well, like video essays.

doctor strange

So let me know your thoughts on this first episode, which is a quick quasi-review of Doctor Strange as it relates to the larger MCU. And I’m still doing my live Pixar show on Wednesdays (why am I so busy?), which you can check out on Super News.

Enjoy!


Thanks for reading this. Seriously. You can subscribe to my posts by clicking “Follow” in the right sidebar. 

Or just say hello on Twitter: @JonNegroni


 

Review: ‘Captain America: Civil War’ Is a New Kind of Marvel Movie

review captain america civil war

The villains of the Marvel Cinematic Universe have always struggled, with few exceptions, to entertain on the same level as the heroes. Most of the time, the antagonists are simply bigger, less interesting versions of the hero, complete with a similar skill set. Iron Man set this off with Obadiah Stain, followed by Hulk’s Rampage, Ant-Man’s Yellowjacket, and others.

Civil War has its own uninteresting villain in Daniel Bruhl’s anarchist take on Baron Zemo, but he’s about as central to this film’s emotional center as Ant-Man. His side-villainy aside, Civil War shines because there is no clear antagonist, except for the one Captain America and Iron Man see in each other.

This is a tricky line to balance for plots such as this, because both sides of the conflict require convincing arguments to split audiences believably. For some, it will be irresistible to root for the pragmatic “fall in line” philosophy Tony Stark has grown into since 2008, and it’s one of the most impressive multi-film story arcs of all time considering its movement over the years.

review captain america civil war

While others will see Captain America’s “choice at all costs” dogma to be the more appealing, mostly because his rebellion against Stark and others is what drives the film’s story (it’s his name in the title, after all).

Civil War is the definition of a film that relies on its franchise nature to deliver its most resonant messages. The loneliness Steve Rogers carries as a man out of time is what justifies a frankly stupefying mission to save a man who doesn’t appear to be worth the trouble. But Bucky Barnes (AKA Winter Soldier) is the only connection Rogers has left to his old life, though he admits that even in those days, he couldn’t seem to fit in. And the events of Winter Soldier have already proven to Rogers that answering to a bureaucratic authority is how true empires (like Hydra) are formed.

This is all undercut by Tony Stark’s march against the threats that have popped up time and time again during the course of the Marvel Cinematic Universe. As Vision coldly reasons at one point, “Our strength invites challenge.”

review captain america civil war

And this is a movie where that strength is seen ten-fold, quite literally. The titular face-off is as satisfying as the marketing has been trying to sell you on, thanks to Marvel’s willingness to weave in a large number of subplots that any normal screenwriter would weep at the sight of. Directors Anthony and Joe Russo are complemented well by screenwriters Christopher Markus and Stephen McFeely, and they successfully make Civil War feel just as much a natural progression of the Captain America movies as it does a true Avengers sequel. And for some, it will be the Avengers sequel they expected from last year’s Age of Ultron.

The action itself is superb, in that it’s plainly obvious that the characters’ abilities were consistently considered when these scenes were written and directed. Captain America uses his shield in inventive ways, but Black Panther and Winter Soldier use vibranium in fighting styles that are unique to them. Spider-Man is a youthful powerhouse who stops often to chat, and Ant-Man lets himself get shot through the air on one of Hawkeye’s arrows.

These moments of simple creativity are what spark life into the long running time, in between moments of intense parkour and admittedly overlong fight sequences that have predictable outcomes. The script itself is tight, save for a few editing tricks that keep the laws of physics glossy, and almost none of the CGI is noticeable enough to lower the stakes of each set piece.

review captain america civil war

All this said, Civil War doesn’t expand the storytelling of the MCU in new ways, but it is a new kind of Marvel movie, in that balances subplots and seeds for future movies in a more graceful way than ever, forcing the viewer to catch up instead of the other way around (exactly like a comic book).

This works in Civil War because it also builds upon what people already love about these characters, their personalities, and how these movies hold them all together. And if that’s the only criteria in which you’re judging the film, then you’ll walk away thinking it’s about perfect.

