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2018 In Film – Do I Make You Sad? (Tribute)

Another year of film is about to pass, so I did something a bit different to mark the occasion. You’ve probably seen a few tributes like the one shown above, but hopefully you’ll find that this one is a bit more thematic than others. Each song choice, scene, and even some edits plays into a larger theme of what 2018 meant to me as a filmgoer. Also, I purposefully chose 162 films to highlight, which obviously includes movies I haven’t even seen yet, as well as films I didn’t even particularly like. But I know many of you watching did, and I want to celebrate the universal appeal of cinema for everyone. Not just me.

Go on…2018 In Film – Do I Make You Sad? (Tribute)

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Cinemaholics Review: A Wrinkle in Time and Thoroughbreds

wrinkle

On the show this week, Will Ashton and I review A Wrinkle in Time, the new Disney family film based on the classic novel. The film opened at around Disney’s box office expectations, second only to Black Panther (which is still breaking records), but it’s become a divisive topic among critics and fans who found the adaptation disappointing while also championing the film’s representation.

For the most part, Will and I are on the same page with Wrinkle. It’s complicated. Later in the show, we take a look at Thoroughbreds, plus we opened this week’s episode with some discussion about the Oscars and ongoing coverage over at SXSW Film Festival. It’s a useful talk if you’re curious about some upcoming genre films set to release in 2018, just remember to take these early film reviews with a grain of salt. The rest of this week’s reviews include Atlanta Season 2, Jessica Jones Season 2, and Will Ashton’s reactions to Love, Simon (which guest Kimber Myers reviewed for us last week).

Question for you: Where do you stand on A Wrinkle in Time?

Go on…Cinemaholics Review: A Wrinkle in Time and Thoroughbreds

‘A Wrinkle In Time’ Takes Us Far, But Goes Nowhere

wrinkle

A Wrinkle in Time probably should have been an animated movie. Disney has had a better track record with animation when it comes to fantasy if we’re being honest, and it’s a shame to see a filmmaking team produce such a visually stunning movie trapped inside a vacuous bore of a screenplay.

The film is based on the 1962 book of the same name by Madeleine L’Engle. Director Ava DuVernay (Selma) and screenwriter Jennifer Lee (Frozen) have adapted this story—the first in a series—rather faithfully from what I remember of the source material, telling the tale of a 13-year-old girl named Meg (Storm Reid) who travels through space and time to find her father (Chris Pine) with the help of her two friends and a trio of inter-dimensional sorceresses, or “Ws” as they’re called.

The craft and artistry behind Wrinkle is its own worthwhile experience. Every planet, astral jump, and reality-bending set design has a sense of place and style harkening back to some of Disney’s most memorable animated locations. Except Wrinkle has more than just one Cave of Wonders or Atlantica to boast.

Go on…‘A Wrinkle In Time’ Takes Us Far, But Goes Nowhere

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