‘The Circle’ Is Broken In More Ways Than One

The Circle

In The Circle, our world of disruptive technology from social media to search engines has been conveniently consolidated into one uber-corporation called, you guessed it, The Circle, a simple name for what is strangely a shallow, unimaginative invention representative of what our near-future might be ruled by. Sharing through technology. Although…isn’t that already a reality?

Rather than take us through the implications of our world’s current affair with technology, the fictitious Circle and its inner leaders want to remove all privacy from the world in an effort to create true transparency. If you’re wondering “why” they want to do that, well, this movie clearly wasn’t made for your curious mind. “Sharing is caring” the employees echo to their leader, Eamonn Bailey (Tom Hanks), who advocates a master plan that has all of the absurdity of a 70s paranoia thriller without any of the logic or intelligence.

Go on…‘The Circle’ Is Broken In More Ways Than One

The Lost City of Z, Rey’s Parents, And American Gods — Cinemaholics

This week’s episode of Cinemaholics kicks off with some big movie news leading up to our main segment: Who are Rey’s parents in Star Wars? Then we do a featured review for The Lost City of Z, the latest film from director James Gray.

Next, we spent some time digging into The Get Down Part 2 on Netflix and American Gods Season 1 on Starz. Enjoy the show!

EMAIL US YOUR FEEDBACK & QUESTIONS: cinemaholicspodcast [at] gmail.com 

Go on…The Lost City of Z, Rey’s Parents, And American Gods — Cinemaholics

Cinemaholics: The Fate of the Furious, Free Fire, Sandy Wexler, 13 Reasons Why

This week, the Cinemaholics become, as Vin Diesel would put it, faaammmmillllyyyy. By reviewing The Fate of the Furious, the eighth installment of the little cars franchise that could. I’m joined this week by Will Ashton (CutPrintFilmWe Got This Covered) and Maveryke Hines (our producer) for a fast talk about the franchise at large, how we rank the movies, and of course, a featured review for the new film.

Later, we tackle plenty of other big releases. Free Fire from A24 and starring Brie Larson gets a mini review, along with The Discovery, a Netflix original starring Jason Segal, Rooney Mara, and Robert Redford. We spend a lot of time debating Adam Sandler’s new Netflix movie, Sandy Wexler, which divided the Cinemaholics quite fiercely. And we also dive a bit into the first half of the first season of 13 Reasons Why, a new Netflix series starring Dylan Minnette (a name we all get wrong during the show).

EMAIL US YOUR FEEDBACK & QUESTIONS: cinemaholicspodcast [at] gmail.com 

Go on…Cinemaholics: The Fate of the Furious, Free Fire, Sandy Wexler, 13 Reasons Why

2017 Summer Movie Preview – Cinemaholics

The Cinemaholics Podcast has never been this summer movie peviewy. Will, Maveryke, and I take a close look at our most anticipated releases from May to August and from from Guardians of the Galaxy Vol. 2 and Spider-Man: Homecoming to Wonder Woman and Baby Driver.

We also unpack some huge DCEU rumors involving The BatmanThe FlashWonder Woman, and Suicide Squad 2. Then we finish things out by doing mini reviews for Going In StyleSmurfs: The Lost Village, and Teen Titans: The Judas Contract.

EMAIL US YOUR FEEDBACK & QUESTIONS: cinemaholicspodcast [at] gmail.com 

Go on…2017 Summer Movie Preview – Cinemaholics

Snarcasm: The Cars in ‘Cars’ Aren’t Really Cars. Obviously.

cars

Snark + Sarcasm = what you’re about to read

I’ve always liked MatPat’s “The Film Theorists” videos, because they’re entertaining, fun, and have a great energy. For that reason, I don’t usually criticize their theories, but that’s all about to change.

One of MatPat’s latest videos involves Cars, and it directly calls out my timeline for Pixar movies, assuming they all share the same universe. This was embarrassing on my end because Mat worked off of old Pixar Theory material without fully researching how it’s changed over the years, so his new theory about Cars is…well…let’s just say it could use some Snarcasm.