Grade: A-

Extra Credits:

  • Tom Holland and Chadwick Boseman pull off something amazing by making both Spider-Man and Black Panther so instantly lovable. Their solo movies can’t come fast enough.
  • Which side are you on? Personally, I’m team Cap all the way, which is apparently the wrong side if you ask anyone else I saw this movie with.
  • I love this movie, but not quite as much as the first Avengers. But I can certainly see many people calling this one their favorite of the MCU for years to come.
  • This movie is very similar to Age of Ultron, actually, which I graded the same. Because like UltronCivil War refines the established strengths of its predecessor (Winter Soldier in this case) and gives us more to love based on what already worked before. Heck, I actually gave Winter Soldier an A- as well.
  • I was disappointed by Don Cheadle’s limited screen time this time around, especially compared to some of the other main Avengers. That said, I can’t say that about anyone else in this movie, which is an achievement all in itself.

I’m Jon and thanks for reading this. You can subscribe to my posts by clicking “Follow” in the right sidebar. Or just say hey on Twitter! @JonNegroni

Which is Better? ‘The Avengers’ vs ‘The Avengers: Age of Ultron’

avengers vs age of ultron

Which is Better is a monthly editorial series where I dare to compare the best and worst of everything. This month: Is the first Avengers movie better than its 2015 sequel, or is it the other way around? 

Last year, my friends and I debated this for an episode of my podcast, Now Conspiring. But to be honest, the debate didn’t go anywhere because we all sort of agreed (for once). Now that enough time has passed to let the movie sink in properly, I’ve decided to revisit these two movies and decide for myself.

Granted, a lot of fans of both movies have been debating this since last spring, pointing out every flaw in each movie that could somehow tip their arguments. But it’s unclear whether or not the somewhat lukewarm reception to Age of Ultron was a result of superhero movie fatigue, Marvel fatigue, or something else that may not be a reflection of the movie’s true quality.

If we’re judging by box office, it’s even murkier. At first glance, it may seem that Avengers is better than its sequel because it pulled in $100 million more at the box office, which is a drop in the bucket compared to both movies making roughly $1.5 billion each.

avengers vs age of ultron

But aren’t sequels supposed to be bigger hits than the originals? You’d think that, but it’s actually more common to see diminishing returns depending on the franchise.

Sticking to Marvel superheroes, not a single Spider-Man movie has made as much money domestically as the first one, despite Spider-Man 2 being considered a huge improvement and one of the greatest superhero movies of all time.

Most regard Empire Strikes Back to be the best of the Star Wars films, yet it made $200 million less than A New Hope, not even adjusting for inflation. Let’s not even get started on Return of a Jedi actually failing to net a profit.

So the argument has to come down to the movies themselves, metrics aside. For this week’s Which is Better, I’ll break both movies down on a series of points crucial to what makes a superhero movie great.

Starting with,

BEST STORY

avengers vs age of ultron

Few will argue that The Avengers and Avengers: Age of Ultron (AOU) are wildly different when it comes to plot execution. And for good reason.

Much of the beginning of Avengers centered around exposition that united all of our “mightiest heroes.” It was incredibly entertaining, of course, considering how new it felt to see these characters side by side in one movie.

But the plot was otherwise quite basic: The threat is established, the heroes are brought together to address it, a central action set piece gives them a reason to work together, and they save the day in one final battle. Pretty simple.

AOU had a lot more freedom to be complicated since a lot of that character-building exposition was done in the last film, and also because Avengers was such a monumental hit that the studio was confident people would remember what was going on in their cinematic universe.

So with AOU, we got three villains (sort of), tons of new side characters, and another world domination plot. And that was including many of the new characters introduced in the “Phase 2” of Marvel movies, Guardians of the Galaxy notwithstanding.

In AOU, Tony Stark’s creation was the established threat, but unlike Loki (who was also tied to a main character in a close way), Ultron was a complete unknown to the audience. He arrived on the scene quickly and drove the plot as soon as he showed up.

avengers vs age of ultron

The heroes were already together by this point, so the movie spent more time developing them as they worked to deal with the threat of Ultron. If we’re judging both movies by complexity and character arcs, than AOU surpasses the original in spades.

And that’s because the first Avengers is essentially a party, or a celebration of the fact that Marvel pulled off one of the greatest team-ups in cinematic history. But aside from some quips and other quick dialogue, the characters didn’t progress much from beginning to end. They just decided (again) to do what they’ve already done in their own respective movies: be heroes.

“Saving the day” wasn’t such a black and white solution in AOU, which I found very refreshing. Each Avenger had an agenda, and some sparks of disagreement and strife popped up between these characters, teasing the upcoming Civil War.

This worked because getting invested in characters is what made AOU feel more like a complete story compared to the first Avengers, which was more of a continuation of a running story that didn’t feel all that resolved by the end.

