Written by Jon Negroni (me) and illustrated by Kayla Savage.
That’s it. Oh, and you can find more Modern Princess here.
I’m done. I have nothing else to say to you. Sigh but I have to keep writing, you know. Something about SEO or whatever new word a guy in Texas made up last week. Oh, it’s an abbriev you say?
Anyway, I only want you to enjoy the comic at the top of this page. I have nothing else to say to you. It’s a comic. I wrote it. I was thinking about how weird it is for Frozen to get so much praise for doing something Brave did a little better. And yeah, it was an excuse to put a joke name like “Wish Upon a Star Bux” on the Internet in a way that makes an ounce of sense. Kayla drew it and made it a lot better. It was her idea to put funny names on the cups.
Do I ask for your input at this point? I guess. You guys like to comment on just about everything, so asking you to “Sound off below!” seems a little beggy at this point. Honestly, if you weren’t going to lend your thoughts before you got to this point, I’m pretty sure my prattling on at the bottom isn’t going to suddenly make you remember your desire to write something.
Let’s see, just a few more words to go.
Do you believe in God? I’m honestly curious. Lately, my mind has been spinning with the fear of the eternal, and the possibility that my narcissism doesn’t transcend my own mortality. I was watching season 1 of Agents of S.H.I.E.L.D. the other day (not a bad show, right?) and something Simmons said in the last episode freaked the chitauri out of me. Seriously, I wasn’t expecting more existential crises from Joss Whedon so long after Dollhouse.
So I’ve made the required word count, but now we have a new problem. My brain hates ending things in an awkward way. I almost typed Later. LATER. We shouldn’t even talk like that, let alone type like that.
Longtime readers and podcast listeners know that digital illustrator Kayla Savage has done some stellar artwork for this platform, including the logo for this page, the design of The Pixar Theory and The Pixar Detective, just to name a few.
Recently, we’ve been working on a comic series titled Modern Princess, which debuts with the panels you’ve just read. Kayla did the artwork, obviously, and I wrote the script. We’ll be releasing more entries in the coming weeks, so be sure to keep checking back for more, or just follow on Twitter.
And that’s not all, believe it or not. Kayla went to the trouble to produce a few bonus panels, which you can check out below:
Thanks as always for reading. Let us know in the comments if you like Modern Princess, want to see more mockups like the ones above (Jasmine with a Growlithe, anyone?), or if you just want to know how you can request artwork from Kayla Savage herself. Her portfolio and contact form is right here.
Hating everything in sight for no good reason is just the Internet thing to do these days, and that point is not lost on Megan Purdy, editor-in-chief of Women Write About Comics.
Upon the release of Marvel’s first teaser for Doctor Strange, Megan and her band of professional YouTube commenters decided to get together with their favorite thesaurus and write about how much it sucks.
Tagged under Race, Racism, and several other SEO boosts, Megan writes:
Gosh darn it! It’s just the most awful thing, and Megan’s roundtable (don’t worry, that’s tagged, too) is here to spell out why.
The Dr. Strange trailer. So… it’s here.
We hated it.
WHAT?! The headline was accurate?! Let’s begin with Megan talking.
This seems like a trailer for four movies in one: The Matrix, Inception, Eat Pray Love and a watery wuxia ripoff for white America.
Wow, a brief teaser is vague enough to have similar imagery to a few movies. The nerve. Also, where does the Eat Pray Love movie fit in? What, because he travels? Is that how low your bar is?
Interesting that your “water wuxia ripoff for white America” couldn’t just be summarized with an actual movie to get your point across, by the way. I mean it’s a thesaurus, not a existing knowledge of actual films.
It’s visually confused and so derivative that it makes no argument for its own existence.
Yeah, that teaser is such a tease. I mean what other movies are about a doctor who travels the world in search of a cure for his broken hands, only to stumble across a mystical force that transcends dimensions? Too many to count! Remember when Neo’s soul got punched out by Tilda Swinton in Matrix ReCumberbatched?
It relies entirely on exoticism and flash
Yeah, whatever happened to uninteresting and boring comic book movies?
here is a proud white man brought low, walking into the East to meet his destiny, and inevitably, become not just any old magician, but the Sorcerer Supreme.
It’s almost as if they’re making a movie based on an existing comic book. But Megan would know that if she wrote for Women Write…About Comics.
