The Pixar Theory: How ‘Onward’ Fits In The Pixar Universe

onward

When the first trailer for Onward dropped, I was immediately hit with a flood of questions about how it could possibly share the same universe as all of the other Pixar films from Toy Story to Coco. As soon as I watched the trailer, I had more than a few ideas and predictions, but I of course wanted to wait and see the film for myself before drawing any conclusions. Well, that time has come.

In case you’re new here, The Pixar Theory is a fan project I started back in 2013 in an effort to connect all of the Pixar films through a single, all-encompassing timeline. Since then, the theory has really taken off and I always get a real kick out of the branching theories people come up with and contribute to this site and elsewhere. The idea is simple: every Pixar film, according to this theory, exists in the same universe. Going deeper they share a strong narrative about what it means to be human in a world where anything is possible, including the apocalypse. Fun right?

I published a book called The Pixar Theory in 2015, which fleshed the whole fan theory out in a more meticulous fashion. But a couple of years ago, the book switched publishers, and I went to work revamping the theory into a brand new book that will include plenty more Pixar films, including Inside Out, The Good Dinosaur, Coco, and soon, Onward (maybe Soul, too, which comes out in June).

But I don’t want to keep fans of the theory waiting long. Though I’ll certainly need more time to finalize the Onward chapter of the theory with all of the easter eggs and narrative connections you’d expect, I can at least give a sneak preview right now into where Onward fits in the timeline, plus maybe a few extra details.

onward

Don’t worry. I’m not spoiling any of the story elements of Onward. If you haven’t seen the movie yet, you can keep reading without having to worry about having any surprises ruined for you. But you will get a sneak peek into the world of Onward and what it’s like on a basic level.

Directed by Dan Scanlon (Monsters University), Onward is about two brothers who go on a quest to find a magical gem that will bring their late father back to life for one, single day. You see, Ian (voiced by Tom Holland) never got a chance to even meet his father, who died right before he was born. His brother Barley (Chris Pratt) only has a handful of memories about their dad, because he too was very young when this tragic event took place.

Here’s the catch. These brothers aren’t human, and the world they live in has more in common with “Dungeons & Dragons” than it does a world like ours today. Ian and Barley are elves, and the opening of the film explains that their world once contained many of the fantasy elements (like magic and dragons) that we’d see in a book written by J.R.R. Tolkien. The big difference is that there are no humans whatsoever in this world, not even in the visual history shown onscreen. And all of these fantastical creatures like unicorns, gnomes, trolls, and centaurs discovered the modern conveniences of electricity and indoor plumbing all on their own, making their world a parallel to the human one of 2020.

onward

The premise is a fun one. We get to see these traditionally old-school fantasy characters living in a modern world with cities, freeways, and themed restaurants. But lurking in the background is a hint of the magic that was once commonplace, only to be replaced by the perceived convenience of lightbulbs and automobiles. Centaurs don’t need to run 70MPH anymore because they have, well, cars.

So…how does this work for a Pixar movie? You might be wondering how it’s possible for a modern version of “Middle Earth” to exist anywhere close to the same one containing superheroes and Andy’s toys. This world has two moons, even! Is it another planet? Another dimension? What’s the deal?

THE DEAL.

Onward takes place in a section of the Pixar Theory timeline we’ve been curious about for years: in between the events of WALL-E and Monsters Inc. (also A Bug’s Life, which is shortly after WALL-E). As you may remember from the original theory, WALL-E ends with the humans of Earth returning home after centuries of being in space aboard the Axiom. While gone, the cars of Cars roamed the planet until running out of fossil fuels. But we’ve had little to go on when it comes to how humans were replaced with “monsters,” the animal-hybrid creatures who have their own modern society allowing them to go back in time to steal human energy (or…magic?) from the emotions of children, as we see in Monsters Inc.