To be fair, AOU having a more complex plot also brought on a ton of narrative issues, many of them being the cause of Joss Whedon having to set up future movies with throwaway scenes that didn’t feel as cohesive. A good example is Thor’s mini-vacation to awaken his new powers, a side adventure that was given hardly any time to be built up or explained well. As I mentioned earlier, Ultron was also rushed as a villain, probably to give more time to the Wakanda references they had to include to set up Black Panther.

So AOU isn’t perfect, but I’d say the good certainly outweighs the bad. The darker tone wasn’t quite as dark as people hoped for, but there was a new sense of tension that actually got a payoff in the end with one of the first key deaths in these movies. And a lot of what doesn’t work that well in AOU is sort of indicative of the same problems existing in the original. We just didn’t harp on them as much back in 2012 because the novelty of the film was so, well, novel.

Both movies have great, enjoyable narratives, but I have to give this point to AOU for being bolder and containing a more dense story, flaws aside.

BEST CHARACTERS

avengers vs age of ultron

I’ll do this one fast. It’s a tie.

As I mentioned earlier, AOU was fantastic at giving us more insight into these characters, which gives it a huge advantage in this debate. Scarlet Witch and Quicksilver are notable exceptions that I give a pass due to the messiness surrounding the rights for those characters.

That said, Avengers pulled off something equally impressive by reintroducing the core team without spoon-feeding us tons of information about them we didn’t need to know. Marvel could have easily decided to treat us like we’re stupid and need a “Previously on” in order to remember who Thor and Captain America are.

To put it simply, both movies do a terrific job at showcasing great characters. The story elements behind these characters are certainly stronger in AOU, but we’ve already evaluated that in the previous section, so it’s a tie.

BEST VILLAIN

avengers vs age of ultron

Loki or Ultron? Oh, who am I kidding…

Everyone (I think) loves Loki. It’s been a running joke for some time that he’s pretty much the only “good” Marvel villain. And for the most part, I actually agree.

He was an effortless scene stealer, in no small part thanks to Tom Hiddleston’s wonderful take on the character. He captured the comic-book villain quite well, while also updating it perfectly for feature films. He was funny, arrogant, and even a little sympathetic. But despite this, he was incredibly threatening, despite not having any “raw” power.

We knew throughout Avengers that Loki wasn’t that strong of a guy. Yet he commanded a ton of presence and was taken incredibly seriously. Using him for the first movie was a perfect choice because he was the perfect villain to contrast the raw power of the Avengers, who were vastly more intimidating when it came to brute strength.

Yet he wasn’t even “smarter” compared to Tony Stark and Bruce Banner. There was just an unspoken mental advantage he was able to hold over the heroes just enough to provoke them into finally stopping him.

Ultron was an attempt to up the ante with a villain who could be strong enough to bring down the Avengers, but they went with giving him an advantage aside from brute strength again.  Not being that powerful himself, Ultron commanded a huge army and could tamper with their technology, even the Internet.

A problem that arose with this was when Scarlet Witch introduced yet another alternative to brute strength with her mind powers. But by the end of AOU, the Avengers do what they always need to do: save the day with their muscles…and lasers and hammers and what not.

An unstoppable villain that could have defeated all of the Avengers with brute strength would have strangely been more refreshing and a unique challenge for our heroes. It’s actually a bit ironic because I’m sure being different was what the writers intended to do. And while Ultron himself was sarcastic and entertaining, I found myself feeling almost nothing when he was discarded.

Best villain goes to The Avengers.

BEST ACTION

avengers vs age of ultron

I’m actually cheating a bit by saying “best action,” because I’m really talking about how these movies work overall as action films. So I’m judging how beautiful they are, set pieces, how the special effects aid the experience, and of course, fight choreography.

That criteria in mind, this is a pretty easy decision. While both films are extremely polished, AOU is the one that stands out when it comes to those moments that define a great action movie.

Like I mentioned earlier, AOU is just more dense. Avengers has three major action scenes, and all of them are incredibly one-note and completely one-upped by the sequel.

For example:

The Avengers starts with a series of minor confrontations between the Avengers themselves. This is done even better in AOU when they’re fighting Tony Stark’s suits after the party, as it’s a surprising action scene that gets the plot started on the right tone.

