Anita Katz | SF Examiner:
Other movies based on young-adult sci-fi novels surely get worse than this competently directed, well-acted, generally engaging adventure. Peter Craig and Danny Strong’s screenplay contains dialogue smart enough to keep adults from wincing. Echoing the previous two films, the story contains colorful characters and relevant themes.
But with the climactic action and other second-half events slated for next year’s finale, this movie must stretch half a story into the two-hour running time associated with such blockbusters. The filmmakers don’t have enough quality material to fill the space. The action scenes are so-so. The love story – bland Peeta has never seemed a fitting match for dynamic Katniss – is tepid.
So is the general consensus for Mockingjay 1, which has accrued a respectable 69% on Rotten Tomatoes. Though that is easily the lowest score in the Hunger Games franchise (Catching Fire holds 89%).
But that’s to be expected for several reasons. First, they split a relatively short book into two full movies (because money). Second, it hurts that the third book is already the worst one in the trilogy.
If anything, I’m happy this thing isn’t terrible, and I have a feeling I’ll like it a lot more, yet again, than I did the book.
As a movie, this will probably be terrible. But as a comedy and guilty pleasure, it will probably be brilliant.
Also, props to YouTube star Flula for earning his part in this.
Rebecca Keegan | LA Times
“The heart of the story remains the same,” Sohn said, in an interview last week. “It’s always been about this young dinosaur growing up. But the world itself has changed a lot. Nature has become a character.”
…the film still posits that an asteroid never hit the Earth and the dinosaurs never went extinct; a teenage Apatosaurus named Arlo takes a wild, young human boy named Spot as a pet.
This is a wonderful piece by the LA Times that details the transition this film has gone through, both in terms of leadership and creative vision.
Bob Peterson exited The Good Dinosaur as its director, due to conflicts with the story. He’s been quietly replaced by Peter Sohn, an inexperienced director who got the job thanks to a gutsy presentation of a new take on the movie (which he did with storyboards last summer).
Peterson’s moved on to helping write Inside Out and Finding Dory, so we’ll still see some of his finesse in coming years. And from what we’re slowly learning about The Good Dinosaur in terms of story and visual treatment, I’m happily excited as we get closer to next November.
Though I have to admit the whole “brute takes on a human pet” thing sounds a little too Monsters Inc.
Cartoon Brew | Five New High-Res Stills from Blue Sky’s ‘Peanuts’ Movie:
Blue Sky Studios has released five new high-res stills from The Peanuts Movie via an article in USA Today. And thanks to the wonders of computer animation, they’ve finally added all the glorious details—fully-rendered hair, fur, cloth, lighting, shadows, even reflective eye highlights—that Peanuts creator Charles Schulz was too lazy to draw himself.
Blue Sky is no stranger to gorgeous animated moviemaking (Ice Age, Rio, Epic, and so on), but this is technically their first attempt at making an adaptation.
And from what I can tell, they’re off to a splendid start with their take on Peanuts, which is set for release next November (2015). Continue reading