Advertisements

Over a Decade Later, Samurai Jack is Back (on Toonami)

Screen Shot 2015-12-02 at 10.36.58 AM

Cartoon Network teased us with a short video today announcing the soon return of an animated series we thought had been forgotten: Samurai Jack.

Genndy Tartakovsky, creator of the series, is attached to what’s being called “a new season for the epic story,” which will premiere on the mostly anime-filled Toonami block.

As for the video itself, we only get a glimpse of what’s to come. The figure in the video is presumably Jack himself, outfitted with new armor along with his signature sword. Aku, his demon rival, is also seen in the background sporting his flaming eyebrows and deadly stare. It’s enough to bring me right back to the original style and flourish I loved from the original run.

Samurai Jack ran on Cartoon Network from 2001 to 2004 before being unceremoniously cancelled, despite any resolution to the show’s singular narrative. Growing up in feudal Japan, the newly-minted samurai (later known as Jack) took on the shape-shifting demon, Aku, in a battle for the entire world. Nearly defeated, Aku threw Jack through a time portal, transporting him thousands of years into the future.

Jack had to use his legendary sword and grit to survive this war-torn wasteland filled with dangerous machines, aliens, and mythological foes on his way to finally confronting Aku again in this new world. Unfortunately, that battle never happened.

In 2016, we may finally get the ending we’ve been waiting over a decade for. And would it be asking too much for some sort of theatrical release? Yeah? OK, just pretend I didn’t ask for that.

Advertisements

Robert Rodriguez is Directing a ‘Jonny Quest’ Remake

jonny quest remake

I’m not that big a fan of  “Jonny Quest” or even Robert Rodriguez, but many of you know that The Mask of Zorro is my favorite film of all time. Knowing that Terry Rossio is working on this new project gives me hope, even if the remake has been in development limbo for nearly 20 years now.

Go on…Robert Rodriguez is Directing a ‘Jonny Quest’ Remake

Why The Ruler Of My Childhood Just Got Kicked Off The New ‘Popeye’ Movie

If you’ve never heard of Genndy Tartakovsky, then you’ve at least loved his work. The animation director is an under-the-radar legend in the business, despite never acquiring the acclaim he truly deserves.

Some of his early work included Batman: The Animated Series, but the man is better known for creating Dexter’s LaboratoryPowerpuff Girls, and Samurai Jack. When I was a kid, this guy was one of the kings of animation, at least for people who could get Cartoon Network on their cable subscription.

This is the man George Lucas entrusted the keys to the first Star Wars: The Clone Wars miniseries (long before it was ever computer animated), which won three Emmies. Before that, Tartakovsky directed the somewhat successful The Powerpuff Girls Movie and (it bears repeating) creating the legendary series, Samurai Jack, which also won multiple awards.

genndy tartakovsky

Sadly, this was the end of Tartakovsky’s reign. After 2004, the momentum of his work went into a gradual free fall, as new projects like Adult Swim’s Korgoth of Barbaria were canceled before they even started. This kicked off a trend for Tartakovsky that we’re still seeing today.

Tartakovsky planned on creating the long-awaited Samurai Jack movie to complete the series, but Bad Robot abandoned him to work on Star Trek. Genndy’s new Cartoon Network series, Sym-Bionic Titan, only lasted one, short season.

But in 2012, Tartakovsky’s luck changed when he moved to Sony and directed the animated monster movie, Hotel Transylvania, starring Adam Sandler. Though the film received mixed reviews, it was a huge financial success for Sony, earning Tartakovsky the chance to strike gold again with a sequel. The trailer just came out this week, and the movie is set to release this fall.

Amidst this Gennaissance, the animator/director was also announced as the director of the new Popeye movie, which we’ve already seen early footage of. And it looks amazing. But just this week, Sony kicked Tartakovsky off the project for unknown reasons, and it’s unclear whether or not the movie will still go forward.

In an interview with Moviefone, Tartakovsky explained the sudden shift:

“Popeye, at least, we put up a great screening, everybody really liked that sizzle, we got a positive reaction. I was in love with what we were doing, but I think the studio is going through changes and I don’t know if they want to make the Popeye that I want to make. So they’ve got to make a decision…It was hard to let Popeye go, but that’s the business.”

To be clear, Tartakovsky still works for Sony, and we all know the production studio is currently in the midst of some unprecedented turmoil. His personal project Can You Imagine? is still in the works for now, which is an original story about a boy and his imagination.

genndy tartakovsky

Before we delve into the why behind Genndy’s expulsion from Popeye, let’s review the man’s career. As the headline implies, Tartakovsky is one of the rulers of my childhood. His work influenced me greatly through shows like Dexter’s Laboratory and Samurai Jack. Just the other day, I reflected on the chaotic genius of “Ego Trip,” the TV movie for Dexter’s Laboratory that made me embrace time travel as the fluid concept it really is.

I still look back on Tartakovsky’s “Clone Wars” with wonder, remembering almost every detail of every set piece. I remember wishing the man had been allowed to work on Revenge of the Sith, even (at least when it came to General Grevious. That final scene of the second season sent chills up my spine).