Oh, and here’s an important note. If you want to check out the better version of this “cars are alive” theory, check out the video SuperCarlinBros already did for it seven months ago…which MatPat doesn’t reference at all or give credit to in his video. And…well, he should have.

The Cars in the Cars Movie AREN’T CARS!

I don’t know if I’m ready for this.

Are the Cars in Cars really cars?

{Raises hand}

I mean sure, it’s the title of the movie.

[Raises hand more}

and they look and behave like cars

{hand floats away}

I mean they have eyes and tongues

Right. So there’s no way they’re cars with eyes and tongues. Eh, yeah that’s weird, but we’ll get to that.

How does a society of cars come to be in the first place?

Well, the Pixar Theory states that—

What are these creatures? I am 100% confident I figured it out.

Like I was saying. I outlined all of this in my book about how—

what started as a simple, stupid question led me down the rabbit hole of this bizarre car-themed universe, and the answers I found will upend everything you thought you knew about Mater and the gang.

Mat then cuts to an image of my Pixar Theory Timeline. Well, the old one at least. See when this video first came out, a lot of people asked me what I thought, and I felt guilty for not updating the timeline since I did the book, which is a small reason why Mat ends up working off of old information (we’ll get to that).

See, the theory itself was certainly at its most plot-holey when I did the first draft of the timeline in 2013. I haven’t even updated it with the newer movies. To rectify this, there’s a new timeline in place of the old one, but as you can tell, the damage is done.

and the details I find here pose some interesting questions about that infamous Pixar Theory

Infamous?

a theory that you all have wanted me to cover for quite a long time

Spoiler alert: MatPat is working on his own “mega” Pixar Theory. Well…bring it on?

it probably merits taking a second to acquaint you with that Pixar Theory. A theory that started with, as far as I can tell, online movie blogger Jon Negroni.

Hey.

which aims to unite all the Pixar movies to not just the same universe, but also come up with a cohesive timeline of events where one movie leads to the next, leads to the next.

Mat shows an image of the actual blog post for the theory itself, which begins by telling you that the theory has been updated. So why didn’t Mat “start up his search engines” then?

He does go on to talk about how he won’t be getting into the “nitty gritty” of the theory, but offers an example of how Buy n Large plays into multiple movies.

now the reason I wanted to start talking about this today is because I have a few problems with the Pixar Theory timeline. 

So Mat then goes on to recite some big elements of the theory that, again, are ancient history. And he gets some basic stuff wrong, like this:

that’s why you don’t see humans or animals in either car movie

Except we do, actually. We see the birds from For the Birds (a Pixar short) in the first Cars.

this whole Pixar Theory is an interesting explanation, but there are a lot of assumptions

So why didn’t you research the updated one? And spoiler alert: his entire theory is nothing but assumptions, starting with Mat’s assertion that they aren’t sentient machines brought to life like the toys from Toy Story.

The cars are actually organic creatures. Living creatures with the car body of the top exoskeleton, but containing some sort of internal organs. A soft and squishy inside like the center of a Tootsie Roll pop.

I get it. So Mat took all of the clever revelations SuperCarlinBros already figured out months ago…then made it worse. Neat.

First, they breathe oxygen. 

And they also drink oil. And we see they have engines multiple times in the movie. How does that make them organic?

See, Mat goes on to point out how the cars must be organic because they basically act like humans. They eat “food” and one car wears an underwater “breather” like in spy movies. I contend that they do this because they think they’re the humans who owned them. Multiple Pixar movies point out that human emotion (a la Monsters Inc.) is the source of energy that can bring inanimate objects to life (like in Brave and Toy Story). And in movies like WALL-E, we see that the life of these machines is sustained by interactions with human belongings, like the movie Hello Dolly that WALL-E watches all the time.

I’m sorry I have to keep saying this, but Mat is completely missing this stuff because he didn’t even seem to look for it. And now we have to suffer through what is at best an amusing sideshow full of weird body horror jokes.