Monsters University shows us that the monsters have been honing their scaring skills since at least 1313, when the university itself was founded. Onward hints at what this time might’ve been like for these diverse creatures, which aren’t very dissimilar to monsters. Remember, the timeline was reset for these creatures at some point in the far future, so 1313 for them would be thousands of years in the future for us.

onward

Simply put, the monsters of Monsters Inc. and Monsters University are part of the same society as the fantasy creatures we see in Onward. In Onward, we only get to know a small corner of this world, and it likely takes place many years before Monsters University, because it still contains many remnants of folklore, like wizards. But the Monsters films show us Monstropolis, which is more similar to a human society with little hint to the past. That’s because their world is more closely influenced by human society, as this is where Monsters Inc. is located, so this part of the world has a close connection to the human world of the past, which may have influenced the customs of this particular city.

For all we know, many of the towns and cities outside of Monstropolis are more similar to the one we see in Onward, which is clearly located closer to where magic was at its strongest. Put another way, Monstropolis resembles America because of its “new world” energy. But in Europe, it’s easier to find historical landmarks closely tied to the legacy of the past, which we see laid out a few times in Onward.

Of course, there are plenty more clues to consider and dissect. We see in Onward that magic does still exist, like the magic we see in Brave, in fact. The elements of the dead coming back to life are an obvious callback to how Day of the Dead works in Coco, and at various points in the movie, you could consider the magical action seen onscreen as something out of The Incredibles. The running theme, however, is that these powers are governed by emotion. In order for elves to perform magic effectively, they have to use their “heart’s fire” as a means of channeling magic. And as we see in the movie, only elves and other humanoid creatures appear to have the ability to use any kind of magic at all, hinting at the possibility that they are in fact the descendants of the humans who were aboard the Axiom and “re-inherited” the Earth.

onward

Humans are batteries in the Pixar universe. Their emotions can power toys, cars, and entire cities ( as seen in Toy Story, Cars, and Monsters Inc., respectively) But what happened to them after WALL-E and A Bug’s Life, when there were barely any humans to be found? Well, it’s possible they gradually changed into a new species, or bred into what would eventually be known as elves. And over time, they’d die out all the same, because we learn in Onward that not all elves have “the gift” of using magic. Eventually this ability would apparently disappear completely, forcing “monsters” to go back in time to harvest the energy needed to power their world. Perhaps these creatures evolved into scary monsters out of necessity, because it would be the only way for them to effectively scare children for centuries, weeding out all of the “nice-looking” creatures in favor of the scarier ones.

That’s not to say some of the creatures of Onward are helpless unless they have some connection to the humans of the past. Dragons breathing fire and pixies being able to fly can be easily compared to the heightened abilities of some monsters, like Randall, who can turn invisible. But when it comes to outright magic, the source always seems to come back to humans.

There’s a lot more to figure out with Onward, like why there are two moons, as opposed to just one. I have a few theories about this, but I’d like to see the film a couple more times to finalize my thoughts on how this is possible. It’ll also be fun to revisit the Monsters Inc. movies to find more direct comparisons between the world of Onward and the one where we meet Mike and Sulley. I’ll also be scouring the film for more easter eggs and cameos revealing all of the clues we’ve come to expect from these movies, so please stay tuned for the new and improved book, The Pixar Theory. I promise it’ll be worth the wait.

Before we part, I definitely want to praise the incredible work of Dan Scanlon and the fine folks at Pixar who did an incredible job making Onward. It’s as wonderful and heartwarming as many of Pixar’s other recent work, like Inside Out and Coco. The core message of the film pertains to brotherhood and how memories carry us through tragedy and toward the adventures of the future. I hope you all like crying in public, because yes, this is another Pixar tearjerker. I simply can’t wait to see it again and again.


Thanks for reading this. Be sure to say hey on Twitter: @JonNegroni

All images courtesy of Disney/Pixar

Snarcasm: This WALL-E Theory Makes So Much Sense That It Doesn’t

wall-e theory

Snarcasm is an editorial column I do when I read something so upsetting, I have to publish something snarky and sarcastic about it. Thanks for indulging, and definitely take everything you’re about to read incredibly seriously.

