Review: ‘Wild’ is Reese Witherspoon’s Best Movie In Years

Based on a true story, Wild features Witherspoon like you’ve never seen her (especially if you’ve seen Election recently). She’s broken, vulnerable, and utterly real.

It’s not enough that the story is good — Witherspoon plays Cheryl Strayed, a divorced heroin junkie who attempts to hike the treacherous Pacific Crest Trail (over 1000 miles total) to heal herself emotionally and physically. The story is also brilliantly told.

We watch her journey in the “present” filtered with constant flashbacks that range everywhere from her childhood to how quickly her life fell apart as an adult. This is a great example of how to use the benefits of a “mosaic” style of filmmaking while also keeping a level of coherence.

It’s easy to follow along, but more importantly, it’s effortless to care about Cheryl Strayed. And that’s where Witherspoon shines: maintaining the line between realism and likability.

Every step of her journey feels like one the audience is taking. Every blister, cut, scrape, and sigh of desperation is felt, in no small part thanks to a dedicated script written by Nick Hornby, coupled with Witherspoon’s commitment to her own trauma.

One scene in particular places Cheryl in her room before she’s taken a single step. Her struggle to even get her oversized gear on her back is just one indication that the running time of Wild won’t be easy for anyone involved with this film, mainly Cheryl herself.

It’s still a self-help story that leaves much of the grittier aspects of Cheryl’s transformation to the imagination (this is a Hornby script, after all). And there are just a few too many flashbacks that over-explain Cheryl’s backstory to a degree, especially when some of the final scenes could have received a little more love without stuffing the script.

Cheryl Strayed’s story of redemption is certainly a mark above other nature-centric journeys, including the more popular (and unremarkable) offerings that include Eat, Pray, Love and Into the Wild, which are also based on books.

The soundtrack is also an uplifting accessory to Cheryl’s long trek through the wilderness, combining a sense of freedom that comes with putting everything you have into a singular goal, as well as the dread that comes from that same action. “The Air That I Breathe” captures this tone in surprising ways for a throwback.

Though we never see firsthand why and how Cheryl chose this adventure has the core of her redemption, the script wisely lets us focus more on who Cheryl is at this point, setting up a journey that is as affecting as it is dreary.

Grade: B+ 

The Pixar Detective, Chapter 17: “Seven Centuries”

Hey everyone! Welcome to The Pixar Detective, a serial novel I put together based on the Pixar Theory. The following is a fictional story that explains the theory that all of the Pixar movies are connected and exist within the same universe, using original characters and artwork. The story answers a lot of questions you may have about this theory, but through its own ongoing narrative.

The story originally launched in April, and since then we’ve finished Part 1 and Part 2!

Both are available as iBooks on iTunes, which you can check out here. If you can’t use iBooks, can also download the PDF versions:

Part 1: (PDF version)

Part 2: (PDF version)

Once you’re finished, check back to our Table of Contents, where we’ll be continuing the story through Part 3. A new chapter is released every two weeks on Tuesdays. And please be sure to leave your feedback in the comments for us to read through. Enjoy!

chapter 17 pixar detective

Previously on the Pixar Detective!

When we last left Stevin Parker and Cara Parr, they were lost in a dystopian San Francisco covered in skyscrapers of garbage. Alone for three months, everything changed when they encountered a futuristic probe named Atom, who promised to help them if they led him to plant-life.

pixar detective chapter 15

Meanwhile, Wallaby, Mr. Sumner, Sadie, and Logan were captured by Randall and betrayed by the rest of their friends after trying to escape Monstropolis. What plans does Randall have in store for them? Find out!

 

 

Use the prompt on the sidebar to subscribe for updates, or just follow me and Kayla on Twitter to stay connected – @JonNegroni @KaylaTheSavage

Thanks for reading! What did you think of Chapter 17?

Why Aren’t There Many Thanksgiving Movies?

Sure, Thanksgiving shows up in movies. Think Spider-Man (the good one) and Rocky/Rocky II. 

But we rarely get movies about Thanksgiving. Not like we do Christmas, at least.

Of course, you can argue that we don’t get that many movies about Halloween, either. Just horror movies meant to be watched in time for Halloween.

But wait, what about movies that are meant to be watched for Thanksgiving? Besides movies that are ironically called Hunger Games?

Granted, you could watch The Crucible and pretend the Puritans are Pilgrims, but that won’t really scratch the Thanksgiving itch (at all actually).

thanksgiving movies

So what gives?

It’s pretty simple. The main culprit comes down to timing. If a studio decided to make a “Thanksgiving” holiday movie, they’d obviously have to release it in November. October is too early and already dominated by Halloween, and once Thanksgiving is over and December starts, your movie is cooked (figuratively and literally).

That gives the movie a little less than four weeks to make its money back. You know, during one of the most pivotal months of Oscar season. They also have to compete with the early Christmas movies releasing in the middle of November because they’re facing the same time constraints (they only have until New Year’s to make it count).

