Another year of film is about to pass, so I did something a bit different to mark the occasion. You’ve probably seen a few tributes like the one shown above, but hopefully you’ll find that this one is a bit more thematic than others. Each song choice, scene, and even some edits plays into a larger theme of what 2018 meant to me as a filmgoer. Also, I purposefully chose 162 films to highlight, which obviously includes movies I haven’t even seen yet, as well as films I didn’t even particularly like. But I know many of you watching did, and I want to celebrate the universal appeal of cinema for everyone. Not just me.
Pixar movies aren’t really known for having great plot twists. But there are still a few good ones here and there that we can appreciate.
So which Pixar “plot twist” is the best? This isn’t an easy question to answer, and obviously Pixar fans will spar and disagree over the top 5, let alone the very best. That said, I’ve devised my own rating system for each of Pixar’s most relevant plot twists, and to answer this question for myself, I’m breaking down the Pixar filmography movie by movie to assign these ratings and form my own conclusion accordingly.
Effects Artist Jason Johnston on the process behind Jack Jack’s powers:
“We met with the Art Director, Ralph Eggleston, and he was very specific in that Jack-Jack is the source of the fire, he’s not on fire,” Johnston added. “And what that means is that there’ll be no smoke and no embers ever coming off of him, but things that he has lit on fire can have them.”
Another crucial element: “We also don’t want it to be scary.”
Yesterday on Twitter, Incredibles 2 director Brad Bird teased the release of a new short film that will reveal what took place the night Edna Mode babysat Jack Jack.
Fans of the movie should remember about midway through the film, a weary Mr. Incredible handed Jack Jack off to an unassuming Edna Mode for a night off, only to find both characters in transformed spirits the morning after. So…what happened?
What does the success of Incredibles 2 mean for Pixar, Disney, and everyone else? Especially if they didn’t love the studio’s latest sequel?
From Jessica Rawden at Cinemablend:
Previously, that accolade went to Finding Dory, a movie that grossed a little bit over $486 million domestically and a little over a billion worldwide. Incredibles 2 has been a much bigger winner domestically, making more than $602 million in North America and another $562.5 million worldwide. It’s current total has it at $1,164,826,913 (via Box Office Mojo), which means it has topped the movie that just kept swimming to become Pixar’s highest grosser. It’s also notable because a few weeks ago, the sequel was already the first animated movie to gross over $500 million domestically, and now it’s north of $600 million.
As Rawden mentions, Frozen is still the highest grossing animated film of all time, but Incredibles 2 is hot on its heels, just recently surpassing Minions.
Now, box office only says so much about the quality of a film, but it does paint a compelling picture, one that at this point can’t be denied. In order for Pixar to maintain their high standards with original content, they made the controversial decision to bank on sequels over a decade back. We now see Finding Dory and Incredibles 2 to be among the most profitable films of all time, animated or otherwise, and on the horizon there’s Toy Story 4 and a slew of original stories essentially funded by this box office success.
From Animation World Network:
Incredibles 2 became just the seventh animated film to cross the $1 billion mark at the global box office. It is Disney’s fifth animated and 18th-ever billion-dollar release and joins Black Panther and Avengers: Infinity War as Disney’s third release to reach the $1 billion milestone this year.
Egregious success for Disney in 2018 aside, Pixar is now the first animated studio to release three films with $1 billion worldwide box office. And all three of these films are sequels: Toy Story 3, Finding Dory, and now Incredibles 2. And yet people wonder why Pixar continues to make sequels in the first place. Money speaks louder than critics, I suppose.
This week on Cinemaholics, I’m joined by special guest Jake Holland and my co-host Will Ashton to review Jurassic World: Fallen Kingdom. Is the “fallen kingdom” in question the state of the Jurassic Park franchise at this point? Well, according to the box office, definitely not. We had a great conversation about the series as a whole and leading up to this new film from J.A. Bayona, and we’ve even included a brief section for spoilers (with fair warning of course).
We opened this week’s show with some Off-Topics, including a rundown of Incredibles 2 breaking all kinds of box office records, plus how Solo: A Star Wars Story‘s utter failure at the box office has reportedly led to Disney and Lucasfilm putting future standalone Star Wars movies on hold. We also get into a fascinating segment about Gotti, which includes everything from a marketing campaign targeted at film critics to some seriously shady number crunching going on at Rotten Tomatoes. You’ll have to hear this one to believe it.
Last, we get into Mini Reviews as usual, but only a few this week. I give my thoughts on Luke Cage Season 2, which just dropped on Netflix, as well as the new romantic comedy Set It Up. And Will finally saw Thoroughbreds, one of my favorites of 2018.
Question for you: Aside from the original, which is your favorite Jurassic Park movie?