Hi. Fan theories are both the best and the worst. Kind of like people! But you can’t say the same about Pixar’s WALL-E, a triumph of animated cinema about the reckless, capitalist dangers of mankind passively wreaking havoc on the environ—

“Sinister WALL-E fan theory will change the way you watch the sweet Pixar film forever”

Oh, OK. I forgot we were watching this “sweet Pixar film” all wrong. How, exactly, was WALL-E some sort of overtly nice and go-lucky tale, considering all the dystopian apocalyptic subject matter?

Go on…Snarcasm: This WALL-E Theory Makes So Much Sense That It Doesn’t

‘Moana’ Is Basically ‘The Little Mermaid’ In Reverse

moana theory

Time for another Moana theory.

A while back, someone on Tumblr wrote a fan theory about Disney movies (shocker), and it’s actually worth consideration (other shocker). The idea is that Disney’s Moana is almost a perfect inverse of Disney’s The Little Mermaid, and let’s not forget that both films were directed by the same duo: Ron Clements and John Musker.

What do we mean by these two movies being the same, but also not at all? Well, it’s not a perfect theory in practice, but it does say something interesting about how creative teams can recycle old ideas in ways that still feel new. You can watch this entire Little Mermaid / Moana theory as a video on Screen Junkies News, or keep reading to get my personal take.

From the video:

Tumblr user Intergalactic-Ashkenazi noticed something strange about Moana. Basically, it’s the same story as The Little Mermaid, except every detail is flipped.

Now it’s certainly not every detail, but you can easily cherry pick a few compelling examples. And there are enough of them to argue that this Moana theory is at least somewhat intentional.

Moana and Ariel are both daughters of overbearing, powerful leaders.

I almost reacted, “Well, aren’t most Disney princess movies?” But that’s actually not the case when you think about it. Pocahontas comes close, but most other Disney “father characters” that are even around range in personalities from silly (Aladdin) to wise (The Lion King).

The video doesn’t directly mention this, but the immediate “reverse” for King Triton and Chief Tui is that one fears the land and the other fears the sea. Also, one is mortal and the other has a wicked trident.

But where Ariel is a sea-bound princess longing to venture onto land, Moana is a landlocked princess longing to venture on the sea.

Counterpoint: the directors copied their own homework but made enough changes to keep it from looking obvious.

Ariel goes to a “big scary ocean lady” who turns out to be evil.

Turns out? I don’t think anyone expected Ursula to be good, but I guess the point is that to Ariel, she seemed good, which only makes Ariel continue to look like an outright moron. The best inverse is probably how Moana turns out to be a way better protagonist.

While Moana goes to a “big scary land lady” who turns out to be good.

At first, I thought the idea was that Maui is the inverse of Ursula, but instead it’s saying that Te Kā fits the bill, which I think is correct. If you go further with this, you can say that Moana seeks out a man for help finding the female villain, while Ariel seeks out the female villain for help finding a man. Or something.

Both movies have a magical necklace with a spiral engraved on it. In The Little Mermaid it belongs to the villain, while in Moana it belongs to the hero.

This one’s slightly more of a stretch because the whole “reverse” thing seems selective at this point. On the one hand, the spirals on both objects actually seem to be the reverse of each other (different placement and one’s a shell while the other resembles a wave). And one’s a macguffin while the other is more of a “power.” On the other hand…was the “heart” in Moana ever a necklace? And is green the inverse of…yellow?

I’m officially overthinking this.

The Little Mermaid has a “small good crab,” where Moana has a “big evil crab.”

The video of course shows Sebastian from The Little Mermaid side-by-side with Tamatoa, the crab who sings “Shiny.” This matches up perfectly. Moana theory saved.

In [The Little Mermaid] a human sings about eating the crab. While in [Moana] the crab sings about eating a human.

You could also argue that Clements and Musker are big fans of dramatic irony that spans across their movies. Both theories are probably correct, and some good evidence for this one in particular is the fact that Tamatoa actually makes a joke about how a crab described like Sebastian is more likable than him in a scene after the end credits.

Moana returns to her people and leads them to a new life on the sea. Where Ariel leaves her ocean family for a new life on land.

Also, Moana has no love interest. In fact, you can read this easily as a shuffling of tropes just as easily as you would some big conspiracy. Moana’s mentor, Maui, is a god, while Ariel’s mentor, Sebastian, is the crab. Ariel’s father is the god, the Kakamora are…things…and so on.