Mat then goes on to say that because of a “studio stories” video by Pixar, this is all confirmed in addition to McQueen having the hiccups in a “Tales from Radiator Springs” short. He quickly cuts in and out of a quote that McQueen can’t open his doors because “that’s where his brains are.”

they have a brain! A giant, pink, pulsating brain hidden behind those car windows!

Nope.

This is terribly misleading because Mat leaves out the fact that this same animator was trying to think of ways to make Lightning capable of producing a map to Sally. He mentions that using the doors wouldn’t make sense conceptually because that’s where his “brains” would be. He also proposed that maybe a monkey drove the car and showed the map, and many more examples that are nonsensical.

So none of this comes close to confirming anything about cars having organs. Rather, it’s just an animator discussing the challenges of making the Cars world a believable one that isn’t gross or creepy. That includes avoiding this kind of “brain” implication in the first place.

so it would appear that the cars are actual living creatures and not just some highly advanced driverless cars.

“Appear” is a strong word. If anything, there’s far more evidence that the cars are, in fact highly advanced driverless cars compared to this idea that they’re animals. But Mat ignores all of that inconvenient evidence so he can champion his own theory.

Like I said before. Bring it on.

there’s an actual evolutionary chain present throughout these films. 

Go on.

[In Cars 2] we see birds. Except they’re not actually birds. They’re actually mini planes. 

Oh boy.

In another of the Tales from Radiator Springs animated shorts, you get VW beetle beetles. Tiny cars with insect wings.

Which is why the theory states that the cars work off of an unreliable narrator. Which means that to them, organic creatures on Earth look like cars to them, but elsewhere we see real birds, and we know from WALL-E and A Bug’s Life that birds and insects are still around in this post-apocalyptic wasteland.

Have you noticed that for a Pixar theory about Pixar movies, Mat doesn’t seem to include a lot of the other Pixar movies?

Mat goes on to talk about how the alien stuff from “Mater’s Tall Tales” is totally real rather than…a tall tale. And their tires being independent from their bodies must “prove” his theory rather than support the idea that they are, in fact, machines with tires. Good stuff.

these are living creatures with internal organs that are protected by a car-like exoskeleton.

Did they grow this exoskeleton themselves? And where do their engines (which we see) come from?

and with multiple differentiated animal-like species that have evolved over time from literal boats, planes, and cranes to bug-like and bird-like animals

But The Pixar Theory has too many assumptions? And my main problem with this is that Mat goes into zero detail over how and why machines would suddenly turn into bugs and insects. Or why the personified cars don’t. He just drops that evolution part in and moves on. You know, like in the original Pixar Theory!

In short, when you look at all of this evidence, there is only one possible conclusion:

Mat put as little effort as possible into tackling the Pixar Theory? Because this is just sloppy, and a bit uninspired.

the cars in Cars aren’t really cars at all, but are much more likely a highly evolved form of insect.

Remember kids: “this whole Pixar Theory is an interesting explanation, but there are a lot of assumptions.”

Mat’s entire argument here is that because cars have a metal “skin”, that must mean they’re evolved from insects, which (whoa!) also have an exoskeleton. Ignoring literally everything about science that has ever been known about how insects, you know, have evolved and are composed biologically.

Remember when Mat said, “Oh they have brains! Confirmed!” Well, he even shows diagrams of insects that don’t have brains (or eyes or tongues or teeth) like what he describes, yet that doesn’t matter because this is my life now.

I get it. The Pixar Theory is about having fun, not being scientifically accurate. But this is just weird for the sake of it and not at all informative of what the theory’s really about: telling a grander story behind all of the movies and characters.

the cars aren’t cars! They’re insects!

I mean come on, does anyone else think Mat is just spoofing at this point? He literally has to say “The cars aren’t cars.”

that does some really interesting things for the Pixar Theory

At best, it ruins the Pixar Theory and undermines everything we actually know about the Cars movies.

First and foremost, it removes Cars from the era of humans

Thus making it completely implausible. The point of Cars is that the machines are brought to life through memories of humans. Taking that out to make room for some random insect nonsense adds literally nothing to the theory. It only takes away evidence that brings everything about the machines together for what happens in Monsters Inc.

that sort of evolution is going to take a really long time, so get it away from the WALL-Es, Nemos, and Incredibles of the world.

