Now Conspiring: ‘Burnt’ Review; Halloween Costumes That Should Be Discontinued

burnt review

This week on the podcast, we review Burnt, starring Bradley Cooper, and get our feet wet with some movie news. We also unpack some “fun-sized” questions and debate some hallmarks of cinema, such as: is 3D better than 2D?

As always, we read your feedback from last week’s show, deliver our Netflix recommendation of the week, and finish the episode with new movie releases coming to a theater near you.

QUESTION OF THE WEEK: Which Halloween costumes do you think need to stop?

Go on…Now Conspiring: ‘Burnt’ Review; Halloween Costumes That Should Be Discontinued


Review: ‘Burnt’ Is a Decent Chef Movie You’ve Already Seen

burnt review

Bradley Cooper has had a rough go this year. Though American Sniper was a hit and got him an Oscar nomination, it greatly polarized critics and audiences. Serena and Aloha were train wrecks, though Cooper’s next ensemble with Jennifer Lawrence is still on the horizon. Strangely, Burnt is probably the quirkiest of these offerings.

The film was directed by John Wells, with the screenplay done by Steven Knight. Cooper plays Adam Jones, a once-legendary American chef who “f***ed it all up” with drugs and alcohol in Paris, forcing him to pay his penance by shucking countless oysters in a hovel.

A few years pass, and Jones goes to London for a refresh. He wants to gain a third, coveted Michelin star (one star, as a character explains, is like being Luke Skywalker; three makes you Yoda…or Darth Vader, quips Sienna Miller’s Helene).

The first act of the film is its best, as we watch a recovered Jones hop about London penniless with few friends who want to help him make the best restaurant in the world. It’s more or less a heist movie at this point, as Jones runs into old friends and finds that rookie “who doesn’t know how good she is.” Once he finds his dream team, however, everything crashes when he erupts into a Gordon Ramsay furor over their performance.

burnt review

From there, the film becomes far less interesting, which is a shame because the characters and background it establishes has enough intrigue to give the story its steam, but it instead ignores most of these threads in favor of a redemption arc you’ll steadily lose interest in.

The writing is noticeably weak in places, and Sienna Miller starts strong, but finishes as a poor version of what could have been a compelling character. But when Burnt works, it’s an entertaining ride through the world of fast-paced kitchens and heated rivalries you’ll forget have been manipulated into a Hollywood drama. For all of its cheese, Burnt is a brisk movie that would be celebrated if it was made for television.

Grade: B-

Extra Credits: 

  • It goes without saying, but you should eat before watching this movie.
  • Steven Knight did this story already in the superior Eastern Promises. It’s worth a look if you have the time.
  • Alicia Vikander has a surprise cameo (if you ignoring the opening credits). Is there any movie she didn’t agree to act in this year? That’s not a complaint.
  • My biggest takeaway from this movie, honestly, is that Sienna Miller is a woefully underutilized actor. Though Daniel Brühl was clearly having more fun than anyone else in this.
  • I consider this a solid date movie if you don’t want to watch a straightforward romantic comedy. It’s not very funny, but it’ll hold your attention.

For a more in-depth look at Burnt, check back in this Sunday for the Now Conspiring podcast, where we’ll discuss this and other new releases.

I’m Jon and thanks for reading this. You can subscribe to my posts by clicking “Follow” in the right sidebar. Or just say hey on Twitter! @JonNegroni

‘Aloha’ Review — Jerry Maguire Goes Hawaii

aloha review

There’s a good, maybe even special, movie somewhere inside of Aloha, the latest Cameron Crowe offering that wants to recapture the magic of Crowe’s early, infectious work. Unfortunately, that hidden movie is quite exactly that: hidden. And it’s beneath a final product that feels harshly edited, despite being pretty confident.

Mounds of character-building scenes are replaced with conspicuous exposition and quick bits of dialogue that are meant to be “enough” for us to keep following along in this strange romantic story about a former-military privateer helping a billionaire launch a weaponized satellite. Or something. Oh, and there’s a quirky romance.

Go on…‘Aloha’ Review — Jerry Maguire Goes Hawaii

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