When Disney Makes A ‘Big Hero 6’ Sequel, They’ll Almost Certainly Bring Back Tadashi.

I’ve been hanging on to this theory since before I even watched the movie back in November. In fact, the movie itself almost confirms that this is what will happen when Disney ultimately makes the Big Hero 6 sequel.

Oh? You don’t think there will be a sequel?

Here we go.

tadashi big hero 6 sequel

Big Hero 6 is one of the riskiest animated movies Disney has ever made. Period. They’ve never spent that much money to make a film based on something so obscure. Even Wreck-It Ralph and Meet the Robinsons looked better on paper to a Disney executive.

And it paid off. On top of getting the Academy Award nomination for Best Animated Movie, Big Hero 6 made half a billion in the box office. Only Frozen and The Lion King have made more money than this film.

That, and it’s based off of a serial comic connected to Disney’s other money-making machine: Marvel. And if there’s one thing Marvel and Disney know how to do together, it’s making Marvel sequels.

tadashi big hero 6 sequel

Keep in mind that although Disney has traditionally shied away from making sequels to its flagship animated features, they’ve also learned from Pixar and even DreamWorks that sequels are worth doing if the creatives behind them want the story to be told.

That’s why even Wreck-It Ralph is getting a sequel, and Frozen is of course getting milked in all sorts of media. Even though it’s not in development yet, Big Hero 6 is almost 100% for sure getting a sequel. And it will probably be called…

Big Hero 7.

tadashi big hero 6 sequel

That “7” will belong to a character we know from the first movie: Tadashi. I’m calling it right now. He’ll be a villain of sorts in the sequel, inevitably joining the team fully to add that number (after all, Big Hero 6 2 is just weird branding).

But wait! Tadashi isn’t a superhero. He’s not even alive!

Only one of those statements is true, considering he was a hero, as proven by your belief he died.

tadashi big hero 6 sequel

Let’s put on our flashback hats and revisit just what exactly happened to the older brother of Hiro Hamada.

Hiro wanted to get accepted into the robotics program at the university where his brother and friends attended. To do this, he had to impress Callahan amidst a competitive group of other scientific geniuses. Somehow, a fire broke out, trapping Callahan. Tadashi, Hiro’s older brother, ran back inside to save him, but the building exploded moments later.

tadashi big hero 6 sequel

Later, we learn Callahan survived by accessing Hiro’s microbots, but it appeared Tadashi didn’t make it.

Look, if you know anything about movies, it’s that if there’s no body, that character is alive. That’s just a rule. I’m not the one who made it up.

tadashi big hero 6 sequel

Second, the inclusion of a fire is tantamount to how this theory works. Where do you think it came from? Most likely, one of the inventions, and no one else apparently died from its flames.

I believe this invention had to do with nuclear energy. Why? Because Big Hero 6 (and Disney) is purposefully setting up Tadashi to be Sunfire, one of the original members of the first Big Hero 6 team and a prominent character in the Marvel universe.

One of the inventions, or even something special about the fire itself, must have given Tadashi abilities that would protect him from harm, ultimately transforming him into Sunfire.

Now, I imagine a good number of you already assumed this because you know certain things. Well, here’s some more ammunition for you to spread around.

Sunfire is a Japanese mutant (like X-Men mutant) who can absorb heat and turn it into plasma. In the comics, his mutant powers were triggered by radiation from Hiroshima. He’s been in comics since the 1970s as an Uncanny Avenger, member of the X-Men, and of course, a member of the original Big Hero 6 team.

tadashi big hero 6 sequel

One important thing to note is that Marvel is currently forbidden from even using the word “mutant” in its movies, making it difficult for them to use any characters from the X-Men side of Marvel. But they have managed to find wiggle room with characters like Quicksilver and Scarlet Witch, who have many affiliations.

The same can easily go for Sunfire, and his story arc is already perfectly progressing. When Sunfire reluctantly joins Big Hero 6 in the comics (after being found by Hiro, no doubt), he actually gets possessed by their enemy and becomes a villain.

tadashi big hero 6 sequel

I doubt the movie would use this villain, who is known as Everwraith, because he’s literally the combined legion of souls destroyed by the atomic bombs that fell on Hiroshima and Nagasaki. That’s tough to write out. But Disney could easily find another way to leverage this story arc to create some compelling narrative surrounding Hiro and his lost brother.

After all, can you imagine a fight between Tadashi/Sunfire and Baymax/Hiro? That would make Revenge of the Sith look like The Babysitters Club.

tadashi big hero 6 sequel

And hey, if Elsa can have ice powers…

My biggest evidence for this theory being true is the fact is that this all fits way too perfectly for Disney not to do it. I can’t even imagine what else the writers should or could do to make the sequel even bigger than the first movie, which frankly suffered from being too much of an origin story instead of a movie about superheroes actually being superheroes.

tadashi big hero 6 sequel

Big Hero 6 is one of the most beautiful animated films of our time, and a beacon of the Disney Revival. And that’s why I think it deserves a sequel that delivers a story that is just as sincere and passionate as the first one.

