Unopinionated: ‘Divergent’ Isn’t Terrible, But that Doesn’t Mean It’s Good.

Divergent terrible good

You’re different. You don’t fit into a category. They can’t control you. They call it Divergent. You can’t let them find out about you. (Tori speaking to Tris).

Every week, readers send me their unpopular opinions, and on Unopinionated, I explain why they’re unpopular in the first place.

From my inbox: “Here’s an unpopular opinion. Divergent is better than Hunger Games. There, I said it.” – Katie

Comparing these two films is obvious, mostly because Lions Gate Entertainment practically begged fans of Hunger Games to show up for their next young adult dystopia franchise in 2014. Based on a best-selling trilogy by Veronica Roth, Divergent is arguably better than the source material, but that’s not saying much.

The premise of Divergent is pretty much where the trouble starts. Years after an apocalyptic event nearly levels the world, a somewhat rebuilt Chicago has become home to a new, simplified caste system unapologetically inconsistent with nouns and adjectives.

The Amity faction is made up of happy farmers who live outside the city, Erudite holds the city’s intellectuals, Candor are honest and determine the law, Abnegation are selfless and drive the government, and Dauntless are the brave soldiers who protect everyone.

The future belongs to those who know where they belong. -Jeanine

Divergent terrible good

All people are born into a faction that characterizes one of these personality traits in which they’re most dominant, and when they come of age, these adolescents can choose to join another faction after taking what amounts to a personality test.

This is all fairly reminiscent of the Sorting Hat in Harry Potter, but while that more mystical and even mysterious element of the Hogwarts house system was more of an aside to the central plot, Divergentattempts to build an entire narrative around how our personalities divide us. While not a bad concept in theory, it’s immediately overwrought by a plot that never moves on from its initial principle, which isn’t even that interesting to begin with.

The main character, Tris (played by Shailene Woodley in her breakout role), craves a life beyond the plain Abnegation, the faction she was born into. She gets her wish when she discovers she’s “divergent,” meaning she fits into too many factions.

In other words, she’s too special because no one gets her. As if.

Don’t try and define me. – Tris

Tris joins Dauntless, much to everyone’s surprise, fueling the only narrative within Divergent that has some meaningful entertainment. A step up from typical High School movies, Tris has to overcome her literal fears in order to survive fitting into a group of young adults she previously had nothing in common with. All while dodging the inconvenience of her status as a divergent, making her a target if the secret gets out.

There are genuine thrills and absorbing moments to be had while watching Tris bond with the recruits and mainstays of the more free-wheeling Dauntless, especially within the commentary of a city trying to rebuild itself with harsher rules and regulations.

Divergent terrible good

But the payoff is too familiar and derivative to contribute anything meaningful to dystopian epics for this age range. Rather than provide something novel to Tris’s character and how she fits into a new world, the film jerks backward to make this about oppressive, authoritarian adults messing up everything.

Having a “chosen one” in any given story is a quick way to ramp up the mediocrity in storytelling. Harry Potter cleverly sidesteps this by shifting focus to how special the villain is, making him an equally important shade of the titular boy wizard. Hunger Games turns this trope on its head by making the “chosen one” special only in the eyes of the masses being manipulated into war, a far more interesting culture point.

Fear does something strange to people like Al. But not you. Fear doesn’t shut you down, it wakes you up. – Four

But Divergent has nothing interesting to give its “chosen one” except that she has too many dominant personality traits. There’s nothing else to Tris’s character that shapes her decisions and struggles to move through the plot. She’s simply special because the script demands it, and this is too obvious for most moviegoers.

On the other hand, it’s not clear that denser lore would have improved anything. The world of Divergent is already stuffed with uninspired naming conventions and quirks that beat the moviegoer over the head with reminders that they’re watching a movie created for kids.

Grade: C+

Fans of the books have plenty to love in Divergent, as it’s a streamlined improvement over the schlock writing that inspired it. And it certainly has some entertaining moments that keep the story moving. But at this point, fans of the genre have plenty of options superior to an empty psychology lecture.


