Logan Lucky was directed by Steven Soderbergh, the man behind the Ocean’s 11 films and Magic Mike. It features hilarious characters, farfetched schemes, and a leisurely pace that will take some by surprise, but like its band of robbers, it’s a film that’s easy to underestimate.
“Stephen King is obviously one of the most prolific writers of all time,” said Will Ashton on the latest episode of Cinemaholics, where we reviewed The Dark Tower and discussed at length why and how this movie confounds us. The show opened with a quick aside about our favorite Stephen King film adaptations, and as some of you might have predicted, I had some not-so-popular opinions to express about The Shining.
We covered a few extra movies in a shorter episode this week (our originally recorded episode with extended cast was unfortunately lost to the audio oblivion), including Lady Macbeth and Detroit. We’ve talked about both movies in previous episodes, but now we’ve all seen both and were able to share notes on two of the most impressive films in 2017. And Will capped the episode off with a mini review for Girls Trip, setting off a great discussion about summer comedies.
The Dark Tower was directed by Nikolaj Arcel and is the latest film adaptation of a popular Stephen King novel, this one being the first in a fantasy series that is more or less about a western gunslinger hunting down a sadistic wizard
I’ve never been the biggest fan of the prequel trilogy beginning with Rise of the Planet of the Apes, but I do enjoy them as one of the better franchises available on the occasional summer. Joining me to discuss and review the final entry (for now), Will Ashton and Maveryke Hines share their own take on the long, fascinating tale that is most impressive for its motion-capture work featuring Andy Serkis than pretty much anything else.
We also did a feature review for The Big Sick, one of my favorite movies of 2017 so far and a true delight for fans of romantic comedies and really comedies in general. It’s a great discussion that we’ve been patiently waiting to have since last month. Our mini reviews this week include Lady Macbeth, A Ghost Story, and The Standups.
Spider-Man: Homecoming is the latest standalone superhero film to tackle great power and great responsibility without actually having to mention those famous words. This is Marvel Studios and Sony’s first full-length collaboration on a superhero film, making Homecoming a risky experiment that was clearly worth taking.
It Comes At Night is yet another horror film from A24 that promises to wrap viewers up in an atmospheric resurgence of creepy tales that rely less on jump scares and more on pure dread. Unfortunately, It Comes At Night falls slightly short of both.
Wonder Woman is the long-awaited blockbuster superhero flick featuring the world’s most famous superheroine. It’s also a much-needed palate-cleanser for the DC and Warner Bros’ shared universe movies. But in a lot of ways, Wonder Woman herself carries far more important burdens than the woes of a franchise.