So then what’s the point? And how would human civilization be what it is in the Cars universe if this was so far in the future? Where are the monsters? Why are the cars remembering events from the 20th Century, like the Piston Cup? If they’re so far removed from the Pixar timeline, why even suggest that the timeline is even purposeful?

but surprisingly enough, we do happen to have one film in Pixar’s lineup that does follow super intelligent bugs in their quest for survival

What about the birds? If we’re bringing A Bug’s Life into this, then you also have to point out that the birds are primal and “dumb” compared to the insects.

in a world where there are remnants of human society but you see no humans present

But we do know they’re still around because one insect had his wings clipped by a kid.

what I propose to you is that Cars isn’t so much its own entity, but rather A Bug’s Life 2, 3, and coming up on 4. The natural progression of insects evolving and taking over the planet Earth. 

So insects naturally evolve…into cars? That explains the millions of years established by the Pixar timeline (starting with Good Dinosaur) where they, you know, didn’t evolve into cars. But don’t worry, because all of these theory holes will be solved (maybe!) next time.

and with that we have the first puzzle pieces in place as we all start to build our own Film Theorists approved mega Pixar Theory!

Go for it. Seriously. These are your movies too. Just don’t be surprised when the Snarcasm rolls around, because if you’re going to build off of my initial ideas and timeline without fully looking into them for your own purposes, plus rip off another YouTuber’s theories without giving them any credit for it, then this is a Pixar Theory war. 


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Or just say hello on Twitter: @JonNegroni


‘Beauty And The Beast’ Is A Decent Musical Trapped Inside A Dull Remake

beauty and the beast

There’s no major, heavy-handed flaw that brings down Beauty and the Beast, the latest of Disney’s live-action remakes. Rather, this film falls apart from its own weight of bad decisions, made very carefully to not to mess with one of Disney’s most beloved classics too much for fear of losing the same magic that brought animated films to the prestigious forefront of Hollywood.

The original conception hasn’t changed at all, really. A young, beautiful girl living in a small French village finds herself the prisoner of a cursed prince who was transformed into a beast for being vain. They have to fall in love in order to break the spell, and his castle’s magical servants — a collection of humans transformed into the prince’s belongings in case that wasn’t subtle enough — orchestrate elaborate ways to bring these two mismatched people together.

This is, of course, a remake that feels far more faithful to the word, in that a vast majority of this film is a recycled mess of frames, songs, characters, and ideas that are mixed together with a few more expanded subplots that try to explain the world of Beauty and the Beast better than previous adaptations. For what it’s worth, this is a longer movie that lets the characters breathe when necessary.

The trouble is that Disney’s answer to defending this remake’s existence is by over-explaining the exposition of this world and its inhabitants, robbing us of any nuance or mystery as full character motivations are described by either voiceover or ham-fisted declarations more suitable for a stage play. There’s a good effort here, though, to fix some of the perceived problems of the 1991 adaptation, like toning down the unlikable nature of the Beast earlier and with less violence on his part, so his budding relationship with Belle can be more believable and fleshed out.

beauty and the beast

In a better movie, that might have been enough to give Beauty and the Beast a real purpose for taking a victory lap, as the film also manages to pull off some impressive musical beats that show off director Bill Condon’s best work from Dreamgirls. Sadly, it seems this movie also inherits his romantic habits from the two Twilight films he directed, in that Dan Stevens and Emma Watson (who play the titular characters) are the weakest points of a movie that absolutely relies on their chemistry to succeed.

That’s not to say either performer does a terrible job here. Dan Stevens (Legion, Downton Abbey) does fine work trying to imitate the emotive Beast from the animated film, and it’s not his fault he can’t possibly measure up to Glen Keane’s legendary character. For what the film is trying to be, Stevens does a serviceable job bringing a CGI beast to life under what must have been a huge budget.