But perhaps the most important detail…

What? What is it? What is this clincher?!

The Little Mermaid sings on a rock, while in Moana the Rock sings to her.

I’ll admit, I laughed out loud at this, but only after having a miniature personal crisis of faith. And that’s the Little Mermaid is basically the reverse of Moana theory. Chime in with your own examples of how this theory holds up (or doesn’t) in the suggestion box below.


Thanks for reading this. To get updates on my theories, books, and giveaways, join my Mailing List.

Or just say hey on Twitter: @JonNegroni


Guardians of the Galaxy Vol. 2 Theory: Why EGO Killed [Spoilers]

This theory about Guardians of the Galaxy Vol. 2 contains spoilers (obviously). But it will still be here when you’re done watching the movie, hopefully. This theory is available as a video (above) or as a transcription (below). 

Guardians of the Galaxy Vol. 2 was, in my opinion, a fantastic follow-up to one of Marvel’s best movies and much better than the usual MCU sequel. But there is one aspect of the movie that has been driving me and plenty of other fans crazy with confusion, and that has to do with Ego the Living Planet, portrayed in his human form by Kurt Russell.

As you may recall, we find out in the movie that Ego is Peter Quill’s biological father, and the two share genetics that allow them to channel a powerful godlike energy. At first, Peter is thrilled about the truth of his parentage, being promised to help Ego carve out a new world of their making. But he’s instantly broken from Ego’s spell when told the full, sinister story.

Go on…Guardians of the Galaxy Vol. 2 Theory: Why EGO Killed [Spoilers]

The LIGHTSABER Theory: Rey Is Not A Skywalker, Solo, Or Kenobi

The lightsaber is the key.

Ever since the release of Star Wars: The Force Awakens in December 2015, fans have speculated endlessly on the back story of Rey, debating multiple theories that point to who her parents are and why she’s so strong in the Force.

You’ve done it. I’ve done it. We’ve all had something to say on this matter because we all know that the second movie in this trilogy, The Last Jedi, will contain “the twist” that defines the new generation of Star Wars, in the same way The Empire Strikes Back did for fans in 1980.

That said, J.J. Abrams has given us a lot to go on when it comes to explaining Rey’s back story. But even if you don’t believe his comments that Rey’s parents don’t appear in The Force Awakens, there’s ample evidence within the movie itself to support that her parents are not Skywalkers, Solos, or Kenobis. And they’re certainly not anything related to Palpatine because that would be far too complicated for these movies to explain.

But Force Awakens does leave plenty of clues for us to put together that will make more sense in The Last Jedi, coming this December. And it all ladders up to what I call The LIGHTSABER Theory. This is the comprehensive theory that outlines how Star Wars: The Force Awakens reveals the most important details about Rey’s origins all by itself.

lightsaber theory

The LIGHTSABER Theory is simple: everything we need to know about Rey and her parents can be surmised by understanding the role of Luke’s first lightsaber, a macguffin that was at one point the main plot device in Force Awakens. Years ago, before the release of Episode VII, Lucasfilm hinted that the story of the movie would hinge on Rey and her friends trying to keep Luke’s lightsaber out of Kylo Ren’s hands. All we knew of Kylo at the time was that he sought Sith relics, especially related to Vader, but they cut most of this out of the final film, perhaps to make the big twist less obvious.

In fact, you can see a blatant hint of this in one of the first teasers for Force Awakens when it’s shown that a lightsaber is being handed to Leia. Eventually, the lightsaber hot potato was diminished a great deal by Abrams (or the producers) and later replaced with our heroes trying to find Luke Skywalker through use of BB-8’s map, but there are still hints of the lightsaber’s ownership struggle, like when Kylo Ren demands Rey give him Luke’s lightsaber on Starkiller Base. “That lightsaber doesn’t belong to you.”

When you watch Force Awakens, you’ll probably notice that it’s unclear what Han, Leia, and Maz know about Rey’s origins. All of their conversations about Rey are cut short for the audience, hinting that they know exactly who she is, but we don’t get to know yet. Many fans claim this as evidence that Rey is related to another character in the franchise, but that’s almost certainly not the case.

