The Man from U.N.C.L.E. was directed by Guy Ritchie and stars Henry Cavill, Armie Hammer, Alicia Vikander, Elizabeth Debicki, and Hugh Grant. It’s an adaptation of the TV series of the same name, and like the show, it’s a spy thriller set in the 1960s.
The movie is about two special agents, an American and a Russian played by Cavill and Hammer, who have to team up on a mission to stop a criminal organization from starting a nuclear arms race (the plot is only slightly less generic than I’m making it sound). They seek help from the daughter of someone within this criminal organization, who is played by Vikander.
Warner Brothers has been wanting to make this movie for over a decade now, but it’s somehow coming out during what I like to call “Spy Summer.” We’ve gotten a lot of pretty decent spy movies over the last few months, so how does this one stack up?
Well, one of the first things you’ll notice in U.N.C.L.E. is that the stunts are pretty well done. Cavill and Hammer did a lot of their own stunts, especially Hammer. At one point, his stunt double said in an interview that he hardly had to do anything (look out, Tom Cruise).
In fact, Tom Cruise was one of the lead actors first snagged for the role of Napoleon Solo, the American agent. Henry Cavill (who initially sought the role of Hammer’s character) eventually got the part, so I think a lot of people must be wondering how the “man of steel” fares in this.
Fortunately, I can say that both Cavill and Hammer have great performances in this movie. Their characters are well written, their banter has that signature Guy Ritchie style to it, and you can more or less believe that they exist in the 60s. My only complaint is that physically, they don’t seem to match up since Hammer is meant to be a brute, while Cavill is more of the sleuth. But when you look at them side by side…well, it’s just a nitpick.
Speaking of nitpicks, I didn’t find as many as I normally do in spy movies like this, and that’s a testament to the fast pace and good writing, even if there are a few too many cliches in the overall story. I can’t say I was very invested in what was going on in this movie, and at times I felt a little lost. The movie is shot with a lot of shaky cam during its action sequences, and the script kept reusing an Ocean’s 11 plot device that felt useless by the third and fourth time.
That said, the movie had a lot of memorable moments, rivaling Mission: Impossible Rogue Nation (the other spy movie that came out this month). A drunken Alicia Vikander tackling Armie Hammer’s daunting character out of nowhere was great to watch, and a certain scene involving a sandwich was the film’s best moment.
Overall, U.N.C.L.E. is an entertaining B movie with some neat surprises and good performances, though a little bogged down by a generic plot. What truly saves it from getting into mediocre territory is the soundtrack, which is currently my fourth favorite of the year (behind Mad Max: Fury Road, Inside Out, and Paddington).
If you like spy movies, throwbacks to good spy movies, the 1960s, and Guy Ritchie, then this is a must-watch.
- Again, I’ve never seen the original TV series, so I’m curious to know how U.N.C.L.E. stacks up. Let me know in the comments if you’ve seen both and can share your thoughts.
- No after credits stinger, but it’s definitely setting up for a sequel (assuming it makes enough money).
- Elizabeth Debicki is my next pick for playing Audrey Hepburn in any kind of biopic.
- So Superman, the Lone Ranger, and an Artificial Intelligence try to stop a nuclear war…
If you want to hear more thoughts on this movie before checking it out, listen to our upcoming podcast episode of Now Conspiring, where we’ll do a roundtable review with multiple critics. The episode will be ready for download this Sunday at 9:00 am (Pacific).
I’m Jon and thanks for reading this. You can subscribe to my posts by clicking “Follow” in the right sidebar. Or just say hey on Twitter! @JonNegroni