Guess the Disney Song! – Now Conspiring

rapunzel

We have a full house on this week’s episode. RAK (aka Khan) and Jenny Pan join the podcast along with Maria’s best friend, Evie. After lengthy introductions and many fun tangents, we go around the table to talk about what we have read or watched in the past few weeks. This is quickly followed by Evie saying very embarrassing things about Maria that can never be unheard.

Later on, we play Guess the Disney Song! Where Jenny is overconfident, Sam is confused by everyone’s hardwired knowledge of Disney and a lot of yelling from everybody involved.

It is important to note after a certain point, Sam unofficially quits the game and continues to play his computer game, which we were all able to watch. In case you hear anyone saying ‘Sam! You nearly died’ or ‘Sam exploded’, we mean the game.

Question of the Week: What is your favorite Disney song?

Go on…Guess the Disney Song! – Now Conspiring

Top 30 Things You Didn’t Know About The Incredibles – The Pixar Detectives

Did you know The Incredibles was originally supposed to be called “The Invincibles?” Even if you did, we’ve got 29 more awesome facts about one of our favorite Pixar movies ever, only on Super News!

This week, we kicked off our live show with a brief breakdown of the new clip released for Coco called “Dante’s Lunch – A Short Tail.” We discussed the video and director Lee Unkrich’s thoughts on it before jumping into our main segment.

This week’s giveaway is an Incredibles t-shirt exactly like the one I wore onscreen. We already have a winner,  so be sure to tune in live with us on Wednesday at 7:00 p.m. (Pacific) for a chance to win next time. Just like Super News on Facebook to stay connected with us for new episodes every week. We give away Pixar-related goodies like shirts, books, blu-rays, and tons more. And we’re always open to new suggestions for prizes you all might be interested in! Plus, Super News has tons of other shows and live-streams for Disney, gaming, and a ton more. See you all next week!


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‘Beauty And The Beast’ Is A Decent Musical Trapped Inside A Dull Remake

beauty and the beast

There’s no major, heavy-handed flaw that brings down Beauty and the Beast, the latest of Disney’s live-action remakes. Rather, this film falls apart from its own weight of bad decisions, made very carefully to not to mess with one of Disney’s most beloved classics too much for fear of losing the same magic that brought animated films to the prestigious forefront of Hollywood.

The original conception hasn’t changed at all, really. A young, beautiful girl living in a small French village finds herself the prisoner of a cursed prince who was transformed into a beast for being vain. They have to fall in love in order to break the spell, and his castle’s magical servants — a collection of humans transformed into the prince’s belongings in case that wasn’t subtle enough — orchestrate elaborate ways to bring these two mismatched people together.

This is, of course, a remake that feels far more faithful to the word, in that a vast majority of this film is a recycled mess of frames, songs, characters, and ideas that are mixed together with a few more expanded subplots that try to explain the world of Beauty and the Beast better than previous adaptations. For what it’s worth, this is a longer movie that lets the characters breathe when necessary.

The trouble is that Disney’s answer to defending this remake’s existence is by over-explaining the exposition of this world and its inhabitants, robbing us of any nuance or mystery as full character motivations are described by either voiceover or ham-fisted declarations more suitable for a stage play. There’s a good effort here, though, to fix some of the perceived problems of the 1991 adaptation, like toning down the unlikable nature of the Beast earlier and with less violence on his part, so his budding relationship with Belle can be more believable and fleshed out.

beauty and the beast

In a better movie, that might have been enough to give Beauty and the Beast a real purpose for taking a victory lap, as the film also manages to pull off some impressive musical beats that show off director Bill Condon’s best work from Dreamgirls. Sadly, it seems this movie also inherits his romantic habits from the two Twilight films he directed, in that Dan Stevens and Emma Watson (who play the titular characters) are the weakest points of a movie that absolutely relies on their chemistry to succeed.

That’s not to say either performer does a terrible job here. Dan Stevens (Legion, Downton Abbey) does fine work trying to imitate the emotive Beast from the animated film, and it’s not his fault he can’t possibly measure up to Glen Keane’s legendary character. For what the film is trying to be, Stevens does a serviceable job bringing a CGI beast to life under what must have been a huge budget.