And is Doctor Strange a proud white man? Well, first of all, his value as a character has nothing to do with his skin color, so that’s irrelevant. Is he proud? Sure, which is what makes his forced humility an interesting point of the movie. Making him perfect and politically correct would be like having Anakin Skywalker not become Darth Vader in Revenge of the Sith.
He finds greatness by searching outside of himself, presumably. But why is this a bad thing? And how does this relate to that dreaded “exoticism and flash” you were bemoaning a sentence ago?
First Benedict Cumberbatch was Khan Noonien Singh — not just any old nemesis of Captain Kirk, but an Asian warlord who ruled a future territory spreading from South East Asia to the Middle East — and now he’s a white doctor learning magic in Tibet.
“First, he played a white character. Then he played another white character. Can you believe it?”
Seriously, I have no idea what Megan is trying to say here. Khan was never Asian, just a perfectly bred human played by a white actor who ruled much of Asia and the Middle East. And that’s not even how he’s presented when Cumberbatch plays him in Into Darkness. And why is this even being discussed, anyway?
You have a problem with white people learning superpowers from people who aren’t white? That’s too specific of a complaint, even for Megan Purdy..
The Ancient One, a Tibetan mystic and sorcerer played by fellow white Brit Tilda Swinton, is his Morpheus, who we meet in a scene that’s straight ripped from The Matrix.
Yeah, straight from The Matrix. Because they were in a room, and there were some vaguely Asian aesthetics. And…that’s about it. Oh, wait! Neo groveled “Teach me!” after being shown incredible mystical powers outside the realm of his understanding!
What? Oh, that didn’t happen at all. He just fought Morpheus in a computer simulation. But let’s not bring up the fact that over half of The Matrix pays homage to dozens of movies. You know, because that’s what lots of great movies do.
What do I know about this film, based on this trailer?
That you weren’t really paying attention because you were triggered from the first frame?
It’s, well, pretty damn racist,
It’s not a little racist. It’s not even just racist. It’s pretty damn racist. Impressive for a two minute teaser.
and it doesn’t seem to have a clear purpose or audience in mind.
No audience! Not even Doctor Strange fans, Marvel fans, comic book fans, movie fans, Benedict Cumberbatch fans, Tilda Swinton fans, film buffs, or (breath) people who don’t read anything on Women Write About Comics because clearly that’s a website where they don’t bother to also like comics. Well, the Doctor Strange ones at least.
I mean seriously, how are you the editor-in-chief of a website about comics, and you can’t even judge from a comic book movie teaser WHY said movie exists?
Why is there a Dr. Strange movie?
Because everyone is out to hurt you.
Because Marvel could make one?
Uh, yeah. And that’s a good reason. Marvel has gotten to the point where they’ve had so much success with niche comic book movies like Guardians of the Galaxy and Ant-Man,that they can now present the Doctor Strange story in a way deserving of the character based on trust from the bankrollers.
But according to Megan, Marvel simply said, “Eh screw it. We can do this thing, so let’s do this thing.” Because that’s how Marvel makes multi-million dollar decisions.
Why would they do this after all the criticism from their fans?
Yeah, remember when all the fans criticized Marvel for making good movies based on their favorite comics they never thought they’d get to see on the big screen?
Well. Because they don’t care.
Hmmm…well, that’s the kindergarten reaction to the question you presented. The first-grade answer is, “Because Marvel is gross!”
Next, we have Ray Sonne commenting on this winning roundtable.
Okay, putting aside how horrifyingly offensive this trailer is because I’m not the best person to discuss it, what the hell?
Easy, Ray, it’s a teaser trailer. It’s just a bunch of moving pictures that aren’t real and you’re going to be fine.
A trailer, as an effective marketing tool, is supposed to give the audience a basic idea of the movie’s story and characters without spoiling any surprises.
Yeah. Did you, uh, see this teaser? Did you…did you watch it, Ray?
But when you watch this trailer, you’re basically receiving a bunch of scattered details that make zero damn sense.
Look, I can sort of see how someone completely unfamiliar with Doctor Strange might be a little confused by specific moments in this teaser. But how is someone who writes for Women Write About Comics not understanding what happens in a Doctor Strange teaser that aligns almost exactly with the origin story for this character?
Seriously, this teaser was not that complicated. Benedict Cumberbatch plays a skilled doctor in search of something greater, and he stumbles upon something much, much greater than he could have ever predicted. That’s plenty to tease the audience with, especially for fans who can fill in the blanks.
So Benedict Cumberbatch is a doctor who did good doctor things?
WHAT IS THIS WEBSITE?
