At last, Pixar has revealed its first big marketing materials for Toy Story 4, which includes a brief teaser trailer, several character posters, and more recently a “teaser trailer reaction” video that pokes self-aware fun at the franchise in almost parody form.
From Angela Watercutter at Wired:
Late Tuesday night, after 32 years, Ed Catmull announced he would be retiring at the end of this year. This is not sad news, though—it’s a chance to give Pixar a new future.
I’m late on this news because I was out of town and thus not blogging when the announcement broke (and somewhat silently from what I can tell). I didn’t even here about Catmull’s retirement until a day after everyone else, and I’ve been stewing in my thoughts ever since.
In the cited piece above, Watercutter details how Catmull’s retirement is “an opportunity, not a loss.” And of course, Catmull himself claimed in his 2015 book Creativity Inc. that it was always his goal to leave Pixar with a strong legacy of lasting leadership (hence, Catmull is staying on as advisor through next July). It’s very Pixar-esque to look at a problem as an opportunity, and for now, I share in the optimism painting this upcoming era, but for a very different reason than even I expected.
It’s looking like Pixar is reclaiming its independence from Disney, albeit one promotion/departure at a time.
It’s finally happened. T.J. Wolsos of PixarPost and I have collaborated on a project. Above, you’ll hear our full conversation on all things Pixar, mostly centering around the feeling that the animation studio’s best days are in the past. T.J. and I have a hearty debate and discussion about whether or not this is really true, and if it is, what caused the change (or “evolution” as T.J. aptly points out).
Is Pixar making too many sequels? Did Disney cause all of this? Has Disney animation surpassed Pixar? And what movies are coming next from the Emeryville campus? We answer these questions and tons more, plus we read your tweets and comments to parse out how everyone else feels about the subject. This is one podcast episode you Pixar fans don’t want to miss.
Pixar movies aren’t really known for having great plot twists. But there are still a few good ones here and there that we can appreciate.
So which Pixar “plot twist” is the best? This isn’t an easy question to answer, and obviously Pixar fans will spar and disagree over the top 5, let alone the very best. That said, I’ve devised my own rating system for each of Pixar’s most relevant plot twists, and to answer this question for myself, I’m breaking down the Pixar filmography movie by movie to assign these ratings and form my own conclusion accordingly.
It’s been 20 years since 1998, and you know what that means! Blog posts about films from 20 years ago / 1998! Eight-year-old Jon Negroni was too busy stuffing his face with Warheads (the candy, dummy) on multiple schoolyard dares, so he/me didn’t get a chance to litigate the Antz vs. A Bug’s Life debate…
Fan theories are both the best and the worst. Kind of like people! But you can’t say the same about Pixar’s WALL-E, a triumph of animated cinema about the overly capitalist dangers of mankind passively wreaking havoc on the environ—
From Animation World Network:
Incredibles 2 became just the seventh animated film to cross the $1 billion mark at the global box office. It is Disney’s fifth animated and 18th-ever billion-dollar release and joins Black Panther and Avengers: Infinity War as Disney’s third release to reach the $1 billion milestone this year.
Egregious success for Disney in 2018 aside, Pixar is now the first animated studio to release three films with $1 billion worldwide box office. And all three of these films are sequels: Toy Story 3, Finding Dory, and now Incredibles 2. And yet people wonder why Pixar continues to make sequels in the first place. Money speaks louder than critics, I suppose.