The second act of Avengers features Hulk on a rampage. AOU one-ups this in a huge way by unleashing Hulk on innocent people, forcing Tony Stark to don the built-up Hulkbuster armor and finally prove a worthy challenge to the overpowered character. This is, in my opinion, the best action scene in the MCU for a laundry list of reasons.

Finally, the original ends with a massive battle where the heroes are vastly outnumbered. And in the end, someone nearly dies. AOU one-ups this by actually killing off a character (albeit not someone as key to the franchise as Tony Stark).

Aside from all that, there’s just a lot more going on in AOU when it comes to the action. I don’t think it’s necessarily prettier, but I’d be hard pressed to find anything about the original that trumps it in this category.

Point goes to Avengers: Age of Ultron.

THE VERDICT

avengers vs age of ultron

Well, it looks like my answer is the same as it was a year ago. I consider Avengers: Age of Ultron to be better than The Avengers. It has a better plot, it maintains what we love about the characters in the original, and it has a more expansive, thrilling set of action scenes.

It wasn’t a landslide, obviously, and to be completely honest, The Avengers is still my favorite out of the two. The experience I had watching it was unlike any other I’ve had in the theater, and it’s filled to the brim with quotes and moments I’ll get nostalgic over for years to come. But I can’t say that I think it’s a better film, overall, even if it has just the right amount of Loki.

Agree? Disagree? Let’s talk about it in the comments. And let me know what you’d like to see compared in the next Which is Better. 

Thanks for reading this! You can subscribe to my posts by clicking “Follow” in the right sidebar. Or just say hey on Twitter: @JonNegroni

The Hidden Story Behind Star-Lord’s ‘Awesome Mix’ in ‘Guardians of the Galaxy’

Last summer’s Guardians of the Galaxy isn’t a movie that’s well-known for being…well, subtle. It’s big and loud space opera with just a splash of comic book. What you see is what you get, and what you get is pretty satisfying.

But we sometimes forget that the minds behind our favorite movies are quite brilliant individuals, and when they’re given the chance, they’ll insert something into a movie that’s just genius. So simple that it has to be true.

In this case, that honor goes to composer Tyler Bates, who scored Guardians of the Galaxy. Along with James Gunn, they put together a soundtrack that was pretty much its own character within the film.

guardians of the galaxy awesome mix star lord

Enter “Awesome Mix vol. 1.” This is, of course, the cassette tape that main character Peter Quill (AKA Star-Lord) brings with him everywhere throughout his adventures in space. As he explains it, the songs on Awesome Mix are a collection of his mother’s favorite tunes from growing up in the 1970s.

These songs are intertwined with every major moment of the movie, from its opening to close. It sets the tone for the fun, yet almost sort of serious, adventure we’re about to witness, and it plays out beautifully.

I’ve listened to Awesome Mix many, many times on repeat during campaign missions in Destiny (seriously, this is a perfect combination of media). And until recently, I never gave the selection of these songs much thought.

guardians of the galaxy awesome mix star lord

Now, here comes the interesting part. These songs actually tell a story.

Earlier this week, a fan of the site sent me this Reddit post, putting the theory out there. I liked it, so I went ahead and ran with it. Special thanks to redditor Fellowship_9 for inspiring this excellent revelation.

He gave the basic argument, but didn’t really flesh it out much. That’s where I come in (as usual). I took a deep, careful look into these songs to see if this theory holds meaning. It didn’t take long for me to see that he was totally on to something.

So, what is the story behind the songs? It’s simple, really. These songs tell the story of how Meredith Quill met Jason of Spartax. Oh, sorry you don’t know those people? Well, you do. Meredith is Peter’s mother, and Jason is his father.

guardians of the galaxy awesome mix star lord

Each song in “Awesome mix” tells a different part of Meredith’s story, and it’s even in order. I’ll go through each song individually, but here’s just a quick glance in case you think you have it figured out:

  1. “Hooked on a Feeling” – Blue Swede
  2. “Go All the Way” – Raspberries
  3. “Spirit in the Sky” – Norman Greenbaum
  4. “Moonage Daydream” – David Bowie
  5. “Fooled Around and Fell in Love” – Elvin Bishop
  6. “I’m Not in Love” – 10cc
  7. “I Want You Back” – The Jackson 5
  8. “Come and Get Your Love” – Redbone
  9. “Cherry Bomb” – The Runaways
  10. “Escape (The Piña Colada Song)” – Rupert Holmes
  11. “O-o-h Child” – Five Stairsteps

Naturally, a handful of you probably figured this out on your own (especially if you’re well-versed in the comics). But for the rest of us, let me take you through the numbers.