But then something bad happens to him and, oh no, he has bruise makeup on his face?
The most humorous thing about this entire piece is that there are plenty of valid criticisms of this teaser, like the “I don’t know if I like this” accent Cumberbatch has. But Ray is so far removed from reality right now, she’s criticizing a character with bruise makeup as if that’s the biggest cinematic insult since “I hate sand. It gets everywhere.”
So he goes to… some undefined part of Asia, which other people need to tell me is Tibet? Why does he do this? I suppose I would have some idea if I had an inkling of this guy’s personality or background, but alas.
“Trailers shouldn’t spoil the story! Now someone tell the people who made this trailer to give us tons of information on this character’s personality and then spell out the whole plot.”
This trailer didn’t need to give us all of the details. We can see glimpses into who Stephen Strange is, based on the tragedy that begins the teaser, his journey to overcoming these problems, and then a strong desire to learn the art of mysticism. You can’t even complain that these are only discernible from knowing the comic because most of these tidbits are delivered via narration.
He meets Tilda Swinton, who is living in Tibet and knows “Tibetan” magic because… what?
Please stop talking until you understand that the Ancient One uses sorcery, not “Tibetan magic.”
And then…Cumberbatch learns magic and shit? And apparently he has potential, but why does he want to explore his potential in corny magic instead of, like, dog-training?
If you were expecting some big bad villain who hammers home the theme and the main source of conflict, haha joke’s on you.
Honestly, I wouldn’t be surprised at this point if Ray outright said that she’s never seen a trailer. Or a movie.
Ray goes on to complain that this teaser recycles “last year’s blockbusters,” clearly admitting she has no idea when Matrix or Inception were released, and then Angel Cruz takes the stage.
This trailer is less infuriating than it is a lazy, inconsiderate piece of cinema being offered to people who are much smarter than Marvel gives them credit for.
Burn it! Burn it alive before it kills the smart people like us!
It’s 2016, and we are still being fed orientalist stereotypes that are given free rein to continue damaging people with Asian heritage–
…You…you do realize that saying “oriental” is extremely offensive, right? Like you have to know that because you’re the Earth Politics Warrior of Cinema, Angel Cruz, right?
And yes, she’s actually claiming that this two minute teaser featuring a white woman who tells a white man about magic is damaging to Asian heritage…for all of the wrong reasons.
I can understand complaints about Marvel whitewashing the Ancient One just to avoid these stereotypes that are obviously lost on Angel Cruz. But these commenters aren’t even complaining at this point because nothing they’re saying even connects with the teaser they’re criticizing, as evidenced by the fact that they keep calling it a “trailer.”
for what? Reaffirmation that white narratives will always be more valued?
You’re the only person saying that, but hey, if Nancy Grace can get away with it, so can you.
A reminder that Hollywood still believes that Asian stories have no validity without a white person at the center, controlling and living that narrative better than any Asian person ever could?
Except that Doctor Strange is not an “Asian story.” It’s about an American who goes to a fictionalized place in Asia to become a powerful sorcerer. He has always been the central figure of this story and that hasn’t changed. In fact, there have been Sorcerer Supremes in countries all over the world, and it just happens that the Ancient One resides in the Himalayas.
But hey, why let facts get in the way of pure, unbridled outrage?
It’s exhausting, yes, to see Benedict Cumberbatch and Tilda Swinton slinking into roles that so clearly appropriating Chinese, Tibetan, and South Asian cultures. Their acting abilities aren’t in question here, just their acceptance that they have the right to tell these stories instead of Asian actors.
I’m not even sure what else to say at this point. Angel clearly has no idea what she’s talking about or what Doctor Strange truly is as a comic. Now, we can debate, as I mentioned earlier, whether it was right or wrong for Marvel to sidestep the offensive Asian stereotypes that were present in the original comics with the Ancient One by casting an androgynous actor.
I see why they did it (the “wise” minority stereotype comes to mind), but it’s still cringeworthy. But is it the defining mistake of Hollywood? Not even close thanks to The Last Airbender.
It’s likewise exhausting to see all the nods to Asian art and motifs set in the background against white faces.
I’m 100% positive Angel would lose her mind if she walked inside a Panda Express.
She continues this tirade, citing that Marvel doesn’t care about her at all (oh, they’re so mean!) until Laura shows up to keep this all going.
I’m pretty convinced at this point that any Cumberbatch role is just Sherlock in a nicotine-haze trying to solve some nefarious crime, because it’s the only explanation for a Cumberbatch Strange.
