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Surprise, ‘Incredibles 2’ Is Pixar’s Biggest Box Office Hit Ever

incredibles 2

What does the success of Incredibles 2 mean for Pixar, Disney, and everyone else? Especially if they didn’t love the studio’s latest sequel? 

From Jessica Rawden at Cinemablend:

Previously, that accolade went to Finding Dory, a movie that grossed a little bit over $486 million domestically and a little over a billion worldwide. Incredibles 2 has been a much bigger winner domestically, making more than $602 million in North America and another $562.5 million worldwide. It’s current total has it at $1,164,826,913 (via Box Office Mojo), which means it has topped the movie that just kept swimming to become Pixar’s highest grosser. It’s also notable because a few weeks ago, the sequel was already the first animated movie to gross over $500 million domestically, and now it’s north of $600 million.

As Rawden mentions, Frozen is still the highest grossing animated film of all time, but Incredibles 2 is hot on its heels, just recently surpassing Minions.

Now, box office only says so much about the quality of a film, but it does paint a compelling picture, one that at this point can’t be denied. In order for Pixar to maintain their high standards with original content, they made the controversial decision to bank on sequels over a decade back. We now see Finding Dory and Incredibles 2 to be among the most profitable films of all time, animated or otherwise, and on the horizon there’s Toy Story 4 and a slew of original stories essentially funded by this box office success.

Go on…Surprise, ‘Incredibles 2’ Is Pixar’s Biggest Box Office Hit Ever

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Snarcasm: A Bug’s Life vs. Antz vs. the Rest of Us

bugs life

It’s been 20 years since 1998, and you know what that means! Blog posts about films from 20 years ago / 1998!

And there are some great stories to pick from. Eight-year-old Jon Negroni was too busy stuffing his face with Warheads (the candy, dummy) on multiple schoolyard dares, so he/me didn’t get a chance to litigate the Antz vs. A Bug’s Life debate, unless you count my Hopper alarm clock as a stake in what is obviously a very petty fight between DreamWorks and Pixar that has never officially ended.

That’s where Bill Bradley comes in, writing for Huffpost Culture, and aside from having a name that would make Lois Lane blush, BB has the serious press credentials necessary to remind you why it’s pointless arguing about two movies that are barely similar where it counts, but similar enough where it generates heated arguments based on grudges that don’t really affect you in real life. So, the internet, basically.

Go on…Snarcasm: A Bug’s Life vs. Antz vs. the Rest of Us

Some of the Best Pixar Video Essays You Can Watch Right Now

From Will DiGravio at Film School Rejects:

If you’re reading this website, or live on this planet, I don’t need to explain to you why Pixar is worthy of its own video essay guide. In fact, I am probably doing Pixar and its body of work a disservice by lumping them all into one guide. All I will say is: Here are five video essays about Pixar you should watch.

Will’s list is wonderful (and his previous video essay guide for “your favorite cartoons” is also worth a look).

There’s a lot in these videos some of you super fans will no doubt have heard before, like how Pixar uses music to make us cry, or how the animation studio pays homage to classic films.

Go on…Some of the Best Pixar Video Essays You Can Watch Right Now

Snarcasm: This WALL-E Theory Makes So Much Sense That It Doesn’t

wall-e theory

Snarcasm is an editorial column I do when I read something so upsetting, I have to publish something snarky and sarcastic about it. Thanks for indulging, and definitely take everything you’re about to read incredibly seriously.

Hi. Fan theories are both the best and the worst. Kind of like people! But you can’t say the same about Pixar’s WALL-E, a triumph of animated cinema about the reckless, capitalist dangers of mankind passively wreaking havoc on the environ—

“Sinister WALL-E fan theory will change the way you watch the sweet Pixar film forever”

Oh, OK. I forgot we were watching this “sweet Pixar film” all wrong. How, exactly, was WALL-E some sort of overtly nice and go-lucky tale, considering all the dystopian apocalyptic subject matter?

Go on…Snarcasm: This WALL-E Theory Makes So Much Sense That It Doesn’t

All Three of Pixar’s Billion-Dollar Movies Are Sequels. Now What?

Pixar

From Animation World Network:

Incredibles 2 became just the seventh animated film to cross the $1 billion mark at the global box office. It is Disney’s fifth animated and 18th-ever billion-dollar release and joins Black Panther and Avengers: Infinity War as Disney’s third release to reach the $1 billion milestone this year.

Egregious success for Disney in 2018 aside, Pixar is now the first animated studio to release three films with $1 billion worldwide box office. And all three of these films are sequels: Toy Story 3Finding Dory, and now Incredibles 2. And yet people wonder why Pixar continues to make sequels in the first place. Money speaks louder than critics, I suppose.

Go on…All Three of Pixar’s Billion-Dollar Movies Are Sequels. Now What?

The Real Reason Why Pixar Keeps Making Sequels

sequels

I’ve commented on this topic a lot, particularly this week with the release of Incredibles 2, but Victor Luckerson seriously nails the rise of Pixar sequels with this piece on The Ringer.

How Pixar Became a Sequel Factory:

This decade has been different. Pixar’s next 10 films included six sequels or prequels, among them the newly released Incredibles 2. Its next movie is Toy Story 4, an addendum to a conclusive trilogy that no one asked for. In addition to its two sequels, there has even been a Cars spinoff, Planes, which recalls the low-budget direct-to-video sequels Disney pumped out in the ’90s.

Go on…The Real Reason Why Pixar Keeps Making Sequels

Pixar’s New Short Film ‘Bao’ Is Weird, But Also Kind Of Essential

Bao

I recently wrote up an explainer for Bao on The Young Folks:

Bao was directed by Domee Shi, the first woman to ever direct a Pixar short…Over the course of about eight minutes, we see a dumpling become a baby boy, growing up under his mother’s love until eventually becoming too old to stay home with her. Essentially, Bao is a Chinese retelling of “The Gingerbread Man.”

I saw Incredibles 2 for the second time last night with a large audience, and I was almost more curious about how Bao would come across in front of other people. In case you haven’t seen it, Bao has a very “Pixar” plot with an absolutely shockingly weird twist that almost lampoons Pixar. It’s probably genius?

Go on…Pixar’s New Short Film ‘Bao’ Is Weird, But Also Kind Of Essential

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