#1 Hooked on a Feeling – Blue Swede

The first song, “Hooked on a Feeling” by Blue Swede, is not really a love song as much as it is a lust song. The lyrics illustrate the early dynamic of a relationship. It even starts with:

I can’t stop this feeling. Deep inside of me. Girl, you just don’t realize what you do to me.

What does this have to do with Meredith? Well, the way she met Jason was a bit unorthodox. Basically, he crash-landed near her home and she nursed him back to health.

guardians of the galaxy awesome mix star lord

For Meredith Quill, this song represents her first encounter with Jason, the “angel” from the sky. Speaking of which, why do you think the third song is “Spirit in the Sky?” We’ll get to that.

Meredith gave Jason a place to stay while he repaired his ship. And as chemistry demands, this eventually turned to romance.

guardians of the galaxy awesome mix star lord

#2 Go all the Way – The Rasberries

But let’s not get ahead of ourselves. The second song is “Go all the Way,” which seems to represent Meredith and Jason consummating their relationship. Not just because of the title of the song, but also when you factor in the rock n’ roll tune with the suggestive lyrics:

I never knew how complete love could be,
Till she kissed me and said,
Baby, please, go all the way.
It feels so right,
Being with you here tonight.
Please, go all the way.
Just hold me close.
Don’t ever let me go.

guardians of the galaxy awesome mix star lord

Don’t forget that in its early days, “rock n’ roll” as a genre was given its name for being…less than family friendly.

#3 Spirit in the Sky – Norman Greenbaum

I have multiple theories for this one. See, in the comics, Meredith actually witnesses Jason crashing to Earth in a spaceship. So from the outset, she knows he’s an alien. To her, he’s just this “spirit in the sky.” You could call it there.

But I think there’s a deeper meaning. The song itself is more about mortality, and how ultimately, we all have to go to that “spirit in the sky” when we die.

guardians of the galaxy awesome mix star lord

I think at this point, Meredith is realizing that Jason has to leave eventually. She even refers to Jason as an “angel” in the movie. Fitting.

#4 Moonage Daydream – David Bowie

guardians of the galaxy awesome mix star lord

This song is literally about an alien messiah who has to save the world with rock n’ roll (David Bowie’s words, not mine). For Meredith, though, this song is more about how much Jason means to her, and how he has saved her world.

The lyrics themselves are pretty straight to the point: I’m the space invader…Put your ray gun to my head, press your space face close to mine, love; Freak out in a moonage daydream.

#5 Fooled Around and Fell in Love – Elvin Bishop

guardians of the galaxy awesome mix star lord

Yeah, so this one’s pretty obvious. This is literally what they did.

The deeper meaning, of course, is that at this point, Meredith is reflecting on her relationship with Jason, and even regretting the “love” part considering he has to leave. In fact, I’d wager this is the last song before Jason leaves. Because, well, the next song is…

#6 I’m Not in Love – 10cc

Are you starting to see how intentional this movie soundtrack is?

Now in case you’re not familiar with the song, “I’m Not in Love” is about a couple that has gone their separate ways. And part of that process is trying to move on, even though you’re still hung up on the person.

I like to see you, but then again,
That doesn’t mean you mean that much to me.

guardians of the galaxy awesome mix star lord

So Meredith is trying to get over Jason. I also think it’s fitting that this is by far the longest song in the playlist (over 6 minutes), which makes sense considering this was the darkest time Meredith went through for this story. But as you’ll see in a moment, that feeling won’t last long.

#7 I Want You Back – Jackson 5

Get it, girl.

Oh baby, give me one more chance,
(To show you that I love you)
Won’t you please let me back in your heart,
Oh darlin’, I was blind to let you go.

guardians of the galaxy awesome mix star lord

Yeah, Meredith still loves Jason and clearly wants him back. There’s even a line that fits nicely with the last song:

Trying to live without your love is one long sleepless night.

And of course, I want you back!

#8 Come and Get Your Love – Redbone

At this point, she’s pleading with him to come back and rekindle their love, probably because she now knows she’s pregnant. It’s possible Jason may have told her that he’d come back someday, as evidenced by his eventual return to get custody of his son (just saying).

guardians of the galaxy awesome mix star lord

Hey, what’s the matter with your head?
Hey, what’s the matter with your mind and your sign?
Hey, nothin’s a matter with your head, baby, find it.
Come on and find it.

