Snark + Sarcasm = what you’re about to read.
Hey, did you guys know that the DCEU is working? I mean, it’s working hard, for sure, to dominate headlines and pointless online arguments about the very essence of filmmaking between people who’ve never watched Before Sunrise, but that’s not all!
The DCEU is also working in the sense that this was somehow the plan all along for DC and Warner Bros. That’s right, their first three films were critically panned on purpose. It was the plan all along for Man of Steel and Batman v Superman to get outclassed (financially or otherwise) by a movie about the Suicide Squad. And for all of these movies to scream “we’re a huge step back from The Dark Knight” on every poster that isn’t a bowl of Suicide Squad cereal for some reason.
How do we know the DCEU is working? Because Cowboy Bebop enthusiast Kofi Outlaw has five, count them, five reasons. And haven’t list-designed essay substitutes been the absolute best when it comes to persuasive arguments? I sure don’t think so.
DC Comics and Warner Bros. have had a strange year trying to get their DC Extended Universe established.
What a long, strange year it’s been in Rotten Tomatoes hell.
Big questions like “Who is to blame for the DCEU’s problems?” get tossed around the interwebs daily, but are they questions that need to be asked at all?
Nope! No one needs to get blamed for failure or be held accountable for the consequences of certain actions, anymore. We now live in a society where doing something wrong is actually right, at least if you want to get “saved” from Rotten Tomatoes hell.
It’s clear there are people who do not like the films already released in the DCEU saga
And if it’s not clear, they’ll make it clear within five seconds of talking to them.
Patty Jenkins is directing Wonder Woman, to be clear, not Zack Snyder. Though Snyder did have a hand in writing it, but alongside Geoff Johns, DC’s “budget Kevin Feige.”
But opinion is just opinion;
Oh, thank goodness.
and here are 5 Reasons Why the DCEU is Working, and could end up being dominant and cohesive shared universe movie saga.
Terribly written sentences aside, you just stated that opinion is opinion, which is the exact equivalent of saying onion is onion, which takes less time. So why is your opinion opinion a better opinion opinion than anyone else’s?
Start slideshow –
God help us.
#1 It Makes Bigger Headlines
That sure is impressive.
DC makes bigger headlines than Marvel.
Source? Ah, who am I kidding.
And let’s be frank, here. DC’s biggest headlines happen to be more about how the movies are getting ravaged by critics (which Kofi later admits), instead of the headlines Marvel makes on good reviews. Assuming DC does have “bigger” headlines (what, is it like a bigger font or something?), Marvel still has more movies, which is only relevant if we care about quantity over quality, no?
I was there when Chris Evans won the long casting search for Captain America, or Chris Hemsworth won the role of Thor; they were big deal headlines, yes, but they were nowhere near the scope of when Ben Affleck was cast as Batman, or Gal Gadot as Wonder Woman.
That’s nice, but how does that mean the DCEU is working? It really only means that DC has recognizable characters, and we knew that already. Of course a casting announcement for Batman is going to get more attention than Thor. How is that indicative of the DCEU working?
The divide is even wider when it comes to villains: No villain Marvel has cast touches announcements like Jared Leto playing Joker or Jesse Eisenberg playing Lex Luthor.
Again, this is a battle not even Marvel cares about. You think they’re losing sleep over the fact that Yellowjacket didn’t have as many depressed journalists covering his casting than they did with the Joker and Lex Luthor, two of the most well-established comic-book villains of all time?
No, they were too busy enjoying the fact that they don’t need superfluous news coverage to dictate the success of their movies. It’s known as Metacritic Heaven.
Trailer releases put things in solid numbers, with the last few years at San Diego Comic-Con proving in indisputable viewer stats that DC movie trailers get more exposure than Marvel’s.
The DCEU has had great trailers, that’s for sure. I watched every Man of Steel trailer dozens of times because I couldn’t get enough. Then the movie utterly failed me and most of the audience. Turns out that good trailers don’t equate good movies, and if your idea of a film universe “working” has more to do with good marketing, then I’ll show you to the door that has a huge Transformers logo on it.
#2 It’s Established an Edgier Alternative
That’s like saying Christian Rock is inherently good because it’s “alternative” to mainstream music.