Studios also have to contend with the NFL, College Football, the NBA and the Macy’s Day Parade. Who has the time and energy to leave the house after their food coma to see a movie about a meal they just ate? And with Black Friday literally around the corner?

thanksgiving movies

Most people just want to nap. Or watch shows about Thanksgiving on TV.

It’s no big mystery, really. Independence Day, New Year’s and even Valentine’s Day all stray from an onslaught of yearly theme movies for these same reasons. And honestly, we’re probably better off that way.

To be fair, movies still come out about love and romance around Valentine’s Day, similarly to how horror movies and thrillers come out for Halloween. Why not Thanksgiving?

Most people associate Thanksgiving with old-fashioned family togetherness, and it’s typically lumped in with Christmas, which purports the same. So which November movies get us prepared for being thankful?

thanksgiving movies

Surprisingly, they actually tend to be the more serious Oscar contenders. The ones that show stories that are so depressing, we have no choice but to be thankful we’re not those characters. 

This year’s example is Foxcatcher, starring Steve Carrell and Channing Tatum. It’s a movie with so many tragic characters, I’ll be catching a flight home to my family before the credits finish rolling.

And that, everyone, is how you utilize a holiday.

Pixar Quotes Make Excellent Posters

Risa Rodil is an up-and-coming illustrator who just happens to love Pixar films. Hence her “Pixar Lettering Series,” which just debuted on her website.

Using some of the most memorable quotes from Pixar’s finest films, including one that just got polled most memorable quote of all time, Risa designed some stunning posters that highlight the fun and artistic ingenuity of the movies they’re based on.

The posters are below, but you can see the whole list and more on Risa’s site (and please do yourself a favor and check her work out!)

pixar posters pixar posters pixar posters pixar posters pixar posters pixar posters pixar posters

Celebrating 10 Years of ‘The Incredibles’ (With Myth-Busting)

Today marks the 10th anniversary of one of Pixar’s most treasured films, The Incredibles. A sequel is in the works, but it’s not due for another few years. In the meantime, let’s take a look at some myths about the movie that deserve to be busted.

Specifically, one of my favorite websites (as you know) is Cracked.com, and they’ve celebrated the anniversary by poking some light-hearted fun at the movie and Pixar. Let’s take a look!

incredibles

Mark Hill and JM McNab | ‘The Incredibles’ is Disney’s ‘Watchmen:’

The Incredibles shares more than just a premise with the graphic novel Watchmen, which later became a movie itself, albeit one that replaces the source material’s Reagan-era malaise with emo hissy fits. As pointed out by Baltimore Sun writer Michael Sragow, both stories concern a world where superheroes exist but have been forced to retire after the American government outlaws their work for political reasons (apparently Canada and Mexico don’t have any crime worth fighting).

Both movies feature a pathetic hero who feels emasculated in retirement — Nite Owl in Watchmen, Mr. Incredible in The Incredibles. They’re getting old, they’re getting fat, and they’re disillusioned by their mundane lives.

Both superheroes are drawn out of retirement to investigate the disappearances of other retired superheroes. They eventually discover that the murderers are exceptionally intelligent supervillains with no actual powers. There’s Ozymandias in Watchmen and Syndrome in The Incredibles — both once wanted to be superheroes, and even as villains they believe they’re serving the greater good. Also, they both have dumb hair.

There are a lot of issues with that last point, the main one being that Ozymandias wasn’t an outsider to the superheroes like Syndrome was. And his motivations have nothing to do with being accepted as a superhero, as opposed to Syndrome. Their goals, endgame and character arcs are wildly distinct.

The hair thing is pretty accurate, though.

incredibles

Going further, the reasons for why superheroes were outlawed are vastly different between to the two stories. In Incredibles, supers were banned because of their collateral damage and perceived negative influence on the world. Humans just wanted them gone.

In Watchmen, superheroes weren’t really necessary anymore because Mr. Manhattan was a demigod who could solve everyone’s problems (and wars) at will. So the differences between these stories come down to need vs. want.

Lastly, Mr. Incredible is not “drawn out of retirement to investigate the disappearances of other retired superheroes.” That’s just completely false. He’s lured out of retirement to relive the glory days and work for what he believes to be a top-secret government agency. He just wants to be a super again. He doesn’t even realize superheroes are being hunted and killed en masse until a while after Syndrome betrays him on Nomanisan.