Before we dive deep into the crux of The LIGHTSABER Theory, let’s cover a few important details that you might have missed on your first viewing of the movie.

1. Lor San Tekka (played by Max Von Sydow) seems connected to Rey somehow.

lightsaber theory

The fact that Lor San Tekka’s village, which is part of the “Church of the Force,” is so close to Rey’s salvage town is too coincidental to ignore. In fact, it strongly suggests that Lor San Tekka was an Obi-Wan Kenobi-esque character in Force Awakens, watching Rey from afar. His strong connection to Luke Skywalker, as revealed in the canon novels, is a crucial piece of evidence for believing Rey’s identity is known and understood by Luke’s inner circle.

It’s also a bit suspicious that the Millennium Falcon is also within close proximity to Rey, but that’s a theory for another day. For now, we can try to believe it was really stolen, though I think there’s ample evidence to suggest that whoever dropped Rey off on Jakku has a serious connection to the Millennium Falcon.

2. Han, Leia, and Maz know who Rey is, but not at first.

lightsaber theory

When Han Solo first runs into Rey, he clearly doesn’t recognize her. In fact, he assures her and Finn that they can “be on their way” once they’ve dealt with the smugglers on the freighter. But after spending some time with Rey, it’s easy to notice that he’s slowly realizing who she is.

This is supported by how conversations between Han and Maz and Leia that are about Rey are all offscreen. Maz asks Han “Who’s the girl?” as soon as they’re alone, so clearly Maz can discern that Rey is somehow special, and we know Han has told Maz something crucial about Rey’s identity because the next we see of Maz, she’s trying to convince Rey to take Luke’s lightsaber and learn about the Force.

In fact, that entire scene of Rey stumbling across the lightsaber feels like an orchestration. Like Maz purposefully put the lightsaber in a place where Rey could feel the Force guiding her. When Rey goes to find the lightsaber, the door even opens for her. There’s no way Maz would just leave such a valuable relic unguarded, beneath a cantina filled with outlaws, no less. She wanted Rey to get the lightsaber because of something Han told her. Which is why she’s there as soon as Rey finishes her Force flashback, or “Forceback” as Abrams calls it.

This flashback essentially completes the puzzle, or at least the most important parts we can know. After watching it, you can figure out who Rey is, why she was left on Jakku, and who it was that left her. This is the crux of The LIGHTSABER Theory. When Rey has her flashback, she’s taken through several moments in time that appear random, but they’re actually not.

3. The “Forceback”

lightsaber theory

The first scene is a shot of Cloud City, where Luke fought Darth Vader in The Empire Strikes Back. This was confirmed by Abrams, who has said that they actually wanted to show some of the fight itself but then chose to make it more eery by illuminating an empty hallway. Fair enough.

Then there’s a crash, and Rey finds herself in front of Luke and R2-D2 by a fire, and we hear Luke scream “Nooooo” from when he learned Darth Vader was his father. Then the scene changes to the Knights of Ren and Kylo himself (if that is Kylo) standing around a group of bodies, presumably the next generation of Jedi trained by Luke. Someone goes to attack Rey, or whoever was there instead of Rey, but he’s killed by Kylo.

Then we see a young Rey getting left behind on Jakku with Unkar as an unknown ship flies away, a ship by the way that looks a lot like the one we see as concept art for Rey’s family’s ship, but let’s just assume that’s a coincidence. Finally, we get a glimpse of the future, when Rey confronts Kylo Ren on Starkiller Base. And we hear Obi-Wan Kenobi calling out to Rey. These are her first steps.

What do all of these scenes have in common? It’s pretty obvious, actually.The lightsaber. It ties them all together, and we’re seeing a sequence of events in chronological order. In each of these scenes, the lightsaber is present and something significant happens to it.

lightsaber theory

First, Luke loses it during his fight with Vader. Then, Luke presumably finds it again with R2D2, supported by how he and Lor San Tekka sought out Jedi relics together. I believe finding the lightsaber again is one of the triggers for Ben Solo’s turn to the dark side, and we’re seeing the aftermath of the Jedi Massacre as hinted in The Last Jedi teaser. We know Luke had to seek out the lightsaber himself because Rey finds the lightsaber in the same chest Obi-Wan had. Only Luke would know about that relic.