And hopefully, more of the team outside of Hiro and Baymax…


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The Stills (and First Trailer) For The New ‘Peanuts’ Movie Are Glorious

new peanuts movie

Cartoon Brew | Five New High-Res Stills from Blue Sky’s ‘Peanuts’ Movie:

Blue Sky Studios has released five new high-res stills from The Peanuts Movie via an article in USA Today. And thanks to the wonders of computer animation, they’ve finally added all the glorious details—fully-rendered hair, fur, cloth, lighting, shadows, even reflective eye highlights—that Peanuts creator Charles Schulz was too lazy to draw himself.

Blue Sky is no stranger to gorgeous animated moviemaking (Ice AgeRioEpic, and so on), but this is technically their first attempt at making an adaptation.

And from what I can tell, they’re off to a splendid start with their take on Peanuts, which is set for release next November (2015).

Go on…The Stills (and First Trailer) For The New ‘Peanuts’ Movie Are Glorious

Movie of the Week: ‘Pinocchio’ Was More Groundbreaking Than It Was Successful

pinocchio

Genevieve Koski | How Pinocchio set the standard for feature animation

Most of the elements and techniques Disney used in Pinocchio weren’t completely new—Disney regularly used its short films as proving grounds for things like the multiplane camera—but they were untested at Pinocchio’s level. And that represents perhaps the film’s greatest achievement: unprecedented artistic ambition. From the macro level—making major alterations on the story and character levels—to the micro—spending a full year animating water droplets—the production of Pinocchio represents a calculated risk that established Disney Feature Animation as an artistic force as well as a commercial one. Snow White set the records, but Pinocchio set the standard. 

That last line is referring to the fact that Pinocchio was a major financial flop for Disney, earning only about half of what it cost to make.

But as the article states, Pinocchio was incredibly important for the world of animation. It took risks no one even knew existed yet, and we’re still gaining from those benefits today (especially if you’re an animator). It makes me wonder which “flops” from our generation will go on to be revered and inspired classics.

Also, you may have noticed that this is the “Movie of the Week” on The Dissolve. Basically, they pick a movie every week for readers to watch and discuss, which is what you read above. I’m happy to share from their excellent site, and I encourage you to check it out.

Pixar’s ‘Inside Out’ Gets A Synopsis!

It’s been a while since we got an update on Disney Pixar’s next big film, Inside Out. (Check out my last article about this movie here in case you don’t know what I’m referring to).

But Pixar has finally gotten around to updating their website with a synopsis of the film, which confirms a lot of what we knew already about the movie, along with some interesting new details. Read the synopsis below:

inside out From the tepuis of South America to a monster-filled metropolis, Academy Award®-winning director Pete Docter has taken audiences to unique and imaginative places. In 2015, he will take us to the most extraordinary location of all – inside the mind of an 11-year-old named Riley.

Growing up can be a bumpy road, and it’s no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions – Joy (Amy Poehler), Fear (Bill Hader), Anger (Lewis Black), Disgust (Mindy Kaling) and Sadness (Phyllis Smith).

The emotions live in Headquarters, the control center inside Riley’s mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters. Although Joy, Riley’s main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city,
house and school.

And there you have it! Inside Out will arrive in theaters June 19, 2015. I’ll be sure to keep you updated as Pixar begins unleashing the first of its promotional material for the movie later this year.

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Is This What Pixar Movies Will Look Like One Day?

We’ve gotten pretty used to CGI animation. So much so, the idea of animation evolving even further doesn’t always get brought up, at least not in my mind.

But the truth is that innovation is always happening. It’s always…innovating (unlike my vocabulary.) When I was doing research for the Pixar Theory, I couldn’t help but notice just how far we’ve come since Toy Story, though the technological advancements have only been incremental.

Well, that may change in the not-so-distant future. Pixar recently published a video showing off a completely different animation style for our viewing pleasure. You can view the full video below:

Stylizing Animation By Example from Pierre Bénard on Vimeo.

What gets me excited about this type of style is how close it sticks to the original Disney movies. It feels more drawn.

One major complaint about CGI, at least from me, has always been that it has a knack for lacking expression. It just takes way too much time and effort to make computer animated films be as fluid as the animated movies from just 15 years ago. Wow I feel old.

This fusion of art and pixels, however, provides a new twist on how onscreen characters can be rendered. The crisp frame-rate combined with other big words I’m not going to pretend I know could promise to deliver movies we’ve never imagined before.

Of course, these are just white paper innovations, and Pixar probably isn’t close to incorporating them in upcoming movies. In the meantime, we still have the fortune to enjoy the already masterful animation Pixar (and other great studios) have privileged us with.

Thanks for reading! Don’t forget to subscribe to this blog via the right sidebar. You can also connect with me on Twitter (@JonNegroni). I’ll follow you back if you say something witty and awesome.