Nowadays, Marvel movies are released to slightly varying degrees of praise, make and expected level of money (half a billion at least) and pass through theatrical release with few waves. It’s a reliable machine, but does threaten to get a little boring in the long run.
Yeah, it was really boring when they did a space movie that was nothing like what they’ve done before, a comedy heist movie featuring a guy who talks to ants, and a trilogy closer that rivals The Last Crusade.
Thanks to Zack Snyder immediately going “full edgy” with his tinkering and re-imagining of DC’s core heroes –
Oh! I’ll finish this for you: everyone wants him fired. Well, not everyone, but everyone who has at least seen Before Sunrise. Or Sucker Punch. Or any other Zack Snyder movie.
the DCEU has established itself as a place where the rules get broken, and not everything is as “Disneyfied” as the squeaky-clean MCU.
Yeah, I was so annoyed when the MCU decided not to “break rules” by starring a talking raccoon and a tree alien in one of its movies. Or when they pulled off a 70s spy thriller starring Captain America, one of the previously most one-note characters in all of comics.
But DCEU breaks rules left and right! Like when the characters in Suicide Squad fight a villain with a beam of light hitting the sky! And when they wrote Lex Luthor as Edward Nigma from Batman Forever! Or when they used virtually every visual trick and style Zack Snyder has featured in his movies since 300, but with DC characters!
Who would have thought style beats substance?
Long after people stopped caring about Iron Man 3’s shenanigans, they’re still arguing for and against Man of Steel;
Believe me, people still bring up Iron Man 3.
that says the DCEU is like punk rock: the financial returns may lower than a pop-culture formula, but the loyalty and love is exponentially more intense.
Again, though, this is all based on cheap intertextuality. A love and loyalty earned by the comics and previous iterations of the characters, not anything at all what the DCEU has earned on its own. Do you truly believe the majority of these fans would love Batman v Superman if it was featuring characters they didn’t recognize?
Meanwhile, people who’ve never read a comic in their life show up to see Marvel movies, because they don’t rely too heavily on intertextuality to tell a good story. They just tell good stories.
#3 Cult-Status Double Dip
Oh, this feels like a cult, alright.
While the theatrical releases of Man of Steel, Batman v Superman and Suicide Squad have all been plagued by harsh criticism, they’ve also achieved a sort of cult-status amongst the fans that embrace them,
Of course they do, and for the same reason people still think the Star Wars prequels are actually good movies. When you want something based on something you love to be good, you find ways to make it good. And since when are comic-book movies intended to be cult films? They’re made to be widely accessible and approachable. You’re essentially admitting that the DCEU is failing to find an audience outside the devoted few who would love anything with Batman and Superman in it.
With BvS:UE still making strong sales (and headlines), DC/WB has pulled off another trick: getting people to double-dip for a movie initially deemed “a failure.”
Yes, the DCEU is doing well in terms of DVD sales, but they’re a fraction of what a worldwide box office will bring you. It’s like saying the DCEU is “working” because they found a $20 bill on the side of the road.
I’ll grant you that a sizable group of fans love the DCEU movies. but that only means the DCEU is working for them. For these movies to become truly successful and grow in that success, they have to speak to larger audiences and prove themselves worthwhile films. But nothing in Kofi’s article explains how specific decisions made by Warner Bros. have yielded better results than they could have hoped for.
#4 Heroe$ & Villain$
Oh, Kofi, you outlaw.
As of writing this, Suicide Squad has just crossed the $500 million mark at the worldwide box office. At a nearly $200 million budget, it’s not a slam-dunk win like, say, Captain America: Civil War, but at three weeks at the top of the domestic box office (and overwhelmingly positive viewer ratings), Suicide Squad is far from the prophesied disaster that would die quickly on bad word mouth.
A couple things. Like we mentioned earlier, Suicide Squad had fantastic marketing. The trailers sold a lot of people (not literally), many were curious because of the controversy, and many many people were itching to see Margot Robbie and Will Smith. Critics arguably put a sizable dent in the film’s potential returns, but nothing would have stopped the fans from showing up and rightly so.
But what did they think of the movie after they saw it?
Of course, Kofi doesn’t source his “overwhelmingly positive viewer ratings,” and I think he should because the data doesn’t back up his claim. It has a Rotten Tomatoes user rating of 68%, which is more “whelming” than anything else. And its B+ Cinemascore is decent at best. In comparison, Guardians of the Galaxy has a 92% user rating and an A Cinemascore. But hey, onions are onions.
So yes, Suicide Squad is doing well despite terrible reviews. For that reason, I’ve decided that the Transformers movies are “working.” Working to make a few people rich, at least.
the DCEU has now proven that it can make lucrative franchises out of its stable of heroes and villains.
Lucrative? Sure. As lucrative as they expected? No.
And diminishing returns are a big deal, Kofi. If these movies don’t improve in quality, more and more people will stop paying ticket prices to see them. Full stop. Short term success is one thing, but Warner Bros. is smart enough to know that they can’t keep churning out critical duds and expect growth.
#5 Better Woven Saga
Oh, this has to be a joke.
The truth of the matter is
…nothing you’re about to say.
cinematic shared universe world-building is always going to be somewhat clunky, given that a movie is supposed to be a standalone story while shared universes work in episodic chapters
And yet every Marvel movie has been a modest success at the very least. So maybe it’s not that clunky always.
The MCU phased 1 thread connects were superficial and arguably weak:
This…is a joke a right?
post-credit “Avengers” name drops before anyone knew such scenes existed
characters like Hawkeye and Black Widow get half introduction while wedged in some one else’s solo film, etc
First of all, both Hawkeye and Black Widow had introductions. Not “half” introductions. No one came up to ScarJo, asked her name, and walked away knowing only “Black.” Both characters made sensible appearances to slowly establish themselves before getting better fleshed out when it mattered. How is that weak? How is restraint weak?
The MCU has gotten a lot smarter about weaving its many many threads together (see: Captain America: Civil War), but it had a rough start.
A rough start? Is that why The Avengers (the culmination of their “rough start”) is the highest-grossing superhero film of all time, complete with some of the highest ratings?
The DCEU, on the other hand, took a standalone film (Man of Steel) and managed to drop enough Easter eggs seamlessly into the mix to create a universe where Batman and Lex Luthor not only already exist offscreen, but are directly impacted by Man of Steel’s events.
What the Rotten Tomatoes Hell is this guy talking about? What easter eggs in Man of Steel are stronger than flat-out introducing characters in MCU films? How was it seamless? How is any of this part of your sentence?
One of the easiest criticisms to lob at the DCEU is their rushed cinematic universe. Instead of a sequel to Man of Steel or a standalone Batman movie, they skipped ahead to a movie with both characters, combining several comic storylines (Dark Knight Returns and Death of Superman) that don’t fit together and shouldn’t even exist at the beginning of a film universe.
Rotten onions are rotten onions. Or are they tomatoes? Now I understand that website.
Batman v Superman and Suicide Squad both grew organically out of both narrative developments in the preceding films,
Said the most wishful thinker in the history of opinion opinions.
That interactivity and forward-thinking right from the start will inevitably make the DCEU a long-term investment that could come back to pay off in a much more fulfilling way than the MCU.
Forward-thinking? The DCEU has been one of the most reactionary products in modern cinematic history. They’re constantly shifting the tone and talent behind their movies to appease public opinion, hence the debacle that was Suicide Squad‘s final, Jokerless, cut. It’s not a bad thing that they’re at least trying, but to suggest that the DCEU has failed on purpose is an utter joke.
I also take umbrage with the idea that this “investment” will pay off in a more fulfilling way than the MCU. In order for that to be true, I have to rewatch Man of Steel and Batman v Superman one day. But honestly, if the DCEU rights the ship with Justice League and Wonder Woman (fingers crossed), I’m just going to pull a Green Lantern and pretend those first few movies never happened.
Seriously, this entire article is the equivalent of watching an infomercial. “Buy now! Guaranteed results!” It’s one thing to point out reasons for optimism in the DCEU, but it’s another to rewrite history and make your opinion sound factual. While I don’t disagree with Kofi that the DCEU could become a force to be reckoned down the road, he seems to have taken a page from Warner Bros’ handling of BvS, in that he just wants to skip ahead without any of the real work being done.
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