Your inability to understand how actors can act in two separate roles because they’re good at acting says way more about you.
A Victorian England setting would also explain the over-the-top mystic orientalism, because there’s no way that’s a reasonable thing to propose in 2016 after getting slammed with criticism for the usage and treatment of The Mandarin, Black Sky, the Hand, and Iron Fist.
I’m guessing they were only “slammed” with criticism by readers of Women Write About Comics. All six of them.
And yet, here we are, and people are arguing on Twitter
NOOOOO, not Twitter! Not the last bastion of civil discussion and thoughtful conversations!
about how Strange needs to be white, but that the casting of The Ancient One is a problem, totally missing the point that a white person out-Asianing Asians is an issue no matter what character we’re talking about.
Is Stephen Strange out-Asianing Asians in this teaser? Nope, just doing the exact opposite, which is not doing that. Logic is a funny thing. Not haha funny in this case.
OK, but what does Desiree have to say in order to bring this whole thing home?
I understood the trailer because I know Dr. Strange’s origins, and backstory.
Gird your loins everyone. They’re finishing this article with someone who claims to know what they’re talking about on a website about comics…presumably.
I’ve written about them, and since then, Dr. Strange, as a movie, has only seemed to have gotten worse and worse.
Desiree links to another article worthy of Snarcasm, in which she complains that Marvel cast a white guy to play a white superhero from a comic book. She’s basically the inverse of those people who complained about Human Torch being played by Michael B. Jordan, as well as having a black stormtrooper in The Force Awakens.
It’s a bunch of modge-podged East and South Asian cultural references pieced together to look magical and exotic without any Asian people shown.
These “cultural references” without any Asian people shown include a guy walking through a village in the Middle East with natives all around him, establishing shots of exotic locations with no people in them by design, Chiwetel Eijofor walking through an Asian city with Asians all around him, Benedict Cumberbatch walking through another Middle Eastern location with Middle Easterners all around him, Tilda Swinton standing in a temple, an unrecognizable character using magic in a temple, more unrecognizable characters in an unrecognizable location, and…do I need to go on?
Each character in the trailer has adopted some bastardized form of East and South Asian cultural style yet none of them are Asian. Another movie that’s portraying an exotic, vaguely Asian culture entirely through the lens of white people.
And Chiwetel Eijofor.
Are there enough Asians in Doctor Strange? Well, how is anyone supposed to know based on a teaser marketed to American audiences?
Strange, in the comics, is an arrogant, skilled surgeon who loses the ability to use his hands and basically falls off the wagon.
And by “falls off the wagon,” you must mean “searches the world in search of a cure.”
Strange then is seemingly “chosen” to be a candidate for Sorcerer Supreme because…reasons? Really, it was because it was the 70’s and white guys could do anything!
Or because you didn’t read the comics (since the first comic came out in 1963, not the 70s). Strange was an idealist, though arrogant. He was chosen because Baron Mordo (his rival) was corrupted by power, and Strange had proven to be a more selfless person who would use the authority of Sorcerer Supreme to protect, not to put his power over others.
That doesn’t make this an inoffensive story, obviously, but it was, in fact, the 60s. But to suggest that it was this simplistic is a straw man.
Yay, white male power fantasies!
Yay, I’m nearly done with this Snarcasm!
Seriously, we’re almost there, folks.
So Strange goes to Tibet and learns humility and magic and boom! Excels at magic so much he gains the title of Sorcerer Supreme.
No, Strange sacrifices his quest to heal his hands in order to serve the greater good, earning him the title. He’s not even that much better than everyone else at first, as Baron Mordo is more experienced and a true threat later on. His real skill lies in ingenuity and heart and please let this end soon.
That story is now so dated it’s laughable.
True. Which is why they’re probably updating the story.
Can anyone truly provide me with an argument that proves Stephen Strange needs to be white?
Wow, we’re actually going there. Well, first of all—
Other than, “that’s how it was in the comic.”
OK, so can I name a reason beside the main one that’s the most convincing? Hmmm, well yeah, I still can.
Doctor Strange has a very particular look and social class that affects his character. Shifting his appearance for the sake of it would alter his backstory, his ties to Western culture, and what makes his motivations work as a character. It would be like making Luke Cage a white guy.
Strange’s embellished appearance, and even his whiteness, lends to his arrogance gifted from the epitome of privilege. He has to humble himself in order to find meaning outside of what he could achieve as a skilled surgeon in New York. Altering his appearance would just come across as forced and doing more harm than supposed good, because making him Asian would mean rewriting a significant portion of who he is and what has gotten him to this place.