It’s Emma Watson (Harry PotterBling Ring) who seems unprepared to carry this film as the heart of its romance. She’s more passionless film critic than audience surrogate, frequently turning her nose to obviously wondrous set pieces and working off of a very limited range of expressions and vocabulary. It doesn’t help that her singing is a bit on the lump side as well, pushed harder by obvious autotune that doesn’t blend well with the superior voice work happening all around her.

Worse, there’s not much done here with the Belle character. Beast gets a new musical number and some chances for identity beyond being mean and clumsy. In this film, he’s a bit of a reader, so he and Belle have something conceivable to bond over. But Belle is a poorly written presence by comparison, often reminiscent of the kind, but independent Belle from the 1991 version without much else to cling to aside from the introduction of a forced backstory involving her life in Paris. None of these threads come together well, making for a more forgettable character than this tale deserves.

beauty and the beast

Still, there really isn’t anything atrociously bad about Beauty and the Beast apart from how tragic it is as a missed opportunity for Disney’s live-action retreads. Rather than upgrade the classic with authentic accents and an updated, more modern story (seriously, there was a great opportunity to pivot the villain, here), the film seems more content on going through the motions as best it can without the luxury of animation to make itself more enchanting. Luke Evans (Dracula Untold) as Gaston is about the only actor who tries to bring some worldly relevance to his role, while still hamming it up alongside the somewhat subdued and one-note LeFou, played by Josh Gad (Frozen).

When Beauty and the Beast does manage to pull off genuine moments of wonder, it’s every bit as likable as its predecessor. But the movie never surprises and it certainly never surpasses what it’s borrowing from. Granted, it’s beautifully realized and the production design is a positive step forward for Disney films, but nothing here is satisfying enough to make up for the fact that this is a revisionist tale lacking true vision.

Grade: C

Extra Credits:

  • I have to be honest, that’s a graceful “C.” I had a terrible experience with this film, despite its high points. It violates the don’t make them want to see the original version during the entire movie rule.
  • Another missed opportunity is in how the original Beauty and the Beast had some progressive flourishes, like how Belle was more interesting than previous Disney damsels.  But this new film does very little to innovate, aside from a more diverse cast and an awkwardly executed LGBT inclusion that seems to forget it exists most of the time.
  • I didn’t have time to get to the rest of the cast, and it’s seriously one of the better aspects of the movie. Kevin Kline as Belle’s father, Ewan McGregor as Lumiere (terrible French accent aside), and Emma Thompson as Mrs. Potts just to name a few. The film does well to give everyone their moment to bask.
  • Oh, let’s not forget about Sir Ian McKellan, who played Cogsworth. Funny enough, he turned down the role for the animated version.
  • This film was in postproduction for 18 months. And it shows.
  • The ‘Gaston’ scene is the best one, in my opinion. They added cut lyrics from the original to make it longer and edgier.

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Which is Better? ‘Monsters Inc.’ VS ‘Shrek’

 

On the latest Pixar Detectives, Kayla Savage and I tried to somehow choose between Monsters Inc. and Shrek in the most unbiased as possible way. To help, our live audience supplied some awesome arguments and counterarguments in this week’s edition of Which is Better?

Of course, we’re not content to rest on the laurels of the debate in this video. Let us know in the comments below which movie you think deserves the acclaim and why. We spent the entirety of the episode on this topic, so we unfortunately didn’t have any time to cover the latest going on in the world of Pixar. But tune in next week and we’ll do our best to catch up.

If you want to enter our weekly giveaways, be sure to tune in live every Wednesday at 7:00 p.m. (Pacific). Follow the link below or just click the video above. We give away Pixar-related goodies like shirts, books, blu-rays, and tons more. And we’re always open to new suggestions for prizes you all might be interested in!

Hope you enjoy the show, and don’t forget to like Super News on Facebook, so you can check out all kinds of awesome shows and giveaways coming out daily. That includes vide game live streams, other Disney talk shows, superhero news, and plenty more. See you all next week!


Thanks for reading this. Seriously. You can subscribe to my posts by clicking “Follow” in the right sidebar. 

Or just say hello on Twitter: @JonNegroni