2018 In Film – Do I Make You Sad? (Tribute)

Another year of film is about to pass, so I did something a bit different to mark the occasion. You’ve probably seen a few tributes like the one shown above, but hopefully you’ll find that this one is a bit more thematic than others. Each song choice, scene, and even some edits plays into a larger theme of what 2018 meant to me as a filmgoer. Also, I purposefully chose 162 films to highlight, which obviously includes movies I haven’t even seen yet, as well as films I didn’t even particularly like. But I know many of you watching did, and I want to celebrate the universal appeal of cinema for everyone. Not just me.

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Cinemaholics Review: Rampage

rampage

Rampage has been a huge hit at the box office so far (no surprise for a Dwayne Johnson blockbuster), but reviews are about as divided as many expected. Is this the best video game adapted film, so soon after Tomb Raider? If you ask Will Ashton, not so fast. We had a great discussion, but this is a pretty packed episode with other reviews and topics at hand.

I’ve been at San Francisco International Film Festival all week, so I briefly shared my thoughts on a few new movies you might remember from our Sundance episode back in February. I discussed Leave No TraceSorry to Bother YouThe Guardians, and Eighth Grade (which won honors at the festival). Will and I also spent some time explaining the Netflix controversy related to Cannes Film Festival, which poses some big questions for the future of streaming movies and what constitutes as “true” cinema.

For Mini Reviews, we dove into the new Netflix reboot series Lost in Space, plus a few under-the-radar flicks you might want to check out. Paterno just came out on HBO, which stars Al Pacino as the Penn State coach during the final years of his life. I saw You Were Never Really Here, which stars Joaquin Phoenix and is already a contender for my favorite movie of 2018. And we finished with Lean on Pete, a new A24 film from the director of 45 Years.

Question for you: What is the “best” Dwayne Johnson movie?

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