Do you have an unpopular opinion you want challenged? Let me know in the comments and I’ll take it on in a future Unopinionated article. Or you can email nowconspiring@gmail.com

I’m Jon and thanks for reading this. You can subscribe to my posts by clicking “Follow” in the right sidebar. Or just say hey on Twitter! @JonNegroni

The ‘Divergent’ Series Is Actually Being Smart About Its Final Two Movies. Almost.

ascendant divergent

I could be wrong about this, but I’m pretty sure we have Harry Potter (and Warner Bros) to thank for this “one book stretched into two movies” trend that has taken over mainstream YA cinema.

Hunger Games did it, Twilight did it, and Percy Jackson would have probably done it if enough people went to see Sea of Monsters. And as you no doubt expected, The Divergent Series is doing it, too.

But rather than go with the normal convention to give both movies the same name as the book with just a “Part 1” and “Part 2” tacked on, the studio (Summit Entertainment) has chosen to rename the fourth movie.

As someone who is fed up with the marketing tactics of YA movies, I think this is a smart move and hope it catches on with book-to-movie franchises I actually want to watch. And to be fair, Summit is likely taking a cue from how poorly received Mockingjay: Part 1 was, which made $100 million less than Catching Fire. This happened in part because even the name of the movie went out of its way to let you know that this was more of a setup, not a sequel.

ascendant divergent

So the next film in the Divergent franchise will be called The Divergent Series: Allegiant, which is the name of the book plus the annoying descriptive phrase preceding it because apparently Hollywood doesn’t have enough faith in our short-term memory and hates fitting the actual name of the movie on a ticket stub. Regardless, there’s no “Part 1” because…

The fourth movie will now be called The Divergent Series: Ascendant, which betrays the “gent” branding they’ve worked so little to make us work for. Still, it’s a big deal that they’re willing to rename the second half of a book. Can you imagine the uproar if The Deathly Hallows had been replaced with something like Harry Potter: and the Surprising Addition of Neville Longbottom as a Critical Character? Actually, that sounds about right.

 

What’s even more barely interesting is their choice in visual marketing. If you take a close look at the Allegiant poster, you’ll see the same symbols from the cover of the book. That makes sense. But then look at the Ascendant image right next to it.

divergent ascendant

Seriously, Summit? You couldn’t vary the posters just a little bit? Sure, the symbols are different, but literally no effort was made to provide a distinction between the two movies. You might as well revert the naming format if you’re going to market them as…well, Part 1 and Part 2.

To be fair, I’m not saying the posters look bad. It’s just a little jarring when you see the math formula behind this franchise’s marketing so overtly, as opposed to gently obvious.

This is actually a great representation for my main issue with this franchise, which is how annoyingly planned this world comes off as. It obeys every trope in the YA handbook, it treats its release dates with unrelenting precision and predictability, and the movies themselves are just a checklist/gift bag of meticulous things you’ve already seen in other movies, only better.

I’m not just picking on Divergent, of course. Marvel and D.C. deserve a lot more flack (especially Marvel at this point) for how willing they are to lay out the next ten years of superhero movies they plan to do on a timeline, eliminating all of the mystery and guessing for what comes next. It’s all just become such a boring science.

ascendant divergent

Anyway, Allegiant and Ascendant also have new tailgates that shouldn’t surprise anyone with their blandness. Allegiant is simply “break the boundaries of your world” and Ascendant is “the end is never what you expect.” Except, I’ve already read the books, and unless they’re changing the ending for the movies, you’re going to expect it…and not in a good way.

 

Robert Schwentke — who directed the nearly unwatchable Insurgent (in my opinion) — is helming both Allegiant and Ascendant, which makes me strongly reconsider finishing this franchise. The Divergent Series: Allegiant will open on March 18, 2016, followed by The Divergent Series: Ascendant a year later on March 24, 2017.

Source: MTV

What is the Best Young Adult Book Movie?

This week on the Agents of FILM podcast, we talk Maze Runner and the future of young adult book adaptations being Hollywood money-makers (or not). Plus we evaluate upcoming movies that will try to be the next Harry Potter/Hunger Games/Twilight.

Maria also talks about her interview with Michelle Monaghan (True Detective), and we go over which films we think you should check out next week.

(On the go? Download the audio podcast here.)

Cool things we mentioned:

Maria’s interview with Michelle Monaghan.
Supergirl confirmed for CBS.
Deadpool movie confirmed for Fox.

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