The Fate of the Furious is an easy film to understand just by taking a second look at its title, which feels designed for a hashtag (F8), rather than something new or creatively crafted.
The Force Awakens is really a “creative remix” of the original trilogy, and there’s a strikingly good reason for this that might shed light on the future of the entire franchise.
On an all-new Cinemaholics, Will Ashton and I review Kong: Skull Island, the second entry in Legendary’s “MonsterVerse” after 2014’s Godzilla, and Samurai Jack Season 5, the Adult Swim short series that will finally wrap up one of the greatest animated shows in a lifetime. We also take a look at some other shows and a comedy special later in the episode.
YOU TELL US: Does Kong: Skull Island deserve to be #1 at the box office over Logan? Comment below or email us, cinemaholicspodcast [at] gmail.com. You might just hear your email read next week…
M. Night Shyamalan’s ‘Split’ suffers from a case of “the trailer was better.”
And weirdly enough, The Accountant (starring Ben Affleck) is moderately better than the actual Jason Bourne movie that came out this year. From the outset, this somewhat flat-looking action thriller from Gavin O’Connor isn’t done any favors by its own marketing and conception. Because the idea seems to be positioning Affleck as
In 1960, The Magnificent Seven came about under the direction of John Sturges to limited acclaim. Critics didn’t love it because Akira Kurosawa’s Seven Samurai (of which Magnificent is adapted from but with a Western spin) was still a near-perfect film fresh on everyone’s minds. In the decades since, critics have grown to appreciate Magnificent Seven more due to
As of September, my favorite movie of 2016 is John Carney’s Sing Street, a musical throwback set during the 80s boom in the U.K. Consider this my (late) review, perhaps made better by the fact that I’ve had months to process Sing Street and even revisit it. For that reason, this is a Second Opinion,