It’s Emma Watson (Harry Potter, Bling Ring) who seems unprepared to carry this film as the heart of its romance. She’s more passionless film critic than audience surrogate, frequently turning her nose to obviously wondrous set pieces and working off of a very limited range of expressions and vocabulary. It doesn’t help that her singing is a bit on the lump side as well, pushed harder by obvious autotune that doesn’t blend well with the superior voice work happening all around her.

Worse, there’s not much done here with the Belle character. Beast gets a new musical number and some chances for identity beyond being mean and clumsy. In this film, he’s a bit of a reader, so he and Belle have something conceivable to bond over. But Belle is a poorly written presence by comparison, often reminiscent of the kind, but independent Belle from the 1991 version without much else to cling to aside from the introduction of a forced backstory involving her life in Paris. None of these threads come together well, making for a more forgettable character than this tale deserves.

beauty and the beast

Still, there really isn’t anything atrociously bad about Beauty and the Beast apart from how tragic it is as a missed opportunity for Disney’s live-action retreads. Rather than upgrade the classic with authentic accents and an updated, more modern story (seriously, there was a great opportunity to pivot the villain, here), the film seems more content on going through the motions as best it can without the luxury of animation to make itself more enchanting. Luke Evans (Dracula Untold) as Gaston is about the only actor who tries to bring some worldly relevance to his role, while still hamming it up alongside the somewhat subdued and one-note LeFou, played by Josh Gad (Frozen).

When Beauty and the Beast does manage to pull off genuine moments of wonder, it’s every bit as likable as its predecessor. But the movie never surprises and it certainly never surpasses what it’s borrowing from. Granted, it’s beautifully realized and the production design is a positive step forward for Disney films, but nothing here is satisfying enough to make up for the fact that this is a revisionist tale lacking true vision.

Grade: C

Extra Credits:

  • I have to be honest, that’s a graceful “C.” I had a terrible experience with this film, despite its high points. It violates the don’t make them want to see the original version during the entire movie rule.
  • Another missed opportunity is in how the original Beauty and the Beast had some progressive flourishes, like how Belle was more interesting than previous Disney damsels.  But this new film does very little to innovate, aside from a more diverse cast and an awkwardly executed LGBT inclusion that seems to forget it exists most of the time.
  • I didn’t have time to get to the rest of the cast, and it’s seriously one of the better aspects of the movie. Kevin Kline as Belle’s father, Ewan McGregor as Lumiere (terrible French accent aside), and Emma Thompson as Mrs. Potts just to name a few. The film does well to give everyone their moment to bask.
  • Oh, let’s not forget about Sir Ian McKellan, who played Cogsworth. Funny enough, he turned down the role for the animated version.
  • This film was in postproduction for 18 months. And it shows.
  • The ‘Gaston’ scene is the best one, in my opinion. They added cut lyrics from the original to make it longer and edgier.

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Snarcasm: Carl From ‘Up’ Is Insane And So Are You

up

Snark + Sarcasm = what you’re about to read

Word of warning: if you tag me in a tweet promoting a fan theory you “wrote,” then expect the Snarcasm treatment in the most lighthearted way possible .

So here’s the background. Two years ago, SuperCarlinBros did a fan theory video about Pixar’s Up that proposed Carl Fredricksen is “insane” for reasons that sound anything but. It’s an amusing video from a couple of good friends of mine, which is why it’s strange to see the theory popping up again…from someone else.

Jonathan Sim, a different writer, tagged me in his own write-up for a theory he didn’t write, but instead rewrote with credit to the SuperCarlinBros. Now that this is in written form and it’s coming out while this column is a thing, we get to dive into why the “Insane Carl Theory” is…well, to say it’s insane is giving it at least a little credit.

What if I told you that Carl Fredericksen was actually insane and this movie was a figment of his imagination?

I’d tell you that it’s spelled “Fredricksen.” Then I’d tell you that at least 20 million “fan theorists” have been speculating that any given piece of fiction is “in someone’s head” since Descarte.