I can’t pinpoint the exact reason for why Tartakovsky’s work happens to work. I don’t know if it’s that he understands how the mind of a child operates or if he just has a gift for maintaining his own childlike imagination. Whatever it is, there’s something bizarre and magical about the way Tartakovsky visualizes a story, and it’s something noticeable that made me appreciate Hotel Transylvania before even realizing whose vision developed it.

genndy tartakovsky

And yet Tartakovsky hasn’t ascended to the level of greatness that I personally believe he’s earned. For all I know, he could be difficult to work with, or his vision could be akin to George Lucas, in that he needs many checks and balances to prevent his story from descending into pure lunacy.

Whatever the reason, I take solace in knowing that for now, it appears Tartakovsky and Sony are on OK terms. He’s still getting his Can You Imagine? movie, and for all we know, Sony is just gun-shy about putting out an expensive Popeye movie after the middling success of similar nostalgia projects that seem to have doomed Dreamworks Animation, despite them being great movies (I’m looking at you Mr. Peabody and Sherman).

Yes, the hopeless optimist in me somewhat believes there’s a chance Sony wants Tartakovsky to redirect his efforts to finishing Samurai Jack  before a Kickstarter finally does it for him. We’ve been waiting 14 years for that series to have a conclusion, after all (and no, I don’t count the comics that started in 2013).

genndy tartakovsky

To sum up, Tartakovsky is a young guy (only in his mid-forties), and I personally believe his best work is ahead of him. I just hope that whatever is going on with Sony is either resolved, or someone else manages to recognize Tartakovsky’s talent and snatches him up. Can you imagine (har har) how good a DreamWorks movie would be if they brought in Tartakovsky? Specifically, I bet the animator would’ve breathed some incredible life into Rise of the Guardians or the upcoming Home (which looks awful to me).

For now, we’ll see if Tartakovsky and Sony can surprise us all with something completely unexpected. And if anyone can do that, it’s Genndy.

 

Thanks for reading! You can subscribe to these posts by clicking ‘follow’ on the right sidebar. Or just hang out with me on Twitter: @JonNegroni

The Shocking Truth Behind ‘Foster’s Home For Imaginary Friends’

foster's home for imaginary friends theory

This theory about the classic 2000s cartoon show, Foster’s Home For Imaginary Friends is easily one of my new favorite conspiracy revelations.

In case you’re unaware of the show or just forgot, “Foster’s” was a Cartoon Network show that aired from 2004 to 2009. In the world of “Foster’s,” imaginary friends can be seen by humans, not just the children who think them up. In this world, humans and imaginary friends coexist, which creates the inherent problem of what to do when children outgrow their imaginary friends.

foster's home for imaginary friends theory

Enter Foster’s Home for Imaginary Friends. Created by Madame Foster, this “Home” shelters imaginary friends who have been abandoned by their creators, and they can be adopted by new kids. Madame Foster runs the home with the help of her imaginary friend, Mr. Herriman, and her 22-year-old granddaughter, Frankie.

It was a fun show that actually becomes even more fun when you consider this theory…that Frankie was an imaginary friend as well.

foster's home for imaginary friends

The theory, courtesy of 9gag, argues that Frankie is the younger version of Madame Foster. If you look closely at the picture above, you’ll notice that Frankie’s clothing is the younger version of Madame Foster’s. The idea is that Madame Foster would have imagined a younger version of herself to manage the foster home, since Madame Foster is too old.

One of the strongest points of the theory is that Frankie never has imaginary friends of her own, nor does the show allude to that possibility. Granted, she acts and seems human, but as far as I know, no one every really questions whether or not Frankie is human.

Now, there are some counter arguments. There was one episode where Frankie actually went on a date, as seen below.

the day

For the theory to work, Frankie would have to either be unaware of the fact that she’s imaginary, or just like humans. The latter works because there have been several jokes within the series where imaginary friends have had crushes on humans.

Frankie is most likely aware of her imaginary origins due to the rule within the Foster’s universe that imaginary friends know who they are from the moment they’re thought up. Also, being imaginary would explain why Frankie is willing to work in a Foster home instead of going to college or pursuing a career. She’s stuck there because Madame Foster is her creator.

But there’s another counter argument…

frankie foster's home

Why would an imaginary friend need a driver’s license?

Here comes my own theory that answers that very question. What if Frankie was the person who imagined Madame Foster?

It’s possible that Madame Foster could have passed away due to old age, and Frankie (who would be heartbroken) may have imagined Madame Foster to prevent anyone from finding out.

It would explain why Madame Foster is so energetic and childlike, despite being so old. Frankie simply can’t deal with the fact that her grandmother is gone, and that would also explain why Frankie can’t move on from her life at Foster’s. The home actually belongs to her.

Do you believe in the Foster’s Home For Imaginary Friends Theory? 


Thanks for reading this. To get updates on my theories, books, and giveaways, join my mailing list.

Or just say hey on Twitter: @JonNegroni

%d bloggers like this: