Johnny Depp’s latest movie, Mortdecai, was released this past weekend, but that’s not good news. Critics and audiences unanimously agree that the film is a huge misfire for the once celebrated actor.
So this week on the Now Conspiring podcast, Maria and I welcome guest writer Adonis Gonzalez to talk about the truth behind Depp’s tumultuous career over the last five years.
Later in the show, we review the latest movie from George Lucas’s mind, Strange Magic, and we review some of the biggest headlines of the last week, including the casting announcements for X-Men: Apocalypse and Supergirl.
Stick around for our Netflix Recommendation of the Week, as well as our overview of the new movies coming out this weekend (and which ones you might actually like).
Enjoy the show, and don’t forget to subscribe and rate our show on iTunes!
Question of the Week:
What do YOU think happened to Johnny Depp? Let us know your thoughts in the comments!
Cool things we mentioned:
Star Wars rumor: Han Solo and Boba Fett get their own prequel?
CBS has found their Supergirl!
X-Men: Apocalypse has cast Jean Grey, Cyclops and Storm!
The Hobbit has been supercut into just one movie...
YES. The Captain Underpants movie is still happening!
Sandy Schaefer | Screenrant:
Johnny Depp is, of course, reprising as pirate Jack Sparrow, while Orlando Bloom says he’s been approached to return to the Pirates franchise for Dead Men Tell No Tales, as part of a story that would revolve around his character, Will Turner, and Will’s son. Actor Brenton Thwaites (The Giver), who is playing the movie’s young male lead (who may or may not be Will’s son), has now shed a little more light on that matter.
Another recent development is that Kaya Scodelario (that one girl in Maze Runner and Effy from Skins) has been cast for Pirates of the Caribbean: Dead Men Tell No Tales.
If the movie really does feature Will Turner/Davy Jones’s son, then it will obviously be hard to tell the story without even a glimpse of him, but I suppose it’s possible. Plus, a return to the franchise’s roots is certainly best.
Pirates has always been best when mismatching Jack Sparrow with a straight man like Turner, so his son is the next best thing for now.
Are you trying to make it as a movie writer? Are you trying to separate the great from the clickbait?
A movie writer, as you can imagine, is someone who writes about movies. Not to be confused with screenwriters, who are actually writing movies.
Anyway, on this special episode of the Now Conspiring podcast, Maria decided to take the reins as host and address what it takes to make it as someone who, well, writes about movies.
We’ll talk about tips, tricks, and little-known secrets to avoiding the most dreaded of article types: clickbait.
And we’ll also discuss how we’ve gotten to where we are as bloggers, as well as all of the mistakes we’ve made along the way.
Enjoy the show, and feel free to rate and subscribe to our show on iTunes! We super crazy appreciate it.
[SIDE NOTE: The movie for the image above is James Franco playing Allen Ginsberg in 2010’s Howl. For whatever reason, he was the first person I thought of when putting this podcast together. Go figure.]
Seth Feigerman | Mashable:
Netflix is the latest company to offer up The Interview on demand.
The online video service announced Tuesday that it will offer The Interview, which it dubbed “the controversial comedy,” to its subscribers in the United States and Canada for no additional charge starting on Jan. 24. Google Play, Xbox and Apple TV previously offered the movie for purchase after the movie was pulled from many theaters following threats from hackers.
That’s this weekend.
Glad I waited to watch this, then. From what I’ve heard, paying for this movie would have probably felt like a waste.
Frozen and Kangaroo Jack).
We’ve all watched that trailer. It gives away the whole movie, including key plot twists. Sometimes you watch a trailer that isn’t even close to what you get in the real movie (we’re looking at you
And sometimes, a movie trailer is just plain bad, even though the movie itself is quite good. Well this week on the Now Conspiring Podcast, Maria and I delve into what makes our trailers, well trailers. Is it money? Greed? Power? Greedy power? We discuss.
Later in the show, we quickly review Paddington, American Sniper, and Blackhat. And we also cover this week’s movie news, including our thoughts on the Oscars, the new Avengers: Age of Ultron trailer, and more.
Stick around for our Netflix Recommendation of the Week, and as always, we finish the show with new Movie Releases coming this weekend.
Question of the Week:
Why do movie trailers suck? Let us know your thoughts in the comments, and don’t forget to subscribe to our show on iTunes for updates on every episode!
Links to cool things we mentioned:
My American Sniper review.
How George Lucas almost directed Star Wars: Episode VII.
The second trailer for Avengers: Age of Ultron (which Maria hates for some reason).
All of the Oscars nominees in one place!
Reviews bore me these days, so I instead wrote a list of the things that make Paddington the miracle movie that it is. You can read the published article here.
The main thing I explore in this list is how bold and unique the movie ends up being. It has its own set of fantastical rules that make the world of Paddington feel like home. And of course, it’s a brilliantly funny movie complemented by a memorable soundtrack.
Oh, and its charm is unrelenting.
The nominees for Best Picture aren’t very surprising, save for Gone Girl getting snubbed in favor of noticeably weaker films. But first, here they are:
- American Sniper
- Birdman or (The Unexpected Virtue of Ignorance)
- The Imitation Game
- The Theory of Everything
- The Grand Budapest Hotel
One of the trends you’ll notice on this list is that it’s very biopic heavy. Four of them are direct biopics, while another two are indirectly centered around the actor being the movie’s gimmick (Birdman and Boyhood). Only two of these movies are just that: Movies.
These are all great films. The only one of these I didn’t enjoy was Birdman, mostly because it’s such an uneven film made that way because it wants awards.
The only thing about it that worked for me was Edward Norton, but everything else felt so condescending toward nothing. It was just two hours of people screaming at each other for no reason but to vent out frustrations I couldn’t care about.
I sort of understand the appeal of stories that make no sense. But for me, narrative has to have cohesion, or else I’m not going to appreciate the movie as a whole. So for that reason, I’m not on the Birdman bandwagon.
Whiplash is still my favorite film of the year, and I’m also excited to see Selma and Boyhood getting their due. But Imitation Game and American Sniper beating out Gone Girl and Wild seems like a huge “We hate Ben Affleck and Reese Witherspoon” message from the Academy, even though Rosamund Pike and Witherspoon got the obligatory Best Actress nods.
And no, Interstellar doesn’t deserve to be on this list, but I feel terrible for Matthew McConaughey’s snub for best actor.