So, we start off this theory with that scene in Up where Carl assaults a man with his cane.

It’s a walker with tennis balls, but alright.

This is assault and battery as the man is later seen with blood on his forehead. And we later see Carl in a courtroom. And they sentence him to…a nursing home?

We’re not about to have a discussion about legal precedent are we—

Doesn’t it seem strange that this old man has committed what can be considered third degree assault and battery and his sentence is a nursing home?

Well, no, if we use our thinking caps. As you state, this is third degree battery, which is a misdemeanor. As in, not a felony. Most states will either put you in jail for 30 days and/or make you pay a $500 fine. Depends on the judge, though.

Now, let’s look at the situation Carl is in. This is, by all reasonable accounts, his first offense ever. In addition, a huge corporation has a clear stake in getting him out of his house. So we can surmise from the wordless court scene that BnL’s lawyers have arranged to make a deal that forces Carl to stay at a retirement home so that they can bulldoze his house. We even hear from the police officer in the next scene say that Carl doesn’t seem like a “public menace,” likely referencing the arguments made to kick him out.

You could also consider that Carl doesn’t have the money to pay the fine (he’s a balloon salesman, after all), but the state would rather put him in a retirement home than jail because of his age and the fact that he lives alone. This seems like a pretty logical ruling from a judge who has to sentence an old man without a criminal record.

I mean, he should honestly just receive a jail sentence or something like that. But a nursing home is not legitimate.

Let’s not pretend nursing homes don’t exist as punishments.

So, Carl actually was sentenced to a prison.

Wait, what? No he wasn’t?

And when this happened, he had lost everything. He lost his wife, his freedom, and now, he loses his mental health.

Um…no? The police officer told him that the retirement folks would pick him up in the morning. Where exactly does his mental health collapse for you? And why are you convinced he’s gone insane in the first place, just because he’s sad? Is that your only criteria?

What Carl then does next is absolutely impossible: he lifts up his house with balloons.

At this point, that seems way more plausible than what you’re suggesting.

Well, first off, that would mean he was a really bad balloon salesman.

Oh, I get it. Jonathan is just joking with us. Right?

Right?

Second, according to production notes from the film,

No, no, no, hold up and don’t you dare switch the topic. Carl is a bad balloon salesman? How does that…what? Because…he has a bunch of balloons? That means he’s bad…at selling them..but he’s retired…

WHO ARE YOU?

So, in one night, we’re expected to believe Carl had the stamina and physical ability to fill that many balloons with helium?

No, we’re expected to believe he already had those balloons ready to inflate and finish tying up, secretly. Remember, he and Ellie were planning on taking the house to Paradise Falls, hence the drawing of the house…on Paradise Falls. But they never did because she got sick, and the point of this next scene is to show that Carl’s willing to embark on the adventure they always dreamed of, but he’s not really alone because Ellie is the house and—

Oh sorry, you were saying?

He can’t even walk down the stairs without his machine.

Right. That means all the other times he’s running around and attacking construction workers were all a hoax. Which part of the movie is “in his head” again?

And not only that, but lifting a house with 10,297 balloons is not possible.

Neither is having a head shaped like a perfect rectangle, but you don’t question that for some reason.

Up co-director Pete Docter recently told Ballooning magazine

Recently? You mean in 2009?

that technician Pixar estimated

Who is technician Pixar?

it would take 23.5 million party balloons to lift a 1,800-square-foot house like Carl’s.

The funny thing is that in this same article, they point out that if the house did have enough balloons to lift the house, it would shoot off like a rocket rather than leisurely float away. So Pete Docter’s idea here never would have worked in the real world, but they went with it anyway because they like to dream big. Which doesn’t mean Carl’s dreaming big, an argument that Jonathan (both of them) haven’t even gotten to defending yet.

And then, when he is on his way there, he finds a child on his doorstep.

Thank goodness for babiesovernight.com.

He and Ellie never got to have children in their lives, and this crazy dream sequence (or you can call it heaven if you want) is giving him everything that he didn’t have before.

Let’s break this down. First, Jonathan just sneaks in yet another fan theory about Up that suggests Carl is dead the whole time. Which has been debunked by almost everybody because it’s such an overused fan theory that no one cares anymore.

Second, why would Carl be dreaming of a kid he’s already met? And that he hates? And if the kid represents what he wants in life, why does he try to get rid of the kid throughout the entire movie?

Carl and Ellie grew up loving adventurers and exploring and this kid shows up at the door, who loves adventuring and exploring and would be an ideal, perfect child for Carl and Ellie. 

Thanks, IMDB.

But that’s not the main reason why I don’t buy this.

Don’t buy what? You don’t believe what you just said?

See, Russell said that he saw a snipe (a type of bird) and chased it under his porch. However, that was when Carl lifted up his house and he remained on the house.

You don’t see Russell either, but you know he’s still there. Also, you know, birds fly.

I don’t see how it would be possible to get under that porch, and when he noticed the house lifting up, why would his immediate response be to grab on? It doesn’t make sense, and therefore, Carl’s mind is simply creating this vision for him.

Russell didn’t “grab on,” he clearly was hiding in fright. We don’t see him because the filmmakers wanted to keep his presence a surprise. We would have been distracted if Russell had been shown. This is a plot hole in the movie, not a definitive piece of evidence that Carl is imagining the whole movie.

The only kid that gets into Carl’s house is the kid that somehow knows how to get from the United States to South America, navigating with a house he’s not familiar with steering.

He uses his GPS to navigate. And he’s steering a floating house, not a B52. Movie logic aside, the nonsensical premise of Up is deliberate. To suggest that it’s all a fabrication is pointless,  because the movie is already a fabrication.

There is a scene in which Carl tries to drop Russell into the street by suspending him with a rope while about six stories off the ground. Carl then drops Russell into the street by accident, but in the next scene, he shows up in Carl’s house again, completely unharmed without a single scratch.

Jonathan…did you watch the movie? Because…Jonathan, if you watched the movie you’d know that this happened IN AN ACTUAL DREAM SEQUENCE CARL WAS HAVING.

See, Carl was considering dropping off Russell, but he DREAMED the scenario and realized it would harm Russell.

And we also have the character of Kevin.

Oh, don’t you even dare bring Kevin into this.

when we first meet Ellie as a child, we can’t really tell whether or not she is a male or female.

Yes you can? True, she’s a tomboy and it might not be immediately clear to everyone, but it doesn’t take long.

Russell names the bird Kevin (a male name), but we find out at the end of the movie that she is a female, as she gives birth.

You’re not about to say Ellie is the bird, are you? She’s already the house, mate.

To add on, Kevin can have kids, but Ellie had a miscarriage.

(Voice of Buzz Lightyear) Themes! Themes everywhere!

And right when Carl lands in Paradise Falls, he meets his childhood hero: Charles Muntz.

…who is the inspiration for why Carl wants to go to Paradise Falls in the first place.

Muntz is 92 years old during the main events of the film and though there are people who live up to 92 years old, he cannot be this impressive.

Why not? We see him struggle in his fight with Carl later on, so it’s not like he’s the pinnacle of health. Wouldn’t a life of living off the land make him hardier?

Anyway, it doesn’t matter because a dropped plot point of the movie is that Muntz’s age was slowed down by Kevin’s eggs, explaining how he’s still alive at such an old age.

He is living in the jungle with no healthcare, no way to treat any possible diseases, and not a lot of food.

OK, this is actually offensive. You do realize that people in other countries who have no modern medicine are still able to live a long time, right? And he lives on a zeppelin with tons of food shown onscreen, because his dogs take care of him.

And there is also the fact that when Carl points out a skeleton of a giant Somalian leopard tortoise, Muntz says, “I found it on safari with Roosevelt.

Here we go.

There are two likely Roosevelts that he was talking about: Franklin D. Roosevelt and Theodore Roosevelt.

To even suggest it was FDR is laughable, but go on.

Now, Theodore Roosevelt wouldn’t really make sense because Muntz was born in 1911 and Roosevelt died in 1919. That would mean that the oldest he could have been while hanging out with Roosevelt is eight years old and apparently, Roosevelt was going on safari and cheating at gin rummy games with eight year old kids.

Technically, Charles could have been a child on safari exaggerating his role. And kids are certainly capable of playing card games. But the more likely explanation is that Charles went on safari with Roosevelt’s son, Kermit Roosevelt, who was also an adventurer who actually went on African safaris.

OK, now hopefully Jonathan will reveal all of the evidence pertaining to Carl’s mental health by—

This means Carl was either insane, or, as other theories have said, he could have died and this may simply be his ascend to heaven. Russell, Kevin, and Dug are all just in his imagination.

That’s it? That’s the whole thing? This entire fan theory is just one argument over and over again: the movie is a bit silly, so that means it’s a dream.

This isn’t a fan theory, it’s a fan guess. And not a good one at that. There’s nothing about how Carl does actually have some clear psychological problems with thinking his wife is a house and how his attachments clearly blind him to reality over the course of the film. But rather than address anything like that, Jonathan just tells us it’s all a dream because movies aren’t real. Or something.

So in a way, doesn’t this mean we’re all insane for believing them?


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Disney’s LGBT Characters, Logan, and Oscar Fails – Now Conspiring

disney lgbt

With Bridget off duty this week, the lovely Jenny Pan joins us all the way from Canada to talk about the Oscars Fail, Logan and a quick round of Would you Rather? We also discuss Disney’s announcement of Lefou’s sexual orientation in the Beauty and the Beast remake. If that weren’t enough, Sam comments on your comments as some of his impersonations.

Question of the Week: Does it matter at all if the Academy messed up? What do you think of the whole ‘first LGBT character’ in a Disney movie?

Go on…Disney’s LGBT Characters, Logan, and Oscar Fails – Now Conspiring

Which Pixar Romance is the Best? – The Pixar Detectives

This week on Pixar Detectives, Kayla Savage and I put out some huge Pixar announcements and debated the BEST Pixar romance. We talked about Pixar in a Box, played a quiz game with the live audience (Which Pixar couple are you?) and gave away an awesome Pixar mashup shirt.

So…which Pixar romance really is the best? Among our suggestions, we talked about Marlin and Coral from Finding Nemo, Carl and Ellie from Up, WALL-E and Eve from WALL-E, Buzz and Jessie from Toy Story, and a bunch more. Let us know in the comments which romance you think is the overall best!

If you want to enter our weekly giveaways, be sure to tune in live every Wednesday at 7:00 p.m. (Pacific). Follow the link below or just click the video above. We give away Pixar-related goodies like shirts, books, blu-rays, and tons more. And we’re always open to new suggestions for prizes you all might be interested in!

Hope you enjoy the show, and don’t forget to like Super News on Facebook, so you can check out all kinds of awesome shows and giveaways coming out daily. That includes vide game live streams, other Disney talk shows, superhero news, and plenty more. See you all next week!


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Did Disney Confirm The Pixar Theory? – The Pixar Detectives

As many of you know, I wrote the Pixar Theory several years ago, detailing why I think every Pixar movie might be connected and how they broadly tell an overarching story outside the movies.

A few weeks ago, Disney Pixar shared a video on social media that takes you through a sampling of their Easter eggs in many of their films, and since then, some have called this out as “confirmation” that the theory is totally true…even though that’s clearly not the case.

The video is a lot of fun and definitely celebrates the recent spike in interest over these easter eggs, but there’s no indication made by this video or Disney Pixar that the movies are “connected” or share the same universe. And honestly, it’s a lot more fun that way, in my opinion.

In this week’s episode of Pixar Detectives, Kayla Savage and I dug a bit deeper into this subject, answering a ton of Pixar Theory questions along the way and giving away copies of my book, which expands a great deal on the original blog post from 2013.

Hope you enjoy the show, and don’t forget to like Super News on Facebook to watch our show live, every Wednesday at 7:00 p.m. (Pacific). If you tune in and comment with us live, you might be able to win our weekly giveaway, too!


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