But Pixar has finally gotten around to updating their website with a synopsis of the film, which confirms a lot of what we knew already about the movie, along with some interesting new details. Read the synopsis below:
From the tepuis of South America to a monster-filled metropolis, Academy Award®-winning director Pete Docter has taken audiences to unique and imaginative places. In 2015, he will take us to the most extraordinary location of all – inside the mind of an 11-year-old named Riley.
Growing up can be a bumpy road, and it’s no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions – Joy (Amy Poehler), Fear (Bill Hader), Anger (Lewis Black), Disgust (Mindy Kaling) and Sadness (Phyllis Smith).
The emotions live in Headquarters, the control center inside Riley’s mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters. Although Joy, Riley’s main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city, house and school.
And there you have it! Inside Out will arrive in theaters June 19, 2015. I’ll be sure to keep you updated as Pixar begins unleashing the first of its promotional material for the movie later this year.
Thanks for Reading! You can subscribe to this blog by email via the prompt on the sidebar. Otherwise, be sure to stay connected with me on Twitter (@JonNegroni). I’ll follow you back if you say something witty and awesome.
Hey everyone! Welcome to The Pixar Detective, a serial novel I put together based on thePixar Theory. The following is a fictional story that explains the theory that all of the Pixar movies are connected and exist within the same universe, using original characters and artwork. The story answers a lot of questions you may have about this theory, but through its own ongoing narrative.
The story originally launched in April, and we’ve recently completed Part 1!
It’s available as an iBook on iTunes, which you can check out here. If you can’t use iBooks, you can also download the PDF version.
Once you’re finished, check back to our Table of Contents, where we’ll be continuing the story through Part 2. A new chapter is released every two weeks on Tuesdays. And please be sure to leave your feedback in the comments for us to read through. Enjoy!
Previously on The Pixar Detective: We met Stevin Parker and Wallaby Jones, two 15-year-old boys whose worlds get turned upside-down when their mutual friend, Mary, vanishes.
Only it’s not just Mary who has vanished. Her entire house has been replaced with a massive chasm, and all that remains is a bizarre tree holding up Mary’s room. In the middle of the night, it’s up to Stevin and Wallaby to climb up the tree and search for clues as to what has happened to Mary and why.
Use the prompt on the sidebar to subscribe or just follow me and Kayla on Twitter to stay connected – @JonNegroni – @KaylaTheSavage
Hey everyone! Welcome to The Pixar Detective, a serial novel I put together based on thePixar Theory. The following is a fictional story that explains the theory that all of the Pixar movies are connected and exist within the same universe, using original characters and artwork. The story answers a lot of questions you may have about this theory, but through its own ongoing narrative.
The story originally launched in April, and we’ve recently completed Part 1!
It is available as an iBook on iTunes, which you can check out here. If you can’t use iBooks, you can also download the PDF version.
Once you’re finished, check back to our Table of Contents, where we’ll be continuing the story through Part 2. A new chapter is released every two weeks on Tuesdays. And please be sure to leave your feedback in the comments for us to read through. Enjoy!
Chapter 1: The Great Detective
Written by Jon Negroni. Illustrations by Kayla Savage.
The most brilliant detectives in the world are not the individuals with the biggest brains or even the most advanced gadgets and gizmos, although having a magnifying glass with an electronic interface is always useful for finding your way around a particularly messy crime scene. The best detectives aren’t necessarily organized, tidy, punctual, or easy to get along with. Even the most successful detectives tend to find themselves relying on more than just being familiar, easygoing crime-fighters. No, the world’s greatest detectives are the most imaginative risk-takers that have ever decided to look through a magnifying glass, and we know this for certain because a great detective doesn’t decide to live a life of solving mysteries. The greatest detectives have the truly important mysteries thrust upon them, and they probably wouldn’t have it any other way.
It wasn’t the biggest hit Disney has ever made, but Wreck-It Ralph was still a very important film for a variety of reasons, starting with its ambitious incorporation of video gaming’s pantheon of characters and ending with its implementation of a new set of characters that we ultimately fell in love with.
The movie sold me on the idea of seeing classic video game icons and tropes together onscreen, but a sequel sells me on the promise that I’ll get to once again experience the adventures of Ralph, Vanellope and the rest of the arcade gang.
This means that the script is in preproduction, and the future of a potential sequel will be determined by how much faith Disney has in this franchise that took us all by surprise just a couple of years ago.
Wreck-It Ralph was a hit with both audiences and critics, and it managed to overshadow Pixar’s Brave, which was released that same year (though Rango won the Oscar for Best Animated Feature that year).
Financially, however, the film wasn’t as big of a success as Disney probably hoped it would be. It wasn’t a flop, as it did manage to turn a profit, but that means a sequel will be under even more scrutiny, especially because we now live in a world where a movie like Frozen is capable of breaking all-time box office records.
And yet I’m still excited about the possibility of making another trip into the rich world of video games and what makes them so much fun. One of the first movie’s biggest flaws, of course, was that it spent the majority of its time exploring “Sugar Rush,” which was endemic of the film’s budget constraints more than anything.
AKA “Diabetesville”
This time around, it would be great for us to visit more locations with new blink-and-you’ll-miss-it cameos that made the first film so much fun. The best part is that we’ve gotten to know Ralph at this point, making a sequel a prime opportunity for giving him more to do and new faces to meet.
Unfortunately, speculation is all we can do right now until official news is released one way or the other. Are you excited about the potential Wreck-It Ralph sequel, or do believe it will be game over for this franchise?
Thanks for Reading! You can subscribe to this blog by email via the prompt on the sidebar. Otherwise, be sure to stay connected with me on Twitter (@JonNegroni). I’ll follow you back if you say something witty and awesome.
9 months ago, I came out with what I like to call The Pixar Theory, a narrative that connects every Pixar movie starting with Brave. Of course, there are plenty of other names for this theory (Grand Unification Theory of Pixar is one of the longest), but the point remains the same: these movies appear to tell a story beneath the surface of what we saw in theaters.
So as a labor of love, I teamed up with Kayla Savage, an up-and-coming visual development artist, to create The Pixar Detective.
You’ve probably noticed that I’ve even changed the tagline of this site to “Pixar Detective,” and that has a lot to do with what we’re creating for you guys. The Pixar Detective is a fan-made series we are both writing and visualizing for any of you who want your Pixar-related questions answered.
It tells the story behind the story. What happened to Boo from Monster’s Inc? How did she learn magic? Where do the supers from The Incredibles get their powers? What exactly happened between the events of Up and Wall-e, and where the heck did those cars go?
All of these questions and tons more will be answered in a story told through the eyes of new characters we’re introducing to our own fan-made narrative (see artwork above). In fact, we went out of our way to include a lot of the ideas that you all have come up with through your comments and emails.
Overall, we’re just doing this to have some fun with movies that we sincerely love. We hope you enjoy it and that it inspires you to go out and create something amazing of your own!
Chapter 1 of The Pixar Detective will be released on April 8th, 2014. New chapters (and artwork!) will be added every two weeks.
Thanks for Reading! You can subscribe to this blog by email via the prompt on the sidebar. Otherwise, be sure to stay connected with me on Twitter (@JonNegroni). I’ll follow you back if you say something witty and awesome.
Disney CEO Bob Iger recently made it public that Pixar is working on The Incredibles 2 and Cars 3, an announcement that is likely to divide Pixar fans right down the middle.
Why? Because they essentially combined “probably good news” with “bad news.” Cars may make tons of money in merchandising and box office totals, but it’s still Pixar’s weakest link in terms of audience reception.
In other words, most of us don’t really care about Cars. We just don’t.
But The Incredibles is a vastly different story. Considered to be one of the top-tier Pixar films, this movie could actually be akin to Toy Story 2, rather than Cars 2.
Unfortunately, my best guess is that we’re getting another Monsters University, a decent, even good, movie that lives up to the original, but doesn’t come close to surpassing it.
Pixar sequels are tricky business. Toy Story is really one of the few franchises in film history that actually improved with each sequel, so it makes sense that the executives at Disney have faith in milking their Pixar properties during the coming decade. Even the best studios need time to rest, after all.
So I’m going to be cautiously optimistic about The Incredibles 2, if only because the great Brad Bird is once again behind the film, and I have faith in his ability to evolve simple concepts into fantastic narratives (see The Iron Giant, Mission Impossible: Ghost Protocol, Ratatouille and oh, the first Incredibles).
If you recall, the world of The Incredibles is rich and ready to be further explored. The film excellently combined vastly different aesthetics: the retro-future technology in an alternate 1960s mixed with superheroes and even James Bond references.
And it would be great to see what happens to the Parr family as a superhero team, a dynamic we actually didn’t see until the third act of the movie. There’s plenty to see here, so a sequel really does make a lot of sense.
What do you think? Will The Incredibles 2 break the Pixar sequel “curse,” or do we have another excellent Pixar trilogy on our hands?
Thanks for Reading! You can subscribe to this blog by email via the prompt on the sidebar. Otherwise, be sure to stay connected with me on Twitter (@JonNegroni). I’ll follow you back if you say something witty and awesome.
I say “indisputable,” but what I really mean is “really difficult to disprove because the evidence is compelling” (and who has time for that long of a headline?)
Frozen and Tangled are two animated Disney films that exist in the post-Disney Renaissance slew of films that ended with The Princess & The Frog. They are among the first high-profile Disney films, aside from Pixar, to use computer animation as a means to retelling classic “fairy tale” stories.
Fan art – Colby Entertainment
Tangled, which premiered in 2010, features the story of Rapunzel. The movie was a huge success, mostly because it brought a new kind of enjoyable movie experience to both children and adults akin to the Disney Renaissance films of the 1990s.
As you may recall, the films between The Little Mermaid (you can also count The Brave Little Toaster) and Treasure Planet were animated films that took old classic icons and modernized them for a new audience.
The “Disney Renaissance” films according to The Norman Nerd.
Beauty and the Beast, Aladdin, Lion King (which modernized Hamlet), Pocahontas, Hercules, Hunchback of Notre Dame, Mulan, Tarzan, Emperor’s New Groove, Atlantis and Treasure Planet all featured established stories with cutting-edge animation.
Then Lilo & Stitch happened—a Disney film that while successful, signaled a departure from the old format. Disney was going for original stories.
Meet The Robinson’s
For the next few years, Disney would continue experimenting with both CGI and 2D animation, but they would only cover new stories (probably due to the success of Pixar’s original stories).
Valiant, The Wild, Home on the Range, Meet the Robinson’s and Bolt were mitigated successes that ended up being mere shadows of how captivating Disney movies really could be.
The Princess & The Frog
This culminated with the release of The Princess and the Frog, an obvious attempt at cashing in on the old formula (revitalizing an old story).The movie was well-received, but it still didn’t have the cultural impact that Disney was looking for—and they knew this a mile away.
That’s why in 2010, Disney threw a hail mary with Tangled, the first post-renaissance film to combine both strategies of the previous generations: computer animation and established storytelling.
Tangled wasn’t an immediate hit culturally, but it would eventually become a mainstream staple upon DVD releases and the onslaught of meme-generation online. It was a good first start.
But Disney didn’t figure out why Tangled worked before they would make a colossal mistake in 2011, which saw the release of Mars Needs Moms—one of the biggest box office disasters in movie history.
That same year was also when they brought back Winnie the Pooh and figured out that 2D animation just wouldn’t cut it anymore—not because it doesn’t look amazing, but because the tastes of the new generation have changed.
Wreck-It Ralph
Disney’s next experiment would come in 2012 with the release of Wreck-It-Ralph, an odd case study about a movie where video games come to life. The makers of the film clearly wanted to find a new groove for these movies without having to rip off old properties by featuring…well old properties from video games.
