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‘A Wrinkle In Time’ Takes Us Far, But Goes Nowhere

wrinkle

A Wrinkle in Time probably should have been an animated movie. Disney has had a better track record with animation when it comes to fantasy if we’re being honest, and it’s a shame to see a filmmaking team produce such a visually stunning movie trapped inside a vacuous bore of a screenplay.

The film is based on the 1962 book of the same name by Madeleine L’Engle. Director Ava DuVernay (Selma) and screenwriter Jennifer Lee (Frozen) have adapted this story—the first in a series—rather faithfully from what I remember of the source material, telling the tale of a 13-year-old girl named Meg (Storm Reid) who travels through space and time to find her father (Chris Pine) with the help of her two friends and a trio of inter-dimensional sorceresses, or “Ws” as they’re called.

The craft and artistry behind Wrinkle is its own worthwhile experience. Every planet, astral jump, and reality-bending set design has a sense of place and style harkening back to some of Disney’s most memorable animated locations. Except Wrinkle has more than just one Cave of Wonders or Atlantica to boast.

Go on…‘A Wrinkle In Time’ Takes Us Far, But Goes Nowhere

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