‘Deadpool’ Will Start Shooting This Week

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From Jay Jason at Comicbook.com:

…filming is set to begin this week on Deadpool for Morena (Baccarin) and star Ryan Reynolds. The latter recently took part in an official photoshoot for the film. Seems like we’ll get an official look at him as the Merc With A Mouth some point soon.

I’m still pleasantly surprised that Inara—er—Morena Baccarin will be in this. I’ve assumed up to this point that she will be playing Domino (how could she not?), even though the character never appears in the leaked script according to what I’ve been told by people brave enough to read it. Another great guess is that she will play Copycat.

As for Reynolds, he’s already been hyping this latest movie, calling it “great for Green Lantern haters” in passing. The movie doesn’t come out for another 11 months, but it’s already more interesting than half of what Marvel is working on this year (so, Ant-Man, basically).

Here’s to hoping something Deadpool-related happens at Comic-Con.

Is Cinderella The Best Live-Action Fairy Tale Movie?

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(Click here to download this week’s podcast episode)

Hey conspirers! This week on the podcast, we talk Cinderella, the latest Disney fairy tale movie to grace the big screen. Critics have been pretty kind to the film, but does it stand out amidst the ranks of Red Riding Hood, Jack the Giant Slayer, Snow White and the Huntsman, Alice and Wonderland, last year’s Maleficent…OK, maybe the competition isn’t so stiff.

On TWIL (this week I learned), we share some of our favorite YouTube channels for mocking our favorite movies, as well as the recent news on Popeye. Stick around for the Netflix Recommendation of the Week, as well as new Movie Releases for this coming weekend.

Our Song of the Week is “Our Own House” by Misterwives (yes, they do a song besides “Reflections” and I argue it’s better).

Enjoy the show, and don’t forget to rate and subscribe us on iTunes if you haven’t already! We always appreciate your feedback.

Question of the Week: What is your favorite live-action fairy tale movie?

Cool Things We Mentioned: 

The “Honest Trailer” for Cinderella

Everything wrong with Cinderella in 10 minutes or less

Genndy Tartakovsky and the new Popeye movie

You Can’t Pirate Anything Off Of ‘The Pirate Bay’ Anymore

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Chris Morran | The Consumerist:

The Pirate Bay, perhaps the most popular — certainly the best known — destination for anyone looking to score pirated movies, music, books, games, and other digital content, was taken offline earlier today after a raid by police in Stockholm.

TorrentFreak reports that the site, which connects users for peer-to-peer file sharing via BitTorrent, went offline earlier today without notice. Shortly after came news that authorities in the Bay’s home country of Sweden had seized servers and computers from an unspecified location.’

This is a big win for artists. Especially filmmakers.

Review: ‘Wild’ is Reese Witherspoon’s Best Movie In Years

Based on a true story, Wild features Witherspoon like you’ve never seen her (especially if you’ve seen Election recently). She’s broken, vulnerable, and utterly real.

It’s not enough that the story is good — Witherspoon plays Cheryl Strayed, a divorced heroin junkie who attempts to hike the treacherous Pacific Crest Trail (over 1000 miles total) to heal herself emotionally and physically. The story is also brilliantly told.

We watch her journey in the “present” filtered with constant flashbacks that range everywhere from her childhood to how quickly her life fell apart as an adult. This is a great example of how to use the benefits of a “mosaic” style of filmmaking while also keeping a level of coherence.

It’s easy to follow along, but more importantly, it’s effortless to care about Cheryl Strayed. And that’s where Witherspoon shines: maintaining the line between realism and likability.

Every step of her journey feels like one the audience is taking. Every blister, cut, scrape, and sigh of desperation is felt, in no small part thanks to a dedicated script written by Nick Hornby, coupled with Witherspoon’s commitment to her own trauma.

One scene in particular places Cheryl in her room before she’s taken a single step. Her struggle to even get her oversized gear on her back is just one indication that the running time of Wild won’t be easy for anyone involved with this film, mainly Cheryl herself.

It’s still a self-help story that leaves much of the grittier aspects of Cheryl’s transformation to the imagination (this is a Hornby script, after all). And there are just a few too many flashbacks that over-explain Cheryl’s backstory to a degree, especially when some of the final scenes could have received a little more love without stuffing the script.

Cheryl Strayed’s story of redemption is certainly a mark above other nature-centric journeys, including the more popular (and unremarkable) offerings that include Eat, Pray, Love and Into the Wild, which are also based on books.

The soundtrack is also an uplifting accessory to Cheryl’s long trek through the wilderness, combining a sense of freedom that comes with putting everything you have into a singular goal, as well as the dread that comes from that same action. “The Air That I Breathe” captures this tone in surprising ways for a throwback.

Though we never see firsthand why and how Cheryl chose this adventure has the core of her redemption, the script wisely lets us focus more on who Cheryl is at this point, setting up a journey that is as affecting as it is dreary.

Grade: B+ 

Star Wars: The Force Awakens – Why Does Everyone Love J.J. Abrams?

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From Star Trek and Star Wars to Lost and Fringe, this celebrated film and television writer/producer/director is on a bit of a roll.

This week on Now Conspiring, Maria and I breakdown the first trailer for Star Wars: The Force Awakens. We also discuss Abrams’ best projects and why he’s managed to cement himself as one of the most important directors of our time, and whether or not his success will continue.

Plus, we do a roundup of some incredible Oscar contenders that will be releasing soon, including Angelina Jolie’s second directorial gig: the WWII epic, Unbroken, and why should love it as much as we do.

Hope you enjoy the show, and be sure to subscribe to us on iTunes for instant access to available episodes. Enjoy!

Celebrating 10 Years of ‘The Incredibles’ (With Myth-Busting)

Today marks the 10th anniversary of one of Pixar’s most treasured films, The Incredibles. A sequel is in the works, but it’s not due for another few years. In the meantime, let’s take a look at some myths about the movie that deserve to be busted.

Specifically, one of my favorite websites (as you know) is Cracked.com, and they’ve celebrated the anniversary by poking some light-hearted fun at the movie and Pixar. Let’s take a look!

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Mark Hill and JM McNab | ‘The Incredibles’ is Disney’s ‘Watchmen:’

The Incredibles shares more than just a premise with the graphic novel Watchmen, which later became a movie itself, albeit one that replaces the source material’s Reagan-era malaise with emo hissy fits. As pointed out by Baltimore Sun writer Michael Sragow, both stories concern a world where superheroes exist but have been forced to retire after the American government outlaws their work for political reasons (apparently Canada and Mexico don’t have any crime worth fighting).

Both movies feature a pathetic hero who feels emasculated in retirement — Nite Owl in Watchmen, Mr. Incredible in The Incredibles. They’re getting old, they’re getting fat, and they’re disillusioned by their mundane lives.

Both superheroes are drawn out of retirement to investigate the disappearances of other retired superheroes. They eventually discover that the murderers are exceptionally intelligent supervillains with no actual powers. There’s Ozymandias in Watchmen and Syndrome in The Incredibles — both once wanted to be superheroes, and even as villains they believe they’re serving the greater good. Also, they both have dumb hair.

There are a lot of issues with that last point, the main one being that Ozymandias wasn’t an outsider to the superheroes like Syndrome was. And his motivations have nothing to do with being accepted as a superhero, as opposed to Syndrome. Their goals, endgame and character arcs are wildly distinct.

The hair thing is pretty accurate, though.

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Going further, the reasons for why superheroes were outlawed are vastly different between to the two stories. In Incredibles, supers were banned because of their collateral damage and perceived negative influence on the world. Humans just wanted them gone.

In Watchmen, superheroes weren’t really necessary anymore because Mr. Manhattan was a demigod who could solve everyone’s problems (and wars) at will. So the differences between these stories come down to need vs. want.

Lastly, Mr. Incredible is not “drawn out of retirement to investigate the disappearances of other retired superheroes.” That’s just completely false. He’s lured out of retirement to relive the glory days and work for what he believes to be a top-secret government agency. He just wants to be a super again. He doesn’t even realize superheroes are being hunted and killed en masse until a while after Syndrome betrays him on Nomanisan.

I suppose Syndrome believes he’s serving the “greater good,” but it’s certainly not in the same vein as the more serious Ozymandias. Syndrome is really only concerned with satisfying his own ego and eliminating the very concept of being “special” or super. Ozymandias carries his plan forth because he honestly believes it’s the best solution for mankind.

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Mike Guernsey | The Incredibles — The Return of Heroes Means the Return of Villains:

The ban on heroism prevented heroes from heroing without the fear of legal action, but the supervillains were already operating outside the law — the ban opened the door to a whole new world of crime. You’d half-expect the newly unstoppable villains to take over the planet, but flash-forward 15 years and there’s no evidence of mass slavery, destroyed cities, a villain king — nothing. The supervillains are apparently as extinct as the heroes. When Mr. Incredible sneaks out to do some occasional crime fighting by night, he’s taking on regular old petty criminals.

The article also points out that not long after the Incredibles return to the public eye at the end of the movie, the Underminer arises (literally out of nowhere) as a new, malicious supervillain. Mike, the author, makes the assumption that he’s the first supervillain in a long time, thus claiming the Incredibles to be the cause of some sort of supervillain outbreak.

This isn’t really grounded in any tangible proof, though. Supervillains may not be running around on the screen during the movie (besides Syndrome), but that doesn’t mean they don’t exist. And even if it did, that’s correlation, not causation.

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Also, that makes me wonder the motivations of these supposed villains. Why would it make sense for you to only be a supervillain if there are superheroes around? Is the assumption that they’re bored and only willing to commit crimes if there’s someone as strong as them ready to foil their plans? When you think about it, the whole thing falls a bit flat.

I think it’s more reasonable to assume that the super villains were still around, but never a pervasive threat. In fact, there probably weren’t that many of them at all to begin with. Mike even points out that the villains (like Bomb Voyage) don’t have any “super powers,” which means the authorities were probably enough to deal with them.

They just did what they pleased and avoided capture, which became that much easier once the superheroes were banned. We also don’t know if superheroes still fought villains as vigilantes (similar to Mr. Incredible and Frozone) over the years despite the ban.

So there you have it. 10 years later and we’re still talking about The Incredibles. Now that’s how you know Pixar is good at making movies.

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Early Review For ‘Interstellar,’ Christopher Nolan’s Next Big Movie.

Interstellar review

Evan Lee | Interstellar Has Oscar Written All Over it:

People are going to like this movie the first time they watch it, but they won’t fully love it until a second viewing. Like Inception, it’s going to take some people a second time to warm up to this movie due to all the twists and turns.

I know it’s saying a lot, but this is – without a doubt – Christopher Nolan’s best film. If you’re looking for great performances, a magnificent score, mind-blowing special effects, plus sound and cinematography to match, then look no further because Interstellar has arrived on planet Earth.

This is a fun write-up by one of my good friends, Evan Lee, who had the opportunity to catch Interstellar at the world premier in LA. I highly recommend reading his review in its entirety, as he did a great job of not spoiling anything for the truly curious.

Interstellar releases this weekend, and based on early demand and ticket sales, I suggest you plan ahead and reserve your seat.