Wreck-It Ralph drew in viewers because it was a fantastic homage to dozens of iconic video game characters, even though it featured an original story and computer animation.
So, does Wreck-It Ralph exist in the same universe as Tangled and Frozen? Well, there’s actually more evidence that they take place in the same universe as The Fairly OddParents…
The Fairly OddParents
Hold on, let’s zoom in a little bit:
Of course, it’s probably too good to be true.
By 2013, Disney had figured out that original stories coming out under their umbrella need to have something familiar for audiences to grab on to in order to gain momentum in the box office.
And then everything changed when Frozen came along.
Frozen
One of the most successful animated films of all time (especially our time), Frozen finally got the Disney recipe right. Based on The Snow Queen, the movie was a familiar, but fresh take on a classic fairy tale.
Of course, it was still successful without having to be instantly familiar to children. Thanks to a viral soundtrack, fun storytelling and memorable characters, Frozen has essentially marked the beginning of a new era of Disney movies, and what is a Disney movie without some universe sharing?
Yes, Tangled and Frozen exist in the same universe for plenty of reasons, but the most important being that the two movies are of a significant recipe that is uniquely different from every other Disney film. Also, I have evidence:
See that couple in the bottom-left corner of the image? That’s Flynn and Rapunzel (after her hair changes color and length) from Tangled showing up to Elsa’s coronation in Frozen.
It’s clear that the animation style is seamless enough for these characters to show up in the movie without looking out of place, and you can even see that their wardrobe has subtly shifted.
Another persistent theory you may buy into was proposed by this redditor who claims that Flynn and Rapunzel were at the coronation because Elsa and Anna’s parents died while traveling to their wedding 3 years before the events of Frozen.
He also claims that Flynn actually refers to Arendelle as “being nice this time of year,” but I’ve yet to find the actual clip of him saying that in Tangled or Tangled Ever After.
Corona
Another interesting piece of evidence is how similar the settings are conceptually. Tangled is loosely based on the fairy tale about Rapunzel, which takes place in Germany. In the movie, however, their adventures take place in the fictional kingdom of Corona, rather than any real settings.
Arendelle
In similar fashion, Frozen is based on a Norwegian tale, but it takes place in the fictional kingdom of Arendelle. The idea here is that Disney is trying to build new fictional kingdoms to go along with their adaptations, so you can expect to see more of this in future Disney CGI films.
Going forward, 2014’s big animated movie is Big Hero 6, which is an animated adaptation more similar to Wreck-It-Ralph than Tangled and Frozen due to its ties with “geek” culture (the movie is based on a graphic novel and features fighting robots).
2015 will be even stranger, with the release of The Descendants, a Disney Channel Original Movie that calls back to the 90s era with the offspring of the protagonists from those films. If you needed more evidence that the Disney Renaissance movies shared a universe, then that should settle the discussion.
Other than that, however, there are no announced projects on the horizon that will continue the post-renaissance film sharing that has begun with Tangled and Frozen…for now.
[UPDATE]
Some clever commenters pointed out that The Little Mermaid may exist within this universe as well. The theory (which has now been propagated by Tumblr users and promoted by Buzzfeed) is that the sunken ship in The Little Mermaid is the same one that Elsa and Anna’s parents died on when it was lost at sea.
One piece of evidence has to do with the location of each movie. Tangled takes place in Germany, Frozen takes place in Norway and The Little Mermaid takes place in Denmark. In order for Elsa’s parents to travel from Norway to Germany via boat, they would have passed by Denmark. See below:
I have to admit that this definitely solid evidence (and kudos to you readers who pointed it out in the comments, including my roommate who pointed out the same thing). Of course, the biggest piece of evidence is the fact that both The Little Mermaid and Frozen are based on fairy tales written by the same person: Hans Christian Andersen.
If this is all true, then that would mean Frozen and Tangled exist within the same universe as the Disney Renaissance films, albeit with some new twists to their conceptual design and settings.
Another update: a lot of people like to argue that this is somehow connected to Tarzan and/or Beauty and the Beast. Guys, it’s not. It’s just not.
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