2018 In Film – Do I Make You Sad? (Tribute)

Another year of film is about to pass, so I did something a bit different to mark the occasion. You’ve probably seen a few tributes like the one shown above, but hopefully you’ll find that this one is a bit more thematic than others. Each song choice, scene, and even some edits plays into a larger theme of what 2018 meant to me as a filmgoer. Also, I purposefully chose 162 films to highlight, which obviously includes movies I haven’t even seen yet, as well as films I didn’t even particularly like. But I know many of you watching did, and I want to celebrate the universal appeal of cinema for everyone. Not just me.

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Cinemaholics Review: A Wrinkle in Time and Thoroughbreds

wrinkle

On the show this week, Will Ashton and I review A Wrinkle in Time, the new Disney family film based on the classic novel. The film opened at around Disney’s box office expectations, second only to Black Panther (which is still breaking records), but it’s become a divisive topic among critics and fans who found the adaptation disappointing while also championing the film’s representation.

For the most part, Will and I are on the same page with Wrinkle. It’s complicated. Later in the show, we take a look at Thoroughbreds, plus we opened this week’s episode with some discussion about the Oscars and ongoing coverage over at SXSW Film Festival. It’s a useful talk if you’re curious about some upcoming genre films set to release in 2018, just remember to take these early film reviews with a grain of salt. The rest of this week’s reviews include Atlanta Season 2, Jessica Jones Season 2, and Will Ashton’s reactions to Love, Simon (which guest Kimber Myers reviewed for us last week).

Question for you: Where do you stand on A Wrinkle in Time?

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‘A Wrinkle In Time’ Takes Us Far, But Goes Nowhere

A Wrinkle in Time probably should have been an animated movie. Disney has had a better track record with animation when it comes to fantasy if we’re being honest, and it’s a shame to see a filmmaking team produce such a visually stunning movie trapped inside a vacuous bore of a screenplay.