And then there’s the rain scene. The blue lightsaber must have changed ownership to Ben Solo at this point, but when he became Kylo Ren, sometime after the worst of the Jedi Massacre. In each of these scenes, the lightsaber is the key. That’s how we know who dropped Rey off on Jakku.

It was Luke Skywalker. The lightsaber had to be present when we see her being left on Jakku. And Rey even says this when Maz pressures her moments later, telling her that who she’s waiting for isn’t coming back. Maz then says someone else could come back, and Rey says, “Luke.” Rey actually realizes that Luke left her on Jakku at this point, but she didn’t know it was him. She thought Luke was a myth and that her family would come back to get her, which is what Luke must have told her. The red herring is that we think she wants the person who left her to come back, but really, she just wants answers. She wants to know what happened to her parents.

lightsaber theory

I strongly believe based on the movie that one or both of Rey’s parents were Luke’s Jedi apprentices and that they’re among the bodies we see in front of the Knights of Ren. An alternate way to interpret this is that Luke ends up giving the lightsaber to Rey’s father or mother, believing them to be the rightful heir to the Jedi and angering Ben Solo because Luke doesn’t trust him to carry on the legacy. This would be huge for a villain who’s been set up to revere his grandfather. Luke might even suspect Ben is slowly being seduced to the Dark Side by Snoke as he picks his successor.

The Knights of Ren scene shows us how Luke gets the lightsaber back during the massacre. I believe Luke has been defeated at this point in the scene, as evidenced by what appears to be Kylo Ren holding Luke’s green lightsaber. Then we see Kylo killing one of his own men who is about to attack Luke, but Kylo kills him, perhaps because he doesn’t want Luke to die just yet, or at all.

After surviving this encounter, Luke leaves Rey on Jakku to protect her from the First Order and Kylo Ren, who might suspect another Force sensitive is around. Han, Leia, and Maz would know about Rey because of her parents, but they’re not as familiar with her as Luke is. This would explain why Kylo seems to find Rey so familiar, yet he clearly doesn’t know who she is when he talks to Supreme Leader Snoke.

lightsaber theory

And this even explains why Kylo gets so angry, especially about Rey using that particular lightsaber, which he recognizes the first time he sees it. He wants to be like Vader, and Anakin’s lightsaber is his key to getting there. This would serve as the real source of conflict between Kylo and Rey. Kylo believes himself to be the rightful heir to Darth Vader by blood, but Rey is his natural enemy because she is heir to Luke Skywalker by the sacrifice of her parents, Luke’s true successor(s).

Why do we hear Obi-Wan in the flashback, then? It’s not because Rey’s parents are somehow connected to him. They don’t have to be. Remember, Obi-Wan gave Luke that lightsaber in the first place. And he has the ability to appear as a Force Ghost, calling out to Rey as a way to pass the proverbial torch on to her.

This adds a whole new layer of significance to some of the ending scenes, and overall, it makes The Force Awakens a better movie. Han told Leia about Rey, as we see in her conversation with Finn. So when Rey comes back after Han Solo’s death, she and Leia hug, even though the audience doesn’t realize they know each other. But they do. At this point, Rey knows that Luke dropped her off on Jakku and that Leia has lost Han. When they see each other, they grieve together as if they know one another.

lightsaber theory

And this also adds new meaning to the final shot of Rey offering the lightsaber back to Luke. It’s a full circle moment for her to remind Luke who he is, who she is, and how the Force has brought them together again. We see Luke’s slow realization of this, as he puts the pieces together himself, and we’ll likely start The Last Jedi with Rey convincing Luke to train her. The big twist will be Rey realizing that her parents were killed and that they were Jedi (or one of them was), and Luke’s decision to leave her on Jakku was rooted in his desire to end the Jedi.

