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Review: The ‘Ghostbusters’ Reboot Suffers Most From Forced Nostalgia

ghostbusters review

2015 was a banner year for the “requel,” in that it boasted several largely successful sequel/remakes ranging from Mad Max and Jurassic World all the way to a new Star Wars.

Yet this year’s Ghostbusters is more akin to Rise of the Planet of the Apes, in that it reboots the lore of the previous films entirely by placing its hapless group of ghost hunters in NYC at the very beginning of their story. Despite this clean slate, though, the movie really doesn’t want you to forget that there was another Ghostbusters movie over 30 years ago.

The best gags come in the very early scenes, when it’s established that two former friends and paranormal scientists, Erin and Abby (played by Kristen Wiig and Melissa McCarthy), reunite to help with a ghost problem in a local haunted house. They’re aided by Abby’s new engineer accomplice, Holtzmann (played by Kate McKinnon), who builds all the gear they use to subdue the CGI specters that have been unleashed all over town.

Later on, the “Ghostbusters” also recruit Kevin (played by Chris Hemsworth), a secretary with almost no other character traits aside from him being good looking and a total airhead, as well as Patty (played by Leslie Jones), a former MTA worker who lends the team knowledge over the historical nonfiction of New York, along with a new, sweet ride from her uncle’s funeral home.

ghostbusters review

It’s important to point out that this reboot works a lot harder than Ghostbusters 2 when it comes to rejuvenating what made the original 1984 film so endearing and an instant classic. But it does still contain a lot of the same story beats, because it is a reboot, after all. The idea of a mostly-female cast, however, is never quite used to its full potential, believe it or not, as a way to make this Ghostbusters feel like something all its own in comparison. For whatever reason, it’s nowhere near as smart as it probably should have been.

The main characters are still, for the most part, derivatives of the original cast, but with new actors who happen to be mostly women this time around. Granted, the comedic timing is a lot different as to be expected from a Paul Feig film (though Bridesmaids-level humor, this is not). Unfortunately, the majority of jokes read as some of the worst kinds of ad-libs you’d hear from an amateur improv group, rather than out of the mouths of SNL veterans, and a good number of the gags don’t extend far beyond the realm of generic slapstick and flatulence jokes.

In other words, this film won’t do any favors for harsher critics of last year’s Spy, for example, though that Paul Feig movie somewhat benefited from a more “uninhibited” McCarthy performance. Many of the jokes in Ghostbusters are surprisingly unfunny and ill-timed, many of them sounding like someone used the wrong punchline from another joke or bit.

ghostbusters review

And it’s not just the humor that feels a bit stifled and poorly executed. A good number of scenes were shoddily edited with very obvious cuts in the middle of humorous scenes that apparently didn’t translate well after shooting. There were plenty of moments when a scene would just end, without any sort of dialogue or transition you’d expect to be warranted.

The action, at times, is thrilling enough and benefitted by decent effects that let the movie go all out on its weird premise. To be fair, though, a lot of these action scenes are a lot longer than you’d want them to be, and it’s easy to find yourself getting quite bored as you wait for the ending, in no small part thanks to a weird lack of tension, even for a comedy.

The film is also distracted by its own overload of cameos and references to the original film, in a way that feels far too forced and hamstrung to carry any weight beyond, “Oh look! I know who that is!” Worse, the cast members they brought back for these cameos come off as positively bored and reluctant to even be here, save for Dan Ackroyd.

ghostbusters review

That said, the movie does have its funny, even engaging, moments, at least in the early goings. It’s hard not to be at least somewhat entertained by a Ghostbusters movie, after all, especially when you’re watching one with so many obvious callbacks to the movie you already love, as well as a funny joke once in a while. For a lot of people, though, these references and cameos will be painful reminders that they’d rather be watching the original Ghostbusters, instead.

To sum up, Ghostbusters is flashy, dumb, and shoddily made, which would be fine if it was at least consistently funny. And it lacks a basic fundamental of subtlety you didn’t know you expected from cheesy action comedies, in favor of forced nostalgia desperate to make billions of dollars out of a franchise. And even that’s been done to death already when it comes to Ghostbusters.

Grade: C-

Extra Credits:

  • There’s a lot more I want to say about this movie, both good and bad, which would be impossible without getting into spoilers. So if you’re interested a more substantial review, be sure to check out Monday’s podcast.
  • Dedicated to Harold Ramis. A nice touch, and well-appreciated by the fans in my theater.
  • Yes, there is a post-credits sequence that sets up more movies. And it’s about as cringeworthy as you’d expect.
  • According to Paul Feig, the original cut of this movie was over 4 hours long. And yeah, it shows.
  • Was there chemistry between the leads? Sometimes. But then you would have scenes where characters would start dancing for no reason, say something intended to be funny, and that would be the scene. I’m not sure if that’s chemistry or…anything.

 

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Review: ‘In the Heart of the Sea’

in the heart of the sea review

What is the true story that inspired the myth? This is the question In the Heart of the Sea tries its hardest to answer, at the expense of something perhaps deeper that could have been explored within the true men who sailed the ill-fated Essex.

Strangely, the film expects you to have some previous knowledge about this tale of survival, as it eliminates its own suspense by starting with the premise that at least one person made it out of this story alive. There’s a better story in here about whether or not the cabin boy is the one telling the truth by the end of it all, but the movie trades this intrigue for something as emotive and tragic as Titanic.

The problem is that actually being familiar with the Essex story makes In the Heart of the Sea difficult to swallow, considering how far off this retelling of the book of the same name is from what truly happened during this 19th Century disaster.

To make up for this, the movie presents much of its biggest moments as art, with matte painting backgrounds and an attention to sprawling ocean vistas that spell doom for the sailors. But hardly anything pictured onscreen is believable, especially compared to most modern CGI in 2015. You’ll quickly lose interest in which backgrounds are somewhat inspired and which are purely green screen.

Some of the best scenes involve the actual whaling, a practice that is hard to watch, which makes it that much more entertaining. I shuddered (but couldn’t stop watching) when the cabin boy had to slide down the stomach of a rotting whale in order to gather the valuable blubber that felt worthless, which serves as some excellent foreshadowing.

In the Heart of the Sea is certainly passable when demonstrating the mighty themes of man versus nature. Much of this is compelling and will cause pause for anyone reflecting on the fact that these events weren’t all that long ago, and the lengths men went to for the sake of short term wealth certainly didn’t pay off the way they expected. When honor trumps the grotesque bond formed in cannibalism, that’s how you know you’ve watched a movie that is missing a few crucial scenes that tell a more interesting story.

Grade: C

Extra Credits:

  • My bias might come through here, but I’ve found the work of Ron Howard pretty unambitious, discounting any of his work from the early 90s. He’s certainly good at what he does, but I can’t shake the feeling that he was destined to be better.
  • Between this and the underwhelming Blackhat, 2015 hasn’t been a banner year for Chris Hemsworth, even if you loved Age of Ultron as much as I did.
  • I hate when other people do this, but…read the book. It’s better.
  • I forgot to mention that the cabin boy is played by Tom Holland, AKA our future Spider-Man. Along with Cillian Murphy, this movie is a superhero fan fiction waiting to happen.

This week on the podcast, Kayla and I talk about In the Heart of the Sea at length. Spoilerish alert: she’s not a big fan either.

Since the release of Star Wars: The Force Awakens is less than a week away, we discussed and ranked all six movies. Plus, we made pizza bets over whether or not The Force Awakens will become the highest-grossing movie of all time.

Later on, we read your comments from last week’s show and get lost in a wilderness of tangents.

QUESTION OF THE WEEK: (Two this week!) Do you think The Force Awakens will topple Avatar as the biggest movie of all time? Also, what are some classic movies you’ve never seen before? Now’s the time to get this off your chest.

Go on…Review: ‘In the Heart of the Sea’

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