In other words, come and get your son.

#9 Cherry Bomb – The Runaways

I think it’s pretty humorous that Meredith thinks of her illegitimate son as a “cherry bomb.”

Hello Daddy, hello Mom,
I’m your ch ch ch ch ch cherry bomb!

guardians of the galaxy awesome mix star lord

I mean think about it. Can you imagine having to raise Peter Quill? On your own? He had to be quite the wild kid.

An alternate theory is that this song represents the actual birth of Peter Quill. Makes sense considering a cherry bomb is essentially an unpleasant explosion (in this case, expulsion).

#10 Escape (The Pina Colada Song) – Rupert Holmes

Yes, this song is about more than just pina coladas. It’s about trying to date someone you just read about in the personal ads. I’d imagine Meredith had little luck with the dating scene after getting knocked up by an alien.

guardians of the galaxy awesome mix star lord

Specifically, she was trying to find someone who actually matches her preferences and current station in life as a single mother, which is essentially the heart of the song itself.

I wrote to the paper, took out a personal ad.
And though I’m nobody’s poet, I thought it wasn’t half bad.
Yes, I like piña coladas and getting caught in the rain.
I’m not much into health food, I am into champagne.
I’ve got to meet you by tomorrow noon and cut through all this red tape.
At a bar called O’Malley’s where we’ll plan our escape.

Well, we can assume from the lack of father figures in her hospital room at the beginning of GoTG that the dating thing never worked out for her.

#11 O-o-h Child – The Five Stairsteps

guardians of the galaxy awesome mix star lord

I apologize in advance for the feels that are about to be felt.

If you watched the movie (which I sincerely hope you did considering you’ve come this far), then you know that Meredith dies in 1988 of terminal cancer. Peter is only eight years old when it happens, and it’s likely she knew about the illness some time before this. Maybe even years before she finally passed away.

This particular song speaks to getting through hard times:

Ooh-oo child
Things are gonna get easier
Ooh-oo child
Things’ll get brighter 

These are clearly Meredith’s words to Peter, assuring him that everything’s going to be fine, even though she won’t be around much longer. I want to point out how interesting it is that Peter isn’t listening to this song in the beginning of the movie, when his mother is moments away from death.

guardians of the galaxy awesome mix star lord

Instead, he’s listening to “I’m Not in Love,” the song that represents moving on by denying your love for the person. Nice touch, right?

Keep in mind that this is the last song on the mixtape, and Peter was instructed not to open up the new one she gave him until she was “gone.”

guardians of the galaxy awesome mix star lord

Of course, Peter hasn’t really moved on (as evidenced from the song he’s playing above), until the end of the movie. As an adult, it’s “O-o-h Child” that is playing when he faces Ronan and becomes a hero. And it’s after this song that he finally opens “Awesome Mix vol. 2.”

Which opens with…

#12 Ain’t No Mountain High Enough – Marvin Gaye

guardians of the galaxy awesome mix star lord

Meredith is clearly telling Peter…

If you need me, call me.
No matter where you are,
No matter how far.
Just call my name.
I’ll be there in a hurry.
You don’t have to worry.

‘Cause baby,

There ain’t no mountain high enough,
Ain’t no valley low enough,
Ain’t no river wide enough,
To keep me from getting to you.

I’m going to go out on a limb and say Meredith realized the ending of vol. 1 was a little heavy, so she figured giving Peter a tape that opens with something as upbeat as a Marvin Gaye song works pretty nicely.

guardians of the galaxy awesome mix star lord

Now all I’m wondering, along with many of you I assume, is: What else does vol. 2 have up its cassette tape?

Guess we’ll have to wait until the first trailer for Guardians of the Galaxy 2 to find out. I hear Iron Man might be in it (seriously).


Thanks for reading this. To get updates on my theories, books, and giveaways, join my mailing list.

Or just say hey on Twitter: @JonNegroni

When Disney Makes A ‘Big Hero 6’ Sequel, They’ll Almost Certainly Bring Back Tadashi.

I’ve been hanging on to this theory since before I even watched the movie back in November. In fact, the movie itself almost confirms that this is what will happen when Disney ultimately makes the Big Hero 6 sequel.

Oh? You don’t think there will be a sequel?

Here we go.

tadashi big hero 6 sequel

Big Hero 6 is one of the riskiest animated movies Disney has ever made. Period. They’ve never spent that much money to make a film based on something so obscure. Even Wreck-It Ralph and Meet the Robinsons looked better on paper to a Disney executive.

And it paid off. On top of getting the Academy Award nomination for Best Animated Movie, Big Hero 6 made half a billion in the box office. Only Frozen and The Lion King have made more money than this film.

That, and it’s based off of a serial comic connected to Disney’s other money-making machine: Marvel. And if there’s one thing Marvel and Disney know how to do together, it’s making Marvel sequels.

tadashi big hero 6 sequel

Keep in mind that although Disney has traditionally shied away from making sequels to its flagship animated features, they’ve also learned from Pixar and even DreamWorks that sequels are worth doing if the creatives behind them want the story to be told.

That’s why even Wreck-It Ralph is getting a sequel, and Frozen is of course getting milked in all sorts of media. Even though it’s not in development yet, Big Hero 6 is almost 100% for sure getting a sequel. And it will probably be called…

Big Hero 7.

tadashi big hero 6 sequel

That “7” will belong to a character we know from the first movie: Tadashi. I’m calling it right now. He’ll be a villain of sorts in the sequel, inevitably joining the team fully to add that number (after all, Big Hero 6 2 is just weird branding).

But wait! Tadashi isn’t a superhero. He’s not even alive!

Only one of those statements is true, considering he was a hero, as proven by your belief he died.

tadashi big hero 6 sequel

Let’s put on our flashback hats and revisit just what exactly happened to the older brother of Hiro Hamada.

Hiro wanted to get accepted into the robotics program at the university where his brother and friends attended. To do this, he had to impress Callahan amidst a competitive group of other scientific geniuses. Somehow, a fire broke out, trapping Callahan. Tadashi, Hiro’s older brother, ran back inside to save him, but the building exploded moments later.

tadashi big hero 6 sequel

Later, we learn Callahan survived by accessing Hiro’s microbots, but it appeared Tadashi didn’t make it.

Look, if you know anything about movies, it’s that if there’s no body, that character is alive. That’s just a rule. I’m not the one who made it up.

tadashi big hero 6 sequel

Second, the inclusion of a fire is tantamount to how this theory works. Where do you think it came from? Most likely, one of the inventions, and no one else apparently died from its flames.

I believe this invention had to do with nuclear energy. Why? Because Big Hero 6 (and Disney) is purposefully setting up Tadashi to be Sunfire, one of the original members of the first Big Hero 6 team and a prominent character in the Marvel universe.

One of the inventions, or even something special about the fire itself, must have given Tadashi abilities that would protect him from harm, ultimately transforming him into Sunfire.

Now, I imagine a good number of you already assumed this because you know certain things. Well, here’s some more ammunition for you to spread around.

Sunfire is a Japanese mutant (like X-Men mutant) who can absorb heat and turn it into plasma. In the comics, his mutant powers were triggered by radiation from Hiroshima. He’s been in comics since the 1970s as an Uncanny Avenger, member of the X-Men, and of course, a member of the original Big Hero 6 team.

tadashi big hero 6 sequel

One important thing to note is that Marvel is currently forbidden from even using the word “mutant” in its movies, making it difficult for them to use any characters from the X-Men side of Marvel. But they have managed to find wiggle room with characters like Quicksilver and Scarlet Witch, who have many affiliations.

The same can easily go for Sunfire, and his story arc is already perfectly progressing. When Sunfire reluctantly joins Big Hero 6 in the comics (after being found by Hiro, no doubt), he actually gets possessed by their enemy and becomes a villain.

tadashi big hero 6 sequel

I doubt the movie would use this villain, who is known as Everwraith, because he’s literally the combined legion of souls destroyed by the atomic bombs that fell on Hiroshima and Nagasaki. That’s tough to write out. But Disney could easily find another way to leverage this story arc to create some compelling narrative surrounding Hiro and his lost brother.

After all, can you imagine a fight between Tadashi/Sunfire and Baymax/Hiro? That would make Revenge of the Sith look like The Babysitters Club.

tadashi big hero 6 sequel

And hey, if Elsa can have ice powers…

My biggest evidence for this theory being true is the fact is that this all fits way too perfectly for Disney not to do it. I can’t even imagine what else the writers should or could do to make the sequel even bigger than the first movie, which frankly suffered from being too much of an origin story instead of a movie about superheroes actually being superheroes.

tadashi big hero 6 sequel

Big Hero 6 is one of the most beautiful animated films of our time, and a beacon of the Disney Revival. And that’s why I think it deserves a sequel that delivers a story that is just as sincere and passionate as the first one.