It’s also possible that one parent died by Kylo’s hands while another died on Jakku, where Rey might have been raised alongside the Church of the Force. Perhaps one of her parents is someone who used to live there. Luke could have found Rey with a dead parent, wondering where the other might be, then choosing to leave Rey with Unkar by trading the Millennium Falcon (theory for another day), rather than let her explore the Force among its worshipers. But she’s still close enough for Lor San Tekka to keep an eye on her.

At that point, Luke might have given the lightsaber to Maz, or someone else who would eventually get it to her. We can tell from Maz’s bond with Han Solo and Chewbacca that she’s someone the original heroes trust, and she’d be a less obvious suspect for Kylo Ren to go after when searching for the lightsaber.

lightsaber theory

When we finally see The Last Jedi, I believe we’ll learn about Luke’s dissatisfaction with the Jedi order. Perhaps he sought out the temple in order to find out where he went wrong with Ben, only to realize that the Jedi order has always had its flaws, and maybe it’s best just to let the order die, disregarding Lor San Tekka’s wish that the Jedi come back to bring balance to the Force.

Until Rey comes along and starts to question Luke’s shift into being neutral. She could be the literal ray of hope for the light side, even redefining it for a new generation, in part because she learns about the legacy of her parents and decides that she wants to follow in their footsteps and take their place as Luke’s successor. A new Skywalker who isn’t one by blood, but rather, merit. She’s not strong in the Force because she was trained at a young age and had her memories wiped or something, it’s because she’s the result of a new legacy and step forward for the Star Wars saga.

And that’s The LIGHTSABER Theory.

There are still a lot of pressing questions to be answered, like where the Knights of Ren rain scene takes place and who was killed there, for example. And I highly doubt I’ve guessed everything exactly right. Part of me does still buy into the idea that Rey had her memory erased via Jedi Mind Trick, but touching the lightsaber “awakened” her, explaining how she was able to use the Force so well all of a sudden—the idea is that she was trained as a Jedi and had her mind wiped, which is why she doesn’t know much about herself and her name “Rey” may actually be fake.

All that said, I sincerely believe that this theory points fans in the right direction. It uses evidence from within the text of the movie, so it’s simple enough for younger viewers to get it in a pinch.

The Force Awakens preps us for knowing that the lightsaber is important and that a lot of Jedi died. There doesn’t have to be a complicated explanation, but rather a rethinking of what we were shown and why were shown it. Rey doesn’t have to come from nothing. In fact, that’s already being set up in how Finn might become a Jedi from nothing.

Rey has a unique legacy that is both new for the Star Wars universe and still connected to the original characters in a simple, believable way that will make perfect sense when revealed in Episode VIII.


Thanks for reading this. To get updates on my theories, books, and giveaways, join my Mailing List.

Or just say hey on Twitter: @JonNegroni


Star Wars: The Force Awakens Isn’t Really A Remake Of A New Hope

force awakens

Every so often, a fan theory comes along to remind us how good fan theories can actually be when the work and time is put into them. Less than a year ago, EC Henry composed what I believe to be a masterful breakdown of The Force Awakens that (dare I say it) makes the movie just a little bit better.

Is Star Wars: The Force Awakens a remake of the original Star Wars (A New Hope)? I’ve always considered the movie to borrow voraciously from that original film, while also lifting plenty from the other two parts of the trilogy. But many reviewers like myself have talked ourselves breathless about how TFA features yet another “droid on the run” story with Death Stars, cantinas, and a modest chosen one.

But in EC Henry’s video essay below, the case is made that TFA is really a “creative remix” of the original trilogy, and there’s a strikingly good reason for this that might shed light on the future of the entire franchise. I’ll unpack the theory below (with some of my own observations), but here’s the quick 3-minute breakdown.

As EC Henry points out, nearly all of the similarities between TFA and A New Hope occur in the first act of both movies. BB-8’s story is parallel to R2D2’s, and we’re on a barren planet that slowly reveals our hero, Rey, who is reminiscent of Luke in some ways.

The Millennium Falcon departing Jakku, followed by meeting Han Solo and Chewbacca, is where the first act in TFA ends (roughly), which mirrors the end of the first act in A New Hope, when Luke meets Han and departs Tatooine aboard the same ship. Henry also implies that Greedo and Han’s antagonism is mirrored with Han’s confrontation with the mercenaries aboard the freighter.

At this point, TFA’s second act starts to mirror the second half of The Empire Strikes Back. There’s a monster-in-space encounter (Rathtars in place of the asteroid worm) followed by Han deciding to visit an old friend (Maz Kanata as a fill-in for Lando Calrissian). We also see Kylo contacting Snoke in the same way Vader contacts Palpatine.

To save for time, TFA converges the Luke/Dagobah subplot with the Cloud City subplot. Rey goes to a mysterious planet and learns more about her origins and destiny with Maz pulling double duty as a fill-in for Yoda. And just like in Empire, the villains show up to wreck things. Rey is defeated by Kylo Ren (a la Luke and Vader’s first fight) and is captured, similar to how Han is taken away by Boba Fett.

force awakens

From here, TFA mirrors the third act of Return of the Jedi. The Rebels/Resistance meet to discuss their rescue plan and discover “another Deathstar.” The story breaks in two with ground forces on Starkiller Base trying to break down the shields and Rogue Squadron attacking from space, just as the Battle of Endor had two fronts. There’s an epic lightsaber battle happening as the space assault reaches its climax, with the Jedi using fury to overwhelm the Sith (Rey slicing Kylo is quite similar to Luke taking down Vader).

As Henry also points out, there are exceptions to this where small elements of the original trilogy are mirrored throughout (the catwalk scene, for example), but there certainly seems to be a primary structure in place that combines all of the movies in a coherent way. But what’s the point? Why would Lucasfilm do a creative remix like this at all?

The expectations for TFA were always going to be astronomically high, so the strategy here makes some sense. Add all of the nostalgic fan service to TFA as a tribute in order to gain credibility for this new trilogy, so the next two movies can unfold in more creatively bold ways that aren’t enslaved to the source material. Put more simply: they started with a look at the past and ended with a strong look toward the future.

And in one strange way, TFA is basically the movie George Lucas intended to make in the 1970s. Rather than a trilogy, he envisioned the entire arc of Star Wars to be told in a single movie. TFA essentially fulfills that vision and authorial intent, so as someone who had a lot of problems with the film, I’m finding myself appreciating it more for what it manages to accomplish in light of what couldn’t have been done 40 years ago.

Did I miss anything? Add some of your own observations below. And if you like this essay, be sure to subscribe to EC Henry’s channel, and consider supporting him on Patreon for more great videos.


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How ‘Big Hero 6: The Series’ Could Bring Back Tadashi

Big Hero 6 is being made into an animated series on Disney XD, set for sometime in 2017. For those of us still hoping for a Tadashi comeback, this is a good thing.

You can read a full transcription of the video above here

Hey friends, hope you enjoy the video this week. My new channel, Jon in Theory, is growing pretty well so far, and the feedback has been awesome since last week’s Doctor Strange video.

Be sure to send me your content suggestions, even if it involves topics I’ve already covered on this site. I’m even planning an updated Pixar Theory episode, which would be quite the undertaking. Again, send me any ideas you think are worth exploring.

One last thing: I want to plug my weekly live show yet again, The Pixar Detectives, which you can check out on Super News. Every Wednesday at 7pm (Pacific), Kayla Savage and I nerd out about Pixar and Disney movies, and we’ve been doing weekly giveaways, like Pixar T-Shirts, paperback copies of The Pixar Theory, and plenty more.

The audience on that show has become huge in recent weeks, and while that’s great, I’m definitely hoping more of you lovely readers check in as well to see what all the noise is about. Last week, for example, we did a live tutorial on how you can draw Doctor Strange as a Pixar character. Next week, we’ll be exploring Moana during an on-location pre-screening, so be sure to check that out, too.

Alright, that’s all from me. Let me know your Big Hero 6 theories in the comments below!


Thanks for reading this. Seriously. You can subscribe to my posts by clicking “Follow” in the right sidebar. 

Or just say hello on Twitter: @JonNegroni