In other words, writing a character is very complicated. Rewriting a character without losing much of what makes him who he is in the first place can be even more challenging. These things do matter, and Marvel is right to preserve essential aspects of this character moving forward.
Spider-man once had eight arms in the comics. Tony doesn’t drink (anymore) in the comics. Bucky was a child when he was teammates with Steve. Sam was originally a gang member. Don’t tell me Dr. Strange and Iron Fist have to be white because of comics canon when the movies change things all the time.
The difference is that none of these niche examples you provide are woven into what makes the character iconic. Spider-Man isn’t known for having eight arms. Tony is known for having a drinking problem. It’s one thing to make updates to the source material, and it’s another to reinvent the character in order to suit an unrelated agenda. Didn’t we just go through this with Synder’s nonsensical take on Superman?
I’m not arguing that the Doctor Strange story couldn’t use some major tweaks in order for audiences to find it relevant and inoffensive. But we haven’t gotten any real indication from just one teaser (as all of these “writers” admit) what this movie is really going to be about and how these characters will be presented.
So, there you have it. The Doctor Strange trailer is bad, bad, and also bad. Is it possible to find something good in the movie itself? Is it even worth trying?
Yes, Megan. It’s worth trying to find good in something related to comics. You know, your blog’s namesake. If you have to ask whether or not it’s worthwhile being optimistic about movies, then maybe they just aren’t for you.
Hey! If you’ve come across a silly article that deserves the Snarcasm treatment, send it my way via Twitter or the comments below!
I’m Jon and thanks for reading this. You can subscribe to my posts by clicking “Follow” in the right sidebar. Or just say hey on Twitter! @JonNegroni
The makers of Deadpool had a tall order on their hands.
A beloved comic-book antihero conceived in the early 90s, Deadpool has collected a legion of fans for a list of specific, stringent reasons. Failing to capture the exact spirit of the character would land Fox in a repeat of X-Men Origins: Wolverine history, when they first tried to fit the merc on the big screen.
But Deadpool also had to be a movie. Which means Fox had to work hard for the affections of Deadpool fans…and everyone else. And in a lot of ways, Deadpool more or less pulls this off with some creative humor and storytelling.
The film stars Ryan Reynolds, again playing Wade Wilson in a new origin story for the same character he played in Origins (sort of). After finding out he has terminal cancer, Wade leaves the love of his life, Vanessa (played by Gotham‘s Morena Baccarin), and tries to find a cure.
A group of scientists, led by “Ajax” (Ed Skrein from last year’s Transporter Refueled), manage to save Wade’s life, but they give him mutant abilities in the process. The procedure viciously scars Wade in more ways than one, setting him off on a mission to track Ajax down using his new abilities as the assassin, “Deadpool.”
If this sounds like a straightforward superhero movie, then I’m doing a decent job of preserving a lot of the jokes and humor that comprise Deadpool. Going into too much detail surrounding the plot and how certain scenes are set up would probably ruin a lot of the laughs you would otherwise have in the theater.
Because as you’ll realize within the first ten seconds of the film, Deadpool is absolutely a post-modern comedy. More than that, it’s a satire of superhero movies, much like how the original comic was a satire of the macho, violent 90s comics Wade Wilson was created to mock.
This is as funny as it is poignant, considering what it took to greenlight a feature film for a character most people have never heard of. And fans of superhero movies will likely consider Deadpool to be one of the best offerings in the superhero genre in years.
But Deadpool also provides an appeal that casual fans of the genre can appreciate, thanks mostly to Reynolds’ performance. His quick delivery lands more jokes than I think anyone else in the business could pull off, and his likability keeps the plot “moving forward” as you’ll discover.
Violence is also a hallmark of the Deadpool franchise, and Fox didn’t hold back at all this time. Deadpool belongs to a small club of R-rated superhero films, and the rating is spot on. There’s plenty of gore and grisly mayhem to justify the restriction, but that’s all part of what makes the source material so endearing. While it’s not as on the nose as the comics trying to spoof the 90s, the gratuitous violence certainly feels welcome in a genre stuffed with sanitized action and fake-out deaths.
What’s more impressive than the violence, however, is how competently Deadpool is shot as an action film. While parts of the origin story drag for a bit before getting back into the action, what we do get in these scenes is typically worth the wait.
