Cinemaholics Review: Thor: Ragnarok and Stranger Things 2

Thor

I always feel bad about writing the headlines for these because we reviewed a lot more than Thor: Ragnarok and Stranger Things Season 2. We also talked about WonderstruckThe Killing of a Sacred Deer, and Super Mario Odyssey (a game for once!), in addition to the heavy hitters you want to hear about.

On Thor: Ragnarok, we spent some time debating our opinions on the first two Thor movies, followed by a thorough discussion on this new film. Will Ashton and I had the most disagreement over the film, while Maveryke Hines had an opinion somewhere in the middle. As always, it made for a fantastic debate I’ll be curious to revisit in a few months when the dust has settled. For now, I can safely say that director Taika Waititi should be allowed to do whatever film he wants from now until the end of time.

Go on…Cinemaholics Review: Thor: Ragnarok and Stranger Things 2

Cinemaholics Review: Only the Brave and The Snowman

only the brave

I’m on the show this week with Will Ashton and Maveryke Hines to talk about Only the Brave, starring Miles Teller, Josh Brolin, Jeff Bridges, Jennifer Connelly, and Taylor Kitsch. Based on the true story of the Granite Mountain Hotshots, this is one of the year’s best surprises. It’s a biographical film about wildfires, sure, but it’s packing some seriously good performances and quite a few gut punches.

We’re also reviewing the less impressive The Snowman, directed by Tomas Alfredson and starring Michael Fassbender and Rebecca Ferguson. Despite being one of our highly anticipated fall films, Snowman left Will Ashton in particular feeling quite…cold. His words.

The rest of our mini reviews this week include a revisit of MINDHUNTER on Netflix, now that Maveryke and I have finished the first season. And Will talks about 1922, a new horror movie on Netflix based on the Stephen King novella.

Go on…Cinemaholics Review: Only the Brave and The Snowman

Cinemaholics Review: The Florida Project and Happy Death Day

florida project

We actually did more than review The Florida Project and Happy Death Day, but headlines can only be so long. This might be our biggest episode of Cinemaholics yet, with reviews for The ForeignerThe Meyerowitz Stories (New and Selected) on Netflix, The Babysitter on Netflix, and Mindhunter Season 1 on Netflix. In addition to all of that, I did a special On Tap segment with Alisha Grauso to discuss the Harvey Weinstein scandals and Hollywood’s sexual assault problem.

Needless to say, this is a Cinemaholics you don’t want to miss, especially because The Florida Project is gunning for my favorite film of the year, and from director Sean Baker no less, who also directed the 2015 gem, Tangerine. Keep your eyes on Baker for anything he does next, especially if it’s with A24.

Maveryke Hines and Will Ashton joined me on the show as always, and our reviews for The Foreigner and Happy Death Day were decidedly more divisive, but I wouldn’t have it any other way on this podcast.

Go on…Cinemaholics Review: The Florida Project and Happy Death Day

Retro Reviews 3: Yojimbo, Sound of Music & More

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This week on Part-Time Characters we delve into the old movie shelf and pick up some classic movies to talk about. Yup! It is time for our third Retro Reviews episode! Bridget talks about a sci-fi classic, The Day the Earth Stood Still, Jenny watched the strangest movie ever made, Fantastic Planet, Sam watched one of the most praised musicals, Sound of Music, and I (Maria) watched the great Mifune in Yojimbo.

Go on…Retro Reviews 3: Yojimbo, Sound of Music & More

‘Moana’ Is Basically ‘The Little Mermaid’ In Reverse

moana theory

Time for another Moana theory.

A while back, someone on Tumblr wrote a fan theory about Disney movies (shocker), and it’s actually worth consideration (other shocker). The idea is that Disney’s Moana is almost a perfect inverse of Disney’s The Little Mermaid, and let’s not forget that both films were directed by the same duo: Ron Clements and John Musker.

What do we mean by these two movies being the same, but also not at all? Well, it’s not a perfect theory in practice, but it does say something interesting about how creative teams can recycle old ideas in ways that still feel new. You can watch this entire Little Mermaid / Moana theory as a video on Screen Junkies News, or keep reading to get my personal take.

From the video:

Tumblr user Intergalactic-Ashkenazi noticed something strange about Moana. Basically, it’s the same story as The Little Mermaid, except every detail is flipped.

Now it’s certainly not every detail, but you can easily cherry pick a few compelling examples. And there are enough of them to argue that this Moana theory is at least somewhat intentional.

Moana and Ariel are both daughters of overbearing, powerful leaders.

I almost reacted, “Well, aren’t most Disney princess movies?” But that’s actually not the case when you think about it. Pocahontas comes close, but most other Disney “father characters” that are even around range in personalities from silly (Aladdin) to wise (The Lion King).

The video doesn’t directly mention this, but the immediate “reverse” for King Triton and Chief Tui is that one fears the land and the other fears the sea. Also, one is mortal and the other has a wicked trident.

But where Ariel is a sea-bound princess longing to venture onto land, Moana is a landlocked princess longing to venture on the sea.

Counterpoint: the directors copied their own homework but made enough changes to keep it from looking obvious.

Ariel goes to a “big scary ocean lady” who turns out to be evil.

Turns out? I don’t think anyone expected Ursula to be good, but I guess the point is that to Ariel, she seemed good, which only makes Ariel continue to look like an outright moron. The best inverse is probably how Moana turns out to be a way better protagonist.

While Moana goes to a “big scary land lady” who turns out to be good.

At first, I thought the idea was that Maui is the inverse of Ursula, but instead it’s saying that Te Kā fits the bill, which I think is correct. If you go further with this, you can say that Moana seeks out a man for help finding the female villain, while Ariel seeks out the female villain for help finding a man. Or something.

Both movies have a magical necklace with a spiral engraved on it. In The Little Mermaid it belongs to the villain, while in Moana it belongs to the hero.

This one’s slightly more of a stretch because the whole “reverse” thing seems selective at this point. On the one hand, the spirals on both objects actually seem to be the reverse of each other (different placement and one’s a shell while the other resembles a wave). And one’s a macguffin while the other is more of a “power.” On the other hand…was the “heart” in Moana ever a necklace? And is green the inverse of…yellow?

I’m officially overthinking this.

The Little Mermaid has a “small good crab,” where Moana has a “big evil crab.”

The video of course shows Sebastian from The Little Mermaid side-by-side with Tamatoa, the crab who sings “Shiny.” This matches up perfectly. Moana theory saved.

In [The Little Mermaid] a human sings about eating the crab. While in [Moana] the crab sings about eating a human.

You could also argue that Clements and Musker are big fans of dramatic irony that spans across their movies. Both theories are probably correct, and some good evidence for this one in particular is the fact that Tamatoa actually makes a joke about how a crab described like Sebastian is more likable than him in a scene after the end credits.

Moana returns to her people and leads them to a new life on the sea. Where Ariel leaves her ocean family for a new life on land.

Also, Moana has no love interest. In fact, you can read this easily as a shuffling of tropes just as easily as you would some big conspiracy. Moana’s mentor, Maui, is a god, while Ariel’s mentor, Sebastian, is the crab. Ariel’s father is the god, the Kakamora are…things…and so on.

But perhaps the most important detail…

What? What is it? What is this clincher?!

The Little Mermaid sings on a rock, while in Moana the Rock sings to her.

I’ll admit, I laughed out loud at this, but only after having a miniature personal crisis of faith. And that’s the Little Mermaid is basically the reverse of Moana theory. Chime in with your own examples of how this theory holds up (or doesn’t) in the suggestion box below.


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Best and Worst Time Travel Movies (According to Science) — Part-Time Characters

best and worst time travel

For this week’s episode, Bridget and Sam tackle the paradoxical use of time travel in some of our favorite movies. They each pick their best and worst movies that use time travel correctly. For the record, they don’t mean to say these movies are necesarily bad or incredible, just that they weren’t as accurate about time travel as other movies have been.

Go on…Best and Worst Time Travel Movies (According to Science) — Part-Time Characters

Retro Reviews 2 — Part-Time Characters

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The Part-Time Characters had an assignment this week- to watch classic movies they have had on their lists for too long. That’s right! We are back with another episode of Retro Reviews, where Bridget discusses Eternal Sunshine of the Spotless Mind, Sam watches The Goonies, Maria gives Goodfellas a shot and Adonis does pretty much whatever he wants.

Go on…Retro Reviews 2 — Part-Time Characters