Advertisements

Why Inception Is One of the Best Movies of Our Generation

 

 

inception

What You Missed About Inception:

For me, a truly great film isn’t really like a masterpiece. A masterpiece, after all, is more about critical praise and the apex of one’s career. Inception is great in a different way. It’s just smart. It didn’t receive universal, critical praise (though it got some) because it completely went over the heads of almost everyone.

For all of you who think you “get” the movie, I sincerely doubt that more than a handful actually caught everything that was going on in the story.

Here’s a test to see if you did: do you think the ending was a cliffhanger? Because if you did, you are dead wrong.

With Christopher Nolan’s Interstellar coming out this week, I thought it would be fun to revisit one of the first fan theories I ever wrote. I wrote this piece about Inception and it’s myriad secrets back in 2013, and I’m still finding more reasons for why it’s one of the best films, period. And why most people don’t seem to fully grasp how important it was.

Check it out here in case you haven’t had a chance to read it.

Advertisements

It’s OK Not to Dream Big.

Do your goals and ambition control you?

They don’t “control” me, though “control” is a funny word.

My ambitions guide me, and they shape me as I realize them. But they in no way prevent me from enjoying the moment, whichever one that is.

Like any other generation that looks smugly down on the one slightly younger, I routinely roll my eyes at kids and young adults I see on Instagram, Vine and Twitter. The frivolous entitlement, fixation on pop culture (that yes, I share with them) and obsession with selfie-fueled narcissism all make me cringe when I loop that Vine.

But then I am met with the “other” kids who are in a totally different state of mind from their counterparts. These are the selfie kids who just finished school and want to seek wisdom for what they should do next. I love to relate to them because one of my most vivid memories encompasses my first summer after college.

And how absolutely terrified I was.

Life starts with big dreams we haven’t thought through. Life continues on after you’ve realized your dreams will actually take a lot of work (that you may not be willing to do).

My dreams have always been based on values I have. Not fame, and definitely not my career. My dreams aren’t “big” in the conventional sense. I never told myself that someday I’ll change the world. I never promised my family and friends that one day I’ll be the best writer with the best writing job. Mostly because that will never happen.

Instead, I crafted my dreams around what I cherish. My spiritual life. Writing. Changing the worlds of people I love.

I accomplished some of those dreams, and some unexpected things have happened as a result of that.

They didn’t happen because I forced them too. I started a blog because I love to write, not because I wanted to be the next “whoever.” I simply wrote about the things I love and let myself grow.

You’re probably in the same boat, whether you’re a blogger, journalist or just someone with a cool story to tell. Don’t worry about who’s going to read your thoughts. Get over the fact that you probably won’t accomplish every single desire your happiness-starved heart demands of you.

Your passion is way more fulfilling than happiness, after all.

So it is OK to dream big. But it’s also OK to simplify. And it’s way better to dream “well.” You’ll have an easier time weeding out the ones that aren’t worth having.

Everything You Missed When You Watched ‘Inception’

inception

Inception is rapidly becoming my favorite movie of all time. I first saw it during the midnight premiere back in 2010, and I enjoyed the heck out of it. I remember being mesmerized by its originality and unrelenting assault on my mind’s stamina.

It took another dozen viewings of the film, however, to persuade me that this is one of the best films of my lifetime, and the first truly great film of the 21st Century.

Let me explain.

For me, a truly great film isn’t really like a masterpiece. A masterpiece, after all, is more about critical praise and the apex of one’s career. Inception is great in a different way. It’s just smart. It didn’t receive universal, critical praise (though it got some) because it completely went over the heads of almost everyone.

inception

For all of you who think you “get” the movie, I sincerely doubt that more than a handful actually caught everything that was going on in the story.

Here’s a test to see if you did: do you think the ending was a cliffhanger? Because if you did, you are dead wrong.

Let me be clear about something. I’ve seen this movie backward and forward, so what I’m about to get into is just a summary of what I’ve personally discovered, combined with some great insights provided by the research of others.

Spoilers ahead, so if you haven’t seen the movie, stop reading this and get that taken care of.

inception

I believe the entire movie was a dream, and we are supposed to arrive at that conclusion. Nolan implants countless clues that point to this, but he works to make sure that even the clues themselves are ambiguous.

The first clue? To catch it, you have to watch the movie at least twice. There is a line in the movie when Cobb points out that our dreams always start in the middle of something, but not really the beginning. We never think about “how we got there” as he puts it.

Inception begins in the middle of Cobb’s story, as well as the middle of a dream heist. We aren’t introduced to Cobb, Arthur, or Saito. We are given a brief look at the end of the story, and then the movie just shifts seamlessly into the dream heist.

What does that remind you of? When we recall a dream, we typically start at the end (Cobb and “old” Saito) and try to remember how it actually started, but we can’t remember how it really started and just start somewhere in the middle.

inception

So, let’s say you buy that. The whole movie was a dream. Doesn’t that make you mad? Well here’s Nolan’s genius: that shouldn’t matter. We get mad that the movie was just a dream and say, “Why bother watching a movie that didn’t really happen–” and then you realize that the movie is fiction anyway.

That is just one example of why this movie is so amazing. It has scores of themes you didn’t even think were possible to associate with the film. And it takes work to sort this all out.

Back to the first statement that everything was a dream. Maybe you’re not convinced? I’ll give you more clues. The basis for the “It’s a dream” theory is based on how limbo works. When the “kick” happens, namely suicide here, you go one level up in the multi-level dreams.

inception

Cobb explains to Ariadne that he and Mal, his wife, ended up in their world-building limbo because they were experimenting with multi-dreams and Cobb pushed them too deep. He says they grew “old” together and eventually committed suicide on the train tracks to go back to reality. But here’s the thing…that would have sent them only one level up.