I suppose Syndrome believes he’s serving the “greater good,” but it’s certainly not in the same vein as the more serious Ozymandias. Syndrome is really only concerned with satisfying his own ego and eliminating the very concept of being “special” or super. Ozymandias carries his plan forth because he honestly believes it’s the best solution for mankind.

incredibles

Mike Guernsey | The Incredibles — The Return of Heroes Means the Return of Villains:

The ban on heroism prevented heroes from heroing without the fear of legal action, but the supervillains were already operating outside the law — the ban opened the door to a whole new world of crime. You’d half-expect the newly unstoppable villains to take over the planet, but flash-forward 15 years and there’s no evidence of mass slavery, destroyed cities, a villain king — nothing. The supervillains are apparently as extinct as the heroes. When Mr. Incredible sneaks out to do some occasional crime fighting by night, he’s taking on regular old petty criminals.

The article also points out that not long after the Incredibles return to the public eye at the end of the movie, the Underminer arises (literally out of nowhere) as a new, malicious supervillain. Mike, the author, makes the assumption that he’s the first supervillain in a long time, thus claiming the Incredibles to be the cause of some sort of supervillain outbreak.

This isn’t really grounded in any tangible proof, though. Supervillains may not be running around on the screen during the movie (besides Syndrome), but that doesn’t mean they don’t exist. And even if it did, that’s correlation, not causation.

incredibles

Also, that makes me wonder the motivations of these supposed villains. Why would it make sense for you to only be a supervillain if there are superheroes around? Is the assumption that they’re bored and only willing to commit crimes if there’s someone as strong as them ready to foil their plans? When you think about it, the whole thing falls a bit flat.

I think it’s more reasonable to assume that the super villains were still around, but never a pervasive threat. In fact, there probably weren’t that many of them at all to begin with. Mike even points out that the villains (like Bomb Voyage) don’t have any “super powers,” which means the authorities were probably enough to deal with them.

They just did what they pleased and avoided capture, which became that much easier once the superheroes were banned. We also don’t know if superheroes still fought villains as vigilantes (similar to Mr. Incredible and Frozone) over the years despite the ban.

So there you have it. 10 years later and we’re still talking about The Incredibles. Now that’s how you know Pixar is good at making movies.

incredibles

Thanks for Reading! You can subscribe to this blog by email via the prompt on the sidebar. Otherwise, be sure to stay connected with me on Twitter (@JonNegroni). I’ll follow you back if you say something witty and awesome.

Review: ‘Nightcrawler’ is Jake Gyllenhaal’s Most Memorable Performance Yet

Nightcrawler, not to be confused with a certain X-Men who is yet to get his own movie (not that he should), is the answer to a question you’ve probably never asked:

What happens when a criminal becomes a journalist?

After all, plenty of people already consider the media to be run by criminals. Nightcrawler expands that concept to believable, and unforgettable lengths.

The movie stars Jake Gyllenhaal as Lou Bloom, a driven sociopath who has one basic goal. He wants to make money (illegally if he has to) by doing something he loves. The problem is that when he wants something, he’ll do anything to get it. At his core, he’s ultimately a thief of both possessions and even ideas.

His cold, calculating mind is offset by a nearly convincing extraversion. He smiles as he delivers the lines of dialogue that haunt the audience as his story unfolds. The first act expertly introduces us to Bloom by not just showing that he’s a criminal. He proves to us that he’s a sociopath, for reasons that get into spoiler territory.

Ultimately, his actions lead to business success as a nightcrawler (an offhand term for freelancers who record video from crime scenes late at night). The movie is shot almost entirely from his perspective as we watch him negotiate and force himself into the world of journalism with his suspiciously caught video of violent crimes that cater to a specific audience. You can probably see where this is going, and it doesn’t take much to acknowledge the rampant nods that this is also a satire of modern media.

Written and directed by Dan Gilroy, brother of Tony Gilroy (Michael Clayton), Nightcrawler is an intense, thrilling movie with a dark sense of humor, to the point where you may laugh at just how twisted it frames Bloom up to the “critical moment.”  It warranted more laughs from the audience than some comedies I’ve seen.

I wouldn’t say it’s Gyllenhaal’s best performance ever, but it’s certainly his most memorable in my opinion. Like Matthew McConaughey, he’s had a pretty epic string of great movies these past few years. And Nightcrawler is certainly a highlight.

Definitely worth watching.

Thanks for Reading! You can subscribe to this blog by email via the prompt on the sidebar. Otherwise, be sure to stay connected with me on Twitter (@JonNegroni). I’ll follow you back if you say something witty and awesome.

Is John Wick Worth Watching? (VIDEO REVIEW)

Starring Keanu Reeves (and other cool people), “John Wick” just might be one of the best action films since “Taken.” But not everyone agrees…

Plus, we talk about the Age of Ultron trailer Marvel released this week. Enjoy!

Check out Maria’s full review: http://bit.ly/1zx2lXx

Age of Ultron trailer: http://bit.ly/1oMlVud

Thanks for Reading! You can subscribe to this blog by email via the prompt on the sidebar. Otherwise, be sure to stay connected with me on Twitter (@JonNegroni). I’ll follow you back if you say something witty and awesome.