The Taylor Sheridan Episode – Anyway, That’s All I Got!

Taylor Sheridan

In what is somehow our second longest episode to date, we decided to take a look at the quickly-escalating career of writer/director Taylor Sheridan, in honor of this summer’s controversial new release Sicario: Day of the Soldado. We discuss the themes, politics, and marketing tactics of the new release, as well as our predictions for the planned third installment. We were all surprised to find out how much we geek out over Sheridan’s stories, and we hope that you’ll give it a listen, whether you’ve seen the movies or not. Enjoy!

Hosted by Sam Noland, Jason Read, and Anthony Battaglia!

SHOW NOTES:

Go on…The Taylor Sheridan Episode – Anyway, That’s All I Got!

Review: ‘Hail, Caesar!’ Is a Divine Comedy

Hail Caesar review

Making movies about making movies is a risky gambit. But directors/writers Joel and Ethan Coen are up to the challenge in Hail, Caesar!, a near-parody of 50s Hollywood complete with Josh Brolin as “fixer” Eddie Mannix.

Mannix is the “Physical Producer” at Capitol Pictures (not Records), and his job is to keep the wheels from squeaking within a morally bored Hollywood studio lot rife with kidea-pings, illegitimate pregnancies, and other scandals that could ruin Capitol’s celebrities and incoming cash flow.

But Hail, Caesar! is not as straightforward at first glance, or even viewing, with its narrative or characters. True, the film covers a 28-hour day within the life of Mannix and his celebrities, but it weaves itself through a remarkably engrossing dance number here, a hilarious artistic drama over there, and then wildly entertaining conversations elsewhere in Malibu among…well, I won’t spoil it.

Further, Caesar is quite literally a divine comedy, in that it provides a light message in what can only be perceived as anti-religion (in the organized sense) and pro-faith. An odd, yet unsurprising choice for the Coens, who have a penchant for relying on straight, middle-America characters to draw audience sympathy. Yet like Big Lebowski, it’s the small details that trump the more subtle ones that will fight to distract you from what the Coens are trying to pull off.

Hail Caesar review

The film will make you feel smart for catching his den references to a literal spaghetti western or the name of a popular communist on a business card. Then you’ll fall to the charm of how it frames its religious ideology, which strikes first as a “Don’t be a Jerk” message until you stop and take the final scene in Hail, Caesar! (the movie within the movie, not the one directed by the Coens) more literally when one word forgotten by the star actor (George Clooney) happens to be faith.

For that and many other reasons, Hail, Caesar! is the first truly great wide release of 2016, in that it provides a thoroughly entertaining narrative just begging to be discoursed, rehashed, and argued among lovers of all films, not just work by the Coen brothers.

I’m going to give Hail, Caesar! an A-

To be fair, I don’t think Hail, Caesar! will sat isn’t all moviegoers (which is not a fault of the movie). Cinephiles will have the most fun with it, and I suspect it will leave a lasting impact on those who have the patience to breathe in the style, the substance, and most definitely the details.

I’m Jon and thanks for reading this. You can subscribe to my posts by clicking “Follow” in the right sidebar. Or just say hey on Twitter! @JonNegroni

Review: ‘Sicario’ Proves that Even Bleak Movies Should Look Amazing

sicario review

Sicario was directed by Denis Villeneuve and written by Taylor Sheridan. It stars Emily Blunt, Benicio Del Toro, Josh Brolin, and Daniel Kaluuya.

The movie centers around a government task force that attempts to take down the head of a Mexican drug cartel with an unorthodox strategy. Emily Blunt plays Kate, a seasoned FBI agent with a strict code of morality. She has to team up with other agents who are a bit more loose with the rules.

One of these agents is Alejandro, played by Del Toro, whose mysterious and apparently violent past puts him at odds with Kate throughout the film. Matt, played by Brolin, is their sarcastic, always-a-step-ahead leader who persists on keeping Kate in the dark about what’s really going on. 

This movie has a very simple premise paired with a high level of intensity. Your mind won’t be blown by anything that happens, but you’ll still enjoy the ride. This is because Villeneuve teamed up with cinematographer Roger Deakins (who is also working on the Blade Runner sequel) to make this otherwise straightforward thriller into a beautiful work of film.

sicario review

The attention to detail is certainly the best aspect of Sicario, followed closely by Del Toro’s incredible performance. Every set piece is brilliantly shot with an authentic sense of lighting and sound effects. When a silenced weapon is shot in a hallway, you see and hear the shells scatter on the floor. Scenes taking place at night actually have shadows and lighting that isn’t glossed to spoon-feed you the reactions of the actors. You have to guess at times what’s going on behind the dark.

All of this sets Sicario up to be a memorable action thriller that keeps you on the edge of your seat, and it delivers that promise well. Unfortunately, a few hefty flaws hold this movie back from being a true masterpiece. The main one is that the story itself is incredibly one-note.

The movie begins with high stakes. And every big set piece that follows somewhat fails to elevate the intensity. Sicario essentially builds up to a bombastic third act that never happens. Though the third act is still great, it’s only about as interesting as the first two. I found myself caring less and less about the fate of certain characters because I’d grown used to seeing them in these perilous situations, and the writing wasn’t strong enough to keep me invested in anyone but Del Toro.

sicario review

While Blunt’s performance is impressive, her character slowly becomes difficult to understand or connect with. This isn’t a problem early in the film when we’re experiencing the confusion of the situation through her eyes. Her naiveté is excusable, then.

But once the third act comes along, Kate’s increasingly bizarre decisions and lack of tact for an FBI agent make it hard for you to care about her arc, mostly because it doesn’t grow her. She actually becomes less dynamic.

Several other characters in the film do little to propel the plot forward, and I believe this movie could have done a better job at cutting the fat and focusing on characters who seemed more interesting, including a group of “cowboy” agents who didn’t get enough screen time.

That said, and I can’t say this enough, Del Toro alone is worth the price of admission for this film, as his lines are easily the most memorable in the entire movie. Everything he says and does steals the show from everyone else onscreen, and I’ll be watching the movie again just to relive one of his final scenes in the movie.

sicario review

Grade: A-

I recommend this movie to anyone who loves superb cinematography and interesting action thrillers. But if you’re expecting something as subversive as Prisoners or Enemy (Villeneuve’s last two films), you may not get exactly what you want out of Sicario. At the very least, however, you’ll get to see Benicio Del Toro make his case for a “Best Supporting Actor” nomination.

If you’ve seen Sicario, let me know what you think in the comments, and be sure to check out this week’s podcast, where we discuss the film in more detail.

I’m Jon and thanks for reading this. You can subscribe to my posts by clicking “Follow” in the right sidebar. Or just say hey on Twitter! @JonNegroni