And hopefully, more of the team outside of Hiro and Baymax…


Thanks for reading this. To get updates on my theories, books, and giveaways, join my mailing list.

Or just say hey on Twitter: @JonNegroni

10 Facts About ‘Kingsman: The Secret Service’ That Make The Movie Even Better (PODCAST)

Kingman Secret Service facts

(Click here to download the episode)

This week on Now Conspiring, we review Kingsman: The Secret Service and explore the hard-to-believe secrets behind the epic film. For example, did you even know the movie is based on a comic book? OK, maybe that’s not one of the more “mind-blowing” facts we explore, but that’s why I’m saying it here.

That opening song you heard in the show is “I’m Good” by The Mowgli’s. Their new album, “Kids in Love,” is set to release April 14.

We also talk about the critical and box office reception for Fifty Shades of Grey. If you were expecting a review, well, sorry. Stick around for News this Week, where we delve into the massive news craze surrounding Spider-Man joining the Marvel Cinematic Universe. Of course, Adonis and I used this episode to market our latest campaign, #Maguire2018.

Later in the show, we have our Netflix Recommendation of the Week, so you can fill your list with less risk. And as always, we finish the show with Movie Releases, where we delve into the new movies you should check out this weekend.

Don’t forget to rate us and subscribe on iTunes! We appreciate it with all of our conspiring hearts.

Question of the Week: Besides Samuel L. Jackson, which of these actors would you have preferred as the villain in ‘Kingsman?’

  1. Leonardo DiCaprio
  2. Tom Cruise
  3. Idris Elba

Seriously, though. These guys almost got the role instead of Jackson.

Cool things we mentioned:

3 Famous Movie Plots Used Shamelessly by Fifty Shades of Grey.

5 Reasons Why Tobey Maguire as Spider-Man Makes Perfect Sense For Marvel.

Vote Now For Who You Want As Spider-Man!

 

If David Fincher Rebooted ‘Spider-man’

spider-man david fincher

A few years ago, David Fincher (Fight Club, Seven, Gone Girl) was one of a handful of directors considered for revamping the Spider-man franchise. Of course, Marc Webb was ultimately the final decision, but did you know that Fincher was also considered to launch the franchise back in 1999?

Though Sam Raimi did a brilliant job with at least two movies from that trilogy, a lot of people (like me) believe new blood would be a great start to rebooting Spider-man for the Marvel Cinematic Universe (you know, with the Avengers in the background).

Most of you already know that I despise 2011’s The Amazing Spider-man and moderately enjoyed this past year’s The Amazing Spider-Man 2. That said, I still think a new Spider-man franchise is worth exploring, whether it conserve Andrew Garfield or toss him.

Back to David Fincher. If he was the man behind the camera behind the cowl, we already know some of his vision for telling Peter Parker’s story. Here’s an excerpt from a 2011 interview he did concerning the last Spider-man reboot:

My impression what Spider-Man could be is very different from what Sam [Raimi] did or what Sam wanted to do. I think the reason he directed that movie was because he wanted to do the Marvel comic superhero. I was never interested in the genesis story. I couldn’t get past a guy getting bit by a red and blue spider. It was just a problem… It was not something that I felt I could do straight-faced. I wanted to start with Gwen Stacy and the Green Goblin, and I wanted to kill Gwen Stacy.

The title sequence of the movie that I was going to do was going to be a ten minute — basically a music video, an opera, which was going to be the one shot that took you through the entire Peter Parker [backstory]. Bit by a radio-active spider, the death of Uncle Ben, the loss of Mary Jane, and [then the movie] was going to begin with Peter meeting Gwen Stacy. It was a very different thing, it wasn’t the teenager story. It was much more of the guy who’s settled into being a freak.

Sounds a lot like the beginning of Spider-man 2 (2004) right? Only it would be ten minutes long and resemble more of an opera than comic book pages.

I doubt Fincher will ever be taking on Spider-man anytime soon, though it would be crazy for his first superhero film to be about the webhead. For now, we just have to assume that Marc Webb and Avi Arad still hold all the cards to Spidey’s future.