The camera cuts at just the right moments when you want to feel the pain of a character’s head getting smashed against a wall, and impressive stunt work and effects make for an immersive comic-book movie on par with some of the best ever made.
You’d have to be pretty demanding to expect anything more from a movie that is as well-made as Deadpool, but there are enough issues to remember that Fox is just getting started.
The movie is overflowing with a surprising amount of faithfulness to the source material, and it’s fairly inventive. But it’s also generic, anyway. Underneath all of the delight you’ll get from well-written, self-aware humor is masked by an origin story that feels by-the-numbers and formulaic—a stark contrast to the risky business displayed by everything else in the movie, from the side characters to the soundtrack.
Perhaps this was necessary in order for Fox to ensure that there can, in fact, be a superhero movie for people who are sick of them. But for everyone else who can’t stomach the genre, Deadpool won’t do much to entertain them.
I’m going to give Deadpool a B+
If you like superhero movies, X-Men or otherwise, you’ll find a lot to love in Deadpool. Otherwise, you may find a lot of the humor flat and uninteresting. It would be a must-see for the action and Reynolds alone if only it didn’t fall back on so many origin story cliches it could have easily sidestepped.
Did you like Deadpool? Let’s talk about it in the comments.
I’m Jon and thanks for reading this. You can subscribe to my posts by clicking “Follow” in the right sidebar. Or just say hey on Twitter! @JonNegroni
Massive spoilers for Star Wars: The Force Awakens litter this post, so read at your own risk.
It’s only been a few weeks since The Force Awakens opened in most theaters, so it’s impressive to discover so many meaningful and poignant conversations going on about the 2 hour film. The more you think about TFA, the more dense this new chapter in the saga becomes.
One of these conversations centers around a more subtle character relationship that might have slipped under your radar. Or you may have noticed it without giving it much thought.
That’s the implied drama between Chewbacca and Kylo Ren.
Character artist, Tyson Murphy (Blizzard Entertainment) illustrated a touching comic that presents this relationship in a beautiful, accessible way. He shared it on his Tumblr page a few days ago, and you can view the high-resolution version below.
The comic starts with the premise that Chewbacca was “Uncle Chewie.” As Han Solo’s lifetime best friend, he would have played some role in the life of Han and Leia’s son, Ben. He would have seen young Ben grow up, brimming with the force like a young Anakin Skywalker.
Of course, the untold story of Ben’s transition to “Kylo Ren” is alluded to here, with Chewbacca feeling incredible loss alongside Ben’s parents (though he’s shown in the comic alone to drive this point home).
Fast forward to the events of TFA, when Kylo Ren impales his own father after hearing his real name again. Chewbacca points his powerful bowcaster at Ren, ready to kill him for this. The action itself happens in just a second, but it’s easy to imagine that Chewie missed the killing shot on purpose, out of sympathy for the child he once knew.
Was this intentional? I think so. The movie repeatedly brings up the power of the bowcaster, and how lethal a single shot can be. Kylo Ren is standing on a catwalk, so almost any other shot would have knocked him off. But it hits him just right, so the blast takes a chunk off his side without letting Ren take the full impact.
I love this take on Chewbacca’s character. He’s incredibly old (Wookies age slower than people), so he’s a lot smarter than he seems to let on. More than that, Chewbacca has developed such a kindred bond with these characters, especially Han. This compelling moment has so much emotion behind it, transforming what might be a straightforward scene into something incredibly complex and worth talking about.
Another question raised by the movie we can sort of put together as fans: Why did Han and Leia name their son “Ben?”
In the expanded universe that was recently nixed by Disney, Luke Skywalker names his son “Ben,” after Ben Kenobi. So it surprised many fans like myself to hear Han Solo shout this name at Kylo Ren.
At first, I thought it was strange for a couple to name their child after a man they knew for only a short time. Han had just met Ben Kenobi, and Leia had only heard of him as “Obi Wan” through her father.
But it does make plenty of sense if you keep thinking about it. Han and Leia met because of Ben Kenobi. He brought them together and ultimately saved their lives on the Death Star by sacrificing himself. Han likely doesn’t have any other positive male role models in his life (that we know of) to name his son after, and the relationship between Leia and her family is told offscreen. So naming their son, “Ben Solo,” actually fits pretty well within this new canon.
Now, if we could just figure out a better way to explain how Rey knew the “Jedi Mind Trick” existed…
I’m Jon and thanks for reading this. You can subscribe to my posts by clicking “Follow” in the right sidebar. Or just say hey on Twitter — @JonNegroni