Cobb believes inception is the reason Mal went insane and killed herself, but it was actually true. If they died in limbo, it would be impossible for them to return to reality again unless they died again and again. Totems mean nothing here because the totem Cobb used was Mal’s, and he even broke the rules and explained how it works to Ariadne, compromising its purpose. (Talking about the totems alone would take up this entire article by the way)

Another clue that they were in a dream when Mal killed herself: She trashes the hotel room to make it look like Cobb killed her so that he will eventually join her, but when he approaches the window, she’s across the road in another hotel room. If you look closely, it’s the same hotel room, plus it would make no sense for her to go to the other side. Cobb even proves that he doesn’t catch how that’s odd when he tells her to come inside and motions for her to come into the window he’s currently at, even though she’s across the street.

inception

One of the characteristics of a dream is that weird things happen that we don’t catch. When the dream was happening, strange things happened that we didn’t realize were major “plot holes” or illogical until we woke up and actually thought about it.

The entire movie is like this. The fast (and sloppy) editing, the one-dimensional characters all revolving around Cobb, the walls closing in on Cobb for no reason during the chase scene in Mombasa, bodyguards coming out of nowhere to attack him, Saito showing up just in time to save Cobb, and so many more examples all lead the diligent audience to believe that this is really just a dream.

After all, do we really believe that an energy tycoon that is smart about money would actually buy an entire airline just for the heck of it? And then said tycoon would risk his life in order to take part in the mission? It doesn’t really make sense the more you think about it.

inception

Watching the movie play out, it’s hard not to catch that it is clearly an allegory to filmmaking. When watch a movie, we are watching what is essentially a dream. Plot holes and the like exist because the director is trying to explain his “dream.”

Nolan himself has even admitted that he framed the characters around certain roles in filmmaking.

Cobb is the director: he leads the whole thing.

Arthur is the producer: he organizes everything.

Eames is the actor: he changes his appearance.

Ariadne is the screenwriter: she designs everything.

Yusuf is the special effects studio: he’s behind the technology to make everything work.

Saito is the bank-roller: he funds the project.

Robert is the audience: he’s the person they’re trying to plant an idea into.

inception

Need more clues? We’re told during the movie that elements of a person’s subconscious creep up during the dreams. That’s why Robert’s number, 528491, appears so often in the movie. He initially guesses the number is a combination to his father’s safe. Later, the number shows up on a napkin, a hotel room, and eventually his father’s safe at the snow fortress.

This carries on throughout the whole movie. The number of the train that kills Cobb and Mal, when they are in limbo is 3502. The taxi number later on is 2305, and the hotel Mal trashes is in room 5302. This implies that Mal’s death happened during a dream. And in the image above, you can see 3502 on the train that appeared during Robert’s dream.

Here is the most important subconscious clue, since it has to do with the ending that ticked everyone off for being a supposed cliffhanger. The end scene when we watch to see if the totem will fall (and prove Cobb is in reality) is a red herring. A massive misdirection that serves to make us miss what’s going on in the background.

inception

Remember, killing yourself only sends you one level up. We find “old” Saito and Cobb about to shoot themselves to escape limbo. If they did, then that means they would go back to the snow fortress. But wait, that was Fisher’s dream and Fischer received the “kick” already. If they went back a level up, that means there is nothing there. That means that the first person to die, Saito, would fill that dream with his subconscious, leading to the ending scene where Cobb supposedly reunites with his children.

How am I sure? Saito says that he always wanted a “house on a cliff.” In limbo, he is an old man living in a house on a cliff. At the very end when Cobb spins the totem and greets his kids, they say that they have just built a “house on a cliff.” This points to the whole thing taking place within Saito’s subconscious.

The beauty is how that can be a number of things. What if “house on a cliff” referred to Cobb’s subconscious being projected through Saito? That would mean Saito never existed. Honestly, there are countless ways to interpret this, but that’s not the point. The point is that this movie was designed in a way to make us understand that movies themselves are, well, inception.

inception

I could go on and on about this movie, honestly. There are just so many ways to interpret and find new revelations within the narrative. That is why it is a truly great movie, and it pains me to see that so many people dismissed it because it went over their heads and a movie like this lost “Best Picture” to The King’s Speech.

I’ll leave you with some more crazy facts in case you’re interested:

DREAMS: Dom, Robert, Eames, Ariadne , Mal, Saito.

If you add Peter, Arthur, and Yusuf, it spells DREAMS PAY (their profession is to make money by stealing from others’ dreams).

Hanz Zimmer created the entire soundtrack for this movie using only one song that is slowed down and sped up: the song used to initiate a dream is over, which is “No Regrets (translated)” by Edith Piaf. Seriously, even the blaring trombone composition is taken from that song. Also, the very last word in the song is “mal” which coincidently refers to the character Mal.

inception

The running time of the movie is exactly 2 hours and 28 minutes long, which is how long the song “No Regrets” is when translated to minutes and seconds.

Ariadne is a mythological princess who aids Theseus in escaping the Minotaur’s labyrinth. The name is also associated with Ariadne auf Naxos which is an opera that is essentially a “play within a play.”

The movie is based on Cobb’s mission to get home. His first name, Dom, literally means “home” in Latin (think domestic).

One last thought, a lot more about this subject can be found in this book, Inception and Philosophy, by Kyle Johnson. I haven’t read it myself, but I’ve been told it goes even deeper into the movie and what it all meant. Click here to check it out. 


Thanks for reading this. To get updates on my theories, books, and giveaways, join my mailing list.

Or just say hey on Twitter: @